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Showing results for tags 'drone'.
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Affinity, Do you guys have a video showcasing how to fill aky of a drone 360 Pano? I came across a video on YouTube that showcased this, but cannot find it, nor can I remember if it was an "Affinity" showcased Video Workflow or someone else. Due to the Zenith constraints of Drone 360 image capture, I need to fill the sky. Thank you.
TheWindowSeatistaken posted a topic in Share your workHEY Hows everyone doing on here..... I wanted to share some of my work but figured since its my first post I'd share a little about myself as well. Im new to the whole Affinity program but Ive been a Hi-End retoucher for over the past 9 years. Currently Im a retouching manager in New York specializing in beauty and Product retouching. At work we're using the Top of the Line MAC's fully spec'd out with the "industry standard" photoshop ....... BUT I've been looking for something equally as capable as photoshop but mobile! AND HERE's where AFFINITY comes in... This thing is amazing! Every time I use it I find myself going back to work the next day with another "Guess what else affinity Does" story. lol. Im shocked It can handle the files it does and I'm sure its only going to get better from here. Ive been quietly looking around on this forum and all ready see SO many talented people. So I hope to bring some of my perspective from someone who uses photoshop all day at work. But then AFFINIY for my personal on the go projects. Some info on the file - Theres over 60 layers of just umbrellas and shadows! (ZERO Slow down in app). The file closed is about 400mb but opened its 1.18gb. This was shot with my Dji Mavic Pro. Completely edited start to finish in AFFINITY Photo for Ipad Pro
I've been experimenting (playing around, mucking about) with a concept called 2.5D --"two and a half dimensions". I've seen it on TV programmes and historical presentation videos, and finally I've got around to trying it myself. I've had one or two false starts with images that are too complex (mainly for my patience, although my cutting-out skills have been challenged), but here are a few that work pretty well, I think. The first one is actually the first one I made, and was a bit ambitious. The last two are from a photo that allows for a drone's-eye-view approach. The photos were split into layers in AP, with the in-painting brush and the clone stamp used to remove things and add stuff around the edges where I needed to fill in gaps between layers. Each layer was saved as a separate png (to preserve transparency), and I used Serif MoviePlus X6 to put the whole thing back together and add motion. (I'm going to miss MP! I shall have a long search to find anything as versatile for a reasonable price.) This is Stowe Gardens in Buckinghamshire, if you're wondering. Capability Brown's finest. The poet Tennyson & his family at their home on the Isle of Wight. (Just down the road from my home!) If pioneer photographer Oscar Rejlander had had a zoom lens ... Walsall, 1900. Early drone footage! Same photo, different treatment. This photo was ideal, having so many layers of rooftops -- five in all, although I could have stretched it to six or seven.
I have a DJI Phantom 4 Pro drone. When importing the .RAW pictures I have taken from the memory card, there is severe lens distortion overcorrection that takes place within affinity (viewing outside affinity this is not an issue). It almost looks like I shot with a GoPro. So in assistant manager I switched the .RAW engine from Serif to Apple and checked "take no action" for auto lens distortion correction. Easy enough right? Wrong, now that I have done that the program crashes every single time when opening these files. Please Help!!!!!