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Found 96 results

  1. When using Apply Image equations, I am expecting to see a completely greyscale image when Da and Db are set to constant 0 in LAB space, however I see a heavy blue tint. See attached screenshot, left side should be greyscale instead.
  2. Hi there, I'm a new user of AP (1.4.2), which I really find great! I'm running it on my MacBookPro retina 13" mid 2014 (16GB RAM, 256GB SSD, Intel Iris 1536MB) with El Capitain 10.11.6 (everything up to date and working fine so far). Unfortunately, I have an issue that is seriously affecting my activity with AP: When I open a file (whatever the size, even a few Kb jpeg), it's sufficient to make any selection (even a simple squared one) to make the machine starting to overheat and get the fan running at full speed. This happen just by having any selection active (i.e. marching ants). If I remove the selection, the machine cools down... I also tried to set the "Use only integrated GPU" option, but it didn't help... By de-selecting the "OpenGL Hardware" option things seems to get better , but the performances are quite severely affected. I searched in the forum, and I see that with the beta version someone reported a similar issue ( but it seems that everything was fixed at that time.. My point is: Is it normal such a behavior on a machine that is quite new and well featured? (I'm using my macbookpro even for real-time HD video editing without anything like that. Useless to say: With PS CS6 it is working perfectly without any performance issue). I hope someone can help me. Let me know should you need more information. Many thanks in advance! Marco
  3. I've noticed this on AP 1.5, and now I find it's present on 1.6 too. I'm using mesh warp to form mouth shapes for lip synching an animation. (I'll share it with you all on New Year's Eve ) I have two layers, one for the top lip and one for the bottom. When I click to set a node, the active layer moves very slightly down and right. When the warp is applied the layer moves back to the correct position, so it's not a problem as far as the finished image is concerned, but it does make it difficult to know precisely where I'm warping to. It only seems to be a small number of pixels, and for this application such tiny errors as might arise are negligible; but it would be a problem in other cases. Here's a screen shot with three layers (the hand is on top): This is the active layer (top lip): And the three layers before warping: And this animated gif shows the layer 'jumping' when a node is created: And in case you're wondering, it's one of Raphael's putti ... I'm running Windows 7 on a Toshiba Satellite laptop with 8GB of RAM.
  4. Hi This already raised its head in beta: Might be related to this and this (I didn't look further back in the bug reports). For me the following behaviour is consistent at the moment: - I can't open 6 jpeg files (ca. 8 MB each) by dragging them onto the AP icon - The files have not been worked on before - Force quitting AP and trying again doesn't help BUT - After restarting my Macbook I can open the same files as expected So it's a cache problem? (The message in the attachment is what I get when I try to close AP.)
  5. Hi Folks, I'm after some help again.... So I really admire two very very good automotive photographers... Amy Shore and Laurent Nivalle. Both have a similar(ish) style and this extends to their editing process. I have read numerous interviews with both of them and they both mainly use Photoshop (Sorry to swear!) rather than lightroom and I am very keen to try and re-caprture their respective styles but by using Affinity Photo. I have attached two files which are photos from both Laurent and Amy respectively. Can anyone out there point me in the right direction to try and obtain the same style? Obviously I don't want to be copying their styles out right as that is not what photography is all about but I am very curious as to how to achieve this. Thanks folks, hope you can help. Regards Mark All credit for the attached two images go to Amy and Laurent.
  6. hello all, anyone knows how to use the nik hdr efex pluing within affinity photo? in order to create a true hdr image, multiple exposures of the same pic are needed. the problem is, how can they passed simultaneously from affinity photo to the plugin? the plugins menu gets grayed if more than one layer is selected. this prevents passing more than one image to nik hdr efex. i only could use it outside AP until now, making it load multiple tiff or jpeg files. maybe i am missing something obvious... any suggestion would be appreciated. thanks, stefano
  7. Hi, I can't stitch slanted Panoramas in AP 1.6. This issue exists since AP 1.5.x
  8. Hi Affinityonados A few inktober entries drawn on paper but "colorised" with da lovely Affinity Photo !
  9. Hi I'd like to see the ability to edit masks easily now is very hard to do it, it would be nice to be able to edit masks with levels or curves or something so
  10. I went to see Bolsover Castle a few weeks ago, a 17th century stately home in Derbyshire, England ( The day was dull and dreary, and the interior photos I took turned out to be tricky: the glare from the windows was pretty bad, and some of the rooms were quite dark. Ideally, I'd have had a tripod, but they tend to frown on that kind of thing in most old houses -- they don't want us ham-fisted photographers poking holes in their parquet or ripping up their rush matting. So ... a couple of hand-held shots with crossed fingers, then check the image and the histogram ... This is a straight Raw to JPG conversion of one of the shots: there's a bit of detail outside, and all else is in deep shadow. Fortunately, there was still enough info to get a reasonable result. I opened the two images in AP with 'New Panorama', and when the blending was complete, I duplicated the layer and opened the Develop persona. Here I upped the exposure by two stops and clicked 'Develop'. I repeated this with a new layer, then one last time, increasing by just one stop, as it became too washed out after that. I saved each layer as a 16-bit TIFF, closed the file, and brought my TIFFs into 'New HDR Merge'. After a little adjustment, I got a fair result (part-cropped): This is a much better result than I got from developing a single layer. (But maybe next time I'll sneak my tripod in!)
