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Found 14 results

  1. Hi, I’m not sure what to call this. I want to adjust the colour and brightness in multiple objects but change them respectively so if you start with different colour you end with different colours. There are attached images to help explain what I mean. Thanks for any help
  2. Hello People Hello Dev's and Team Well today i'll make it simple for this amazing product we love. I would suggest a new Special Filter to be developed and implemented on Affinity Photo. The Skin Tone Live filter This Special filter should take care of helping the user to process skin tone adjustment in a Pro way and with ease of use. it should come with a tonal range picking tool that allow to pick and a set the initial/reference point/color range we would like to apply into areas we wish to correct. The filters should be Live and Non Destructive allowing a anytime tuning. The same filter should also include slider that will help us achieve things like Smoothing etc... like existing Filters is should have a Mask in it so we can paint the adjustment on specific areas we think we need to correct. let's say i want to make a model skin uniform, i would select the skin color Filter, use its picking/tonal range selection tool and click on the area that i think is the good/best tonal reference point, once i get that point it becomes what i will paint using brush tool in areas i think should be corrected, then i paint into areas i want to uniform to see them updated with selected tonal range and from the same Filter i should also the able to slide left or right (starting from center) to smooth or sharpen the applied skin tone. This should help us spend less time working on model/portrait skin tone but gain great results. if others can learn from us then we too can learn from them but make it 1000 times better than how it offered/presented actually. That was my suggestion for Affinity Photo. Blessings !
  3. Hi! I am in the process of creating a new workflow for my portrait photography, using Affinity on iPad Pro, instead of PS on Macbook Pro. There is one of my PS procedures, for which I just can’t seem to find a substitute in Affinity. In PS I use the Color Adjustment layer, to shift a range of e.g. reds towards orange, and thus fix problematic red skin tones. The thing is, that you can use two sliders to finely tune the exact range of reds that you want to affect. Is there any way I can achieve the same in Affinity? (Using e.g. the whole RED channel is way to coarse.) Thanks
  4. Hi, I'm facing an issue with Affinity Designer and Photo. Both of them showing a slightly blue hue to the images. Can someone help?. Just noticed today, never faced anything as such before. Thanks in advance, Krishnakumar
  5. Playing with the brush engine in Photo & Designer and found that Hue / Saturation / Luminance Jitter work differently from other apps… In Affinity the jitter is applied per dab. Compare with Photoshop (and others?) where the jitter is applied per stroke. In my limited experience per stroke is more useful in digital painting for creating subtle variation between painted strokes. Could Affinity have the option to choose how the jitter is applied? Thanks for your consideration.
  6. Hi, It seems to me that the Protect hue option in the Burn and Dodge tools is not working. The result is identical no matter if it's on or off. For comparison, in Photoshop if I turn on this option there's a very clear difference in the result. So is it something with my settings in Affinity Photo or is it a bug? I use the latest official version of Photo. Thanks in advance!
  7. Hello, When I go to copy and paste a component of one art board to another, the color hue often becomes tinted. It is driving me nuts! Can someone please tell me if there is a resolution to this? I don't know if I accidentally made an adjustment in my settings that may be causing this. Any help is much appreciated! To help illustrate what I mean, the first image is what I wanted to copy & paste. The second image displays how the image was pasted into the new artboard - tinted with a more transparent look. I did check and opacity for this layer is at 100%. THANK YOU!!!
  8. Hello, I've been poking around and comparing tools between Photoshop and Photo/Designer (mainly Photo for this post). I have noticed what I will refer to as a "performance" issue between the two tools. When using the Hue/Sat tool in Photoshop you can adjust the Hue, Saturation, and Lightness for the independent color channels of Red, Yellow, Green, Cyan, Blue, Magenta, and Master. The issue I find is that in Photoshop when I adjust let's say, the Red channel, and I use the Lightness slider and bump the setting to max Lightness (200%), in Photoshop it results in the Reds of the image being turned white (completely). Whereas in Photo, the image leaves behind remnants of color. Why would this be happening? Is there something I could be overlooking?
  9. Can you please add some sort of hue or color jitter that shifts between the foreground and background color to get good variation of two colors?
  10. Hi all ! So glad i found this awesome software and i already love it ! :) So much stuff is handled much better than in PS so i am definitely switching over :) I do have one issue which is a bit annoying. At first my work area was a bit yellow, so i changed the profile and then it was all good. BUT, when i import a photo, it gets totally messed up and pick up a yellow hue. :/ Once i export the photo everything is good, but inside AD it looks like this: https://dl.dropboxusercontent.com/u/40227395/PREW/ss.jpg I am posting a screenshot so you can see how image looks normally (on the right) Also, i am using this color profile both in AD and in standard windows settings: Samsung - Natural Color Pro 1.0 ICM Tnx in advance ! I really hope to solve this issue !
  11. In Photoshop I can pick a custom range of colors to manipulate and also set a falloff to that range. Will this be added in Photo?
  12. It would be a welcome addition if we could make a swatch based on another swatch, not unlike Sass (https://robots.thoughtbot.com/controlling-color-with-sass-color-functions). In interfaces for example, I could create a green button with a darker green border. The darker green would be based on the original green and have the same hue and saturation, but the lightness would differ. That way, if I later change my mind and want to make all green buttons blue, the dark border would shift along. I'm looking forward to your thoughts!
  13. Let’s say I have an object with a fill and border, both have the same color but the border’s lightness is 10 points lower than the fill’s. I would like to change the color/hue/lightness of the fill and have the border color/hue/lightness change with it while keeping the lightness at the same distance from each other. Sounds complicated, I hope you understand what I mean. Is there a way to achieve this?
  14. I use the eyedropper tool and sliders all the time to isolate and take red out of skin. Is there a way to do this in Affinity Photo? This would seriously be a deal breaker for me.I use the saturation and lightness sliders as well. I change the channel to red, use the eye dropper tool and click on the red I want to remove in the skin, I move the Hue slider to the left so I can see what area of the skin I am effecting, take the sliders below and push the right and middle sliders together until it isolates just the red in the skin, but doesn't effect the other area. I can then slide the hue towards yellow. Brush of the lips and I have the most perfect base of skin.
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