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Found 366 results

  1. I noticed when using gesture pinch out/in to zoom out/in sometime the color picker active randomly, this is a problem because it keep changing the color of the brush. It happened on pixel persona paint brush. It also happened on vector persona but the color not pickup, only showing the picker round magnifier. * I find a solution to avoid this, by turn on “touch for gestures only”, but I still not understand.
  2. Hi there, I am following the official tutorials and they say gradients are also automatically filled in recent color menu too, not only the solid ones. But in my palette there are only solid colors are automatically filled, like screenshot i’ve attached. Am I doing something wrong?
  3. Hi there! I'm astonished with Affinity Designer for ipad! I'm almost completely transitioned from my PC to iPad, just need a few more options. Suggestion #1: Select BY SAME FILL COLOR This is very important for professional work :) For example, if a group of objects (or shapes) are overlapping, what we need to do is to select them all, and divide them. After they are divided, we need to click on "Add" to merge the shapes together, and that's fine. But if we have a LARGE number of SMALL shapes, merging one by one can take forever.So, option "Select by (the same) Color" is very important and time saving for us designers. How I think it should be done: Solution 1. Click and hold the color (from toolbox) with pencil, or with finger, and while holding it select (with your left hand) three dots icon "..." and then choose "Select all" Solution 2. Add a new icon named "Select Same Color", or similar. Suggestion #2: SHAPE EFFECTS For me, as a Vintage illustrations and Logo designs fan, I would like to have a ARC LOWER, ARC UPPER, AND (possible) ARC tools. For example: Netflix logo. How I think it should be done: 1. After typing "Netflix" for example, convert curves, and than click on new icon set named "shape effects", than click on "Lower arc", or "Upper Arc". OK, that's for now, If I missed these options, if they already exist in same/similar form, please let me know.
  4. It would be very useful to have functions to select the same: Color fill stroke (color / width) Appearance To quickly select all your outlines, or background element in 1 color. Speed is everything. :)
  5. I cannot for the life of me find the Global Color option on the ipad photo app. I imported a project I was working on in Designer and it shows the global color swatches but I don't know how to edit them.
  6. I've just installed the 1.5.2 update and started a new document with a white background. The white is not white. It is a bit "tanned", or with a bright yellow shade. I pasted a print screen inside the document to compare the white background of a Instagram page with the white background of a new document. I'm attaching a screenshot so you can see what I'm saying I've tryed to change Color Profiles. Both RGB Color Profile and 32bit RGB Color Profile. Nothing changed. I'm using Windows 10 The new document setup is attached too. Thanks for your attention and any help would be apreciated
  7. Hello! Please have a look at the following image: https://drive.google.com/file/d/1O8yEvxtFKmYVeJZn5QgdxLKUXv_eRsdO/view?usp=sharing It's a low-res artwork of a neuron, often found in scientific contexts. The left part is the original image, the right part is the original image where black has been replaced by white (so that this image can be put on dark backgrounds). The right part is also the result of Photoshop, where I've simply used "Replace Color", chose full black to be replaced by full white, tweaked a little bit with the tolerance, and that's it. I'm having trouble getting the same result with Affinity Photo, unfortunately. I think the fact that the image is basically low-quality makes it a little bit harder. The goal would be to replace the black stroke with a white one, but leave the red color inside exactly the way it is, just like Photoshop did. Here's my first naïve approach using Curves: https://drive.google.com/file/d/140_HbrpTRi7PwpjuwgKQmbqCb6zA78k9/view?usp=sharing As you can see, I can keep most of the red color, but I'm getting some chromatic abberation around the red circle (why?). Second approach, using Gradient Maps: https://drive.google.com/file/d/1AwJtaEAy58O-O0ZWMno89S0sLIc1xbpC/view?usp=sharing The problem here is that I have to hit the same shade of red of the original image at any specific value point, which means I'm recoloring the red circle unfortunately. Any other approaches I missed, and which I could learn? I'd greatly prefer a non-destructive way (compared to Photoshop's) and keep using Affinity Photo/Designer (as always), so I'd be thankful for any help! Affinity Photo's Color Replacement Brush doesn't seem to work at all, it will try to do this: https://drive.google.com/file/d/101TrlMsApn2OfKwgkvKsM1bTs8M9-eEk/view?usp=sharing
  8. In Affinity Designer Hi, How do you select a part of some fonts to change the color? For example I have the word "WATER" and want half of it horizontally at the bottom white and at the top blue. Thanks! David
  9. v_kyr

