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Found 5 results

  1. I think you could control it with two diameters, one width and two distances, as shown in the - very crudely drawn - attached image, where: * The size of the blue dashed circles is controlled by the two red arrows; * The middle convex/concave width is controlled with the orange arrow; * The distances between the circles is controlled by the green arrows. This would come in handy for all kinds of things, not just eggs: Cams; map pins; belts; chain links; superhero masks; ears; and probably many other things. I'm sure that people more creative than me could come up with better uses. It's not particularly important to me personally, I just thought it might be useful.
  2. A day early, but I can't wait ...
  3. So far I have done a few photo corrections and basic extract, cut and paste in AFP and was sufficiently impressed to decide to invest some time and effort into trying to learn AFP to a usable standard. This is my first attempt to produce an image entirely in AFP. I can't pretend it wasn't very frustrating at times. One of AFP's most amazing features, the way it stacks and nests layers, masks, adjustments, is very powerful and subtle, but it's also the most difficult to get your head around. You have to forget anything you learned elsewhere and learn a quite different approach and philosophy. :unsure: This simple image contains no photographic elements at all. It is 'painted' entirely in AFP using pen, brush, Layer FX, and some noise. That's it. Just the very basics. Given that my next best passion after photo manipulation and creation is my kitchen and cooking, I thought a foodie subject would be appropriate. I broke an egg into a non stick pan put it beside my monitor and created the image from life just as one would a traditional still life painting. This is very unusual for me as I normally work photographically, but it seemed a good way to get to grips with some of the tools. Can't pretend to be entirely happy but no one should be ashamed of first attempts, that's how we learn ............ and I learned a LOT by doing this. :) I shall definitely be persevering further. David Mac
  4. In Illustrator we need to use envelope distort to make an egg shape with a circle. What about Affinity Designer?
  5. retrograde

    Blue Bunny

    Meet Blue Bunny, he's a happy little fellow... :) Continuing the Bunny series from some client concept sketches that never got beyond the proof phase. Thought I'd try something different on this one and play with some pixel painting texturing and also attempt at adding fur to this little guy. The fur is made up of repeating individual groups of "fur shapes" copying, rotating, skewing, repeat... each with transparent gradients and blur to add softness and hide some of the edges and yes it was a lot of work... ;) Really loving the ease of vector and pixel workflow!
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