    Matte Color Macro

    For certain photos like street, casual wear, but also sometimes for portraits, I tend to use matte color effects if those shots have to underline some more urban style. It is an easy task to apply some matte color effect to your shots, though if you need it quite often a reusable macro is the way to go for this. - Here is one adjustable matte color macro for Affinity Photo, which you can reuse for such matte effects for either color or b&w images. BEFORE AFTER LAYERS This macro creates three layers for you with corresponding layer masks: A curves adjustment layer which applies the main matte coloring to the image, which lowers contrast and flattens blacks. You can use the mask (draw with a white/black brush) to exclude/include specific areas from the matte color. For example you could exclude in portraits the eyes from being matte here etc. A contrast boosting layer which allows to give back a little bit of the contrast lost by the matte color effect. This is as default a copy of the matte layer with an applied soft light blending mode and half lowered opacity. Again you can use the mask to remove or reapply certain image areas here. Finally a desaturation layer which can be used to lower the saturation of possibly still too bright colors. You can use the mask here too in the same intended way as before mentioned for the other layers. THE MACRO matte_color.afmacro
  10. I have been searching for a while now, but cant find any "select same colour" feature. All I can find is a feature request post from 4 years ago asking for this. Surely this rudimental feature has been implimented by now. Selecting and replacing a colour is one of the main benefits of vector work, to not have this seems crazy to me. I know the dev team is small and your product is so superior to Adobe is so many ways, but missing fundamental features like this makes it unusable for real world projects. I hope I am being a dullard and a select same colour feature is available. If not please add it to the top of the list of features in the next update.
  11. Hi! I am in the process of creating a new workflow for my portrait photography, using Affinity on iPad Pro, instead of PS on Macbook Pro. There is one of my PS procedures, for which I just can’t seem to find a substitute in Affinity. In PS I use the Color Adjustment layer, to shift a range of e.g. reds towards orange, and thus fix problematic red skin tones. The thing is, that you can use two sliders to finely tune the exact range of reds that you want to affect. Is there any way I can achieve the same in Affinity? (Using e.g. the whole RED channel is way to coarse.) Thanks
  12. I’ve been having an issue with the way AF renders the colors in Canon CR2 files compared to Canon’s Digital Photo Professional. I have the tone curve turned off in the Develop Assistant and am using the Serif Labs RAW Engine. I’m using these settings to enable me to have lens correction since I’m using a Tamron lens which Canon’s DPP doesn’t support any corrections. And I can’t disable the initial tone curve in DPP which limits my dynamic range. I’ll attach screenshots of 2 images, one converted by Canon’s DPP, the other by Affinity Photo. You can see the obvious color shift, especially in the reds. When I put the eyedropper inside the zero of 750s on the side cover I get these values. DPP R=222, G=4, B=3. With AF I get R=188, G=0, B=24. I’ve tried using the Selective Color adjustment and can get the red close by setting the Red channel to Cyan=-100%, Yellow=+35% but the other colors are still off and difficult. Is there any way I can color match to the Canon DPP colors? They are accurate to real life.
  13. Any body found a better equivalent to using the beaker tool to pick my colors, like a color pallet tool. Iv had affinity photo for about 4 months and until a couple of weeks ago I didn't think about it but now it sounds like a smart idea. Please help as in a guide... iv checked the new board and I didn't find any help there.
  14. Is there a way to change the Workspace color profile to something other than the offensive dark grey it defaults too? I looked through all the menu options and didn't see anything. I'm hoping I missed it.
  15. When using alt for color picker magnifying glass seems to instantly launch and makes my color picker do weird things, making it too frustrating to pick colors quickly. When switching to color picker using a shortcut magnifying glass seems not to even begin loading unless i move cursor a little bit with pen pressure applied, which works great for me since color picking is accurate, fast and just like in other software. However if I switch off color picker too quickly (happens alot) or even before I release pen pressure line appears. Please consider doing something about magnifying glass if it's in fact the cause. It's neat for vector stuff, but for painting for me I prefer to be able to pick a color fast just how other programs do it. Also I promise I don't miss colors on purpose! Trying my best. affinity color picker with shortcut bug.mp4 affinity color picker with alt bug.mp4
  16. It would be cool to have certain user settings (mainly custom color palettes & swatches) sync between the entire Affinity suite once released. It would save me hours in duplicating colors in each application ;)
  17. Murioi

    Color Issues

    I'm not sure if this is a bug or what's wrong exactly, but I'm trying to pick a certain color (indicated within the pink oval) but whenever I do Affinity gives me one of the colors in green ovals. Even with the exact hex code it gives me the color comes out wrong. Not sure what's happening. Any help is appreciated!
  18. I have a X-Rite ColorMunki Display to calibrate my screens. It even has support for iPad/iPhone, so I calibrated my iPad Pro 12.9" Mk.I with it and my iPhone 7 too. I can use an app called ColorTRUE to view my photos in real color on my iPad/iPhone. X-Rite says that other apps can be made to use the ColorTRUE profiles, so they will show true colors. As a photographer on the go, I often don't bring my heavy laptop with me with the calibrated screen and I rely on my iPad Pro 12.9" Mk.1 (which by the way has a terrible calibrated screen out of the factory). I edit a photo in Affinity Photo for iPad, export it and then check the real colors in the ColorTRUE app. Then go back to Affinity Photo and adjust colors, white balance, etc. if I need to. This is very cumbersome. If Affinity Photo for iPad could use the ColorTRUE Profile of my iPad, this cumbersome work around would not exist and I could use my iPad for more color critical photo work more easily. Are there plans for Affinity Photo for iPad to use ColorTRUE profiles? If not, are you willing to think about it? This would really make Affinity Photo for iPad justify the Pro in iPad Pro IMHO!
  19. Hi! Firstly, I want to thank you for your products. You do amazing work guys and I really enjoy using them! I believe there are more important features to be implemented, but I couldn't find this one here, so let's list it: There is a "new" font format called OpenType-SVG that stores vector or bitmap informations to create colored fonts. Would be great to push the limit :) PS: Links explaining OpenType-SVG/Color Fonts: http://www.colorfonts.wtf/ https://creativemarket.com/blog/color-fonts?utm_source=ownedsocial&utm_medium=social&utm_campaign=blogposts&utm_content=inspiration
  20. I made a set of gradients for Affinity Designer. My first attempt at AD gradient set! Tada! :D I originally created the set to be used at work (using Illustrator) and I made this to share with the nice folks here at Affinity Forum. Hope you guys find this useful. Thanks! - Maya MAYA-GRADIENT-VOL-1.zip
  21. Hi guys, I have created a color gradient in a layer fx (see image) - now I want to copy that gradient somehow or ideally make it a swatch/global gradient. But I don't see how. Thanks in advance, Stefan.
  22. In Illustrator it's quick and easy to sample a colour and apply it to a new shape - using the colour picker you can select a colour, and then use alt+click to apply it. I haven't been able to replicate this functionality in Affinity Designer - though please let me know if I've missed something! If it doesn't exist, I'd love to see this functionality since it's a real time saver.
  23. SoCalBagpiper

    Solitude No More

    Here is the final image that I was having the crashing issue with a couple days ago. 100% iPad Pro with Affinity Photo. Hope ya like.
  24. It would be great if we can get the HEX input/listing on all of the color sliders. I know it shows up on the RGB Hex setting but if I'm working in one of the other slider color spaces I need to constantly switch back to the RGB Hex to read a HEX value. It would be a great time saver. We could also have an option to have it appear or not appear on each of the color sliders in case there are people who do not need it to be shown. Cheers!
  25. Is there a way to switch the brush colours back to the original black and white with "one" click?
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