  11. I went for a stroll yesterday -- without my camera. But I had my phone and took one or two snaps -- before the battery ran out. At the end of a pretty country lane which follows a little stream is this green verge. The dynamic range is not brilliant on phone cameras, but I took a coupe of shots, one exposed for the highlights and one for the darker areas.. When I tried to merge the two as an HDR job the results were disappointing, so Plan B: take the better-exposed shot and play with it. I copied the sky to a separate layer, then applied a little tone mapping to the bottom layer, warming up the white balance and slightly overdoing the saturation. Then I applied a tone mapping to the sky, banging the local contrast up to 100%. Although I couldn't find a blend mode I was happy with, a little fiddling with the transparency of the sky layer gave me a result that worked for me. A little bit of fun rather than a serious photo, and destined for FaceBook. Oh, I almost forgot: there was half a car on the right: you can probably see where I hastily cloned/inpainted it away.
  12. when I choose to export TIFF e.g. it does not make a whole lot of sense to offer PNG etc. options and presets? cheers
  13. It would be great if AP would come with a similar "Symbol" functionality as AD. Could as well be called "personal graphics library" ... consisting out of (single or multilayer) documents that could be inserted in various documents as "instances" ... (references - internal as well as external). I could think of a multitude of situations where such a functionality would be extremely useful (Logosd, Watermarks, linked content from externam sources etc). And since the general code for such a functionality is already implemented in AD ... and will be essential in any publishing product in the future ... Just my 2 cents ;-), Cheers, Timo
  14. I've done some mono to colour in the past, but I've only recently begun to try it in AP. I scanned some old family photos a few years ago, and these two are of my grandfather and father (he's the younger one!) taken about 1949 or 1950, when Dad got his call-up. Granddad was a Special Police Constable, and they must have been showing off their uniforms. I'm pretty sure they were taken on Dad's camera. Anyway, to business -- I've reduced the images after recolouring, which cuts down the noise somewhat. The left-hand photo didn't look natural enough, so I tried Filters>Colors>Auto... (all four) and got the result on the right, which looks a bit more natural. Didn't work on Granddad though! I used a separate pixel layer for each colour, trying different combinations of blend mode and transparency till I was satisfied. Dad's eyes are a little stark, and there are some hard edges which need softening up ... but I'm still on the learning curve, and any constructive criticism will be welcome.
  15. Affinity Photo version 1.5.2 1. Auto select existing parameter to speed up data entry When the user clicks on the value box to enter a parameter value, the cursor is place at the position of the mouse click. It usually requires the user to select the entire contents and type over or backspace to clear the existing value. Data entry would be faster if AP auto select the entire value string when the user first click on the value box and the user just needs to enter a value over it. 2. Tone Mapping Persona - Collapsible Preset Area The tone mapping preset area is displayed permanently which occupied precious screen real estate especially if you are working a small monitor (eg. laptop). The preset is useful to get a starting point to work on, thereafter, most of the adjustments are carried out on the "studio" panel on the right. A collapsible preset area would give the user a bigger space to work on the image. 3. Default UI color Dark gray on even darker gray is hard to distinguish. This is especially true for the dynamic toolbar that shows the various mode for each tool the user is working on. For example, in the Pen tool, it is hard to distinguish at a glance which mode (pen mode, smart mode, polygon mode, ...) the pen is currently in. 4. Crop tool. Provide a modifier key to change the cursor from selection to move (vice versa) When the user first select the crop tool, the cursor is default to selection point even though the crop frame is displayed. The user can click on the edge handles to reside the crop frame or directly draw the crop frame using the selection point. If the user first change the the crop ratio, the selection point remains even though the crop frame is already displayed. There is no way to move the existing crop frame other than to draw a new one. It would be better to have a modifier key to toggle between selection cursor or move cursor. 5. HSL dialog. Ability to display all the colours instead of using a drop down In the HSL, it would be nice to display the colour swatch for the user to select instead of using a slower drop down menu. This way, the user can quickly and intuitively select the colours to adjust. 6. Photo / Developer Personas. Adjusting saturation & vibrance. In the Photo Persona, colour saturation is adjusted on the HSL adjustment whereas vibrance has a separate adjustment. In the Developer Persona, saturation and vibrance are grouped together. Would it be possible to standardise these adjustment in the two personas? 7. Blend mode I am a novice in using the blend mode and I find it hard to visualise the result. I'm wondering if an assistant and/or some presets would be useful to help users in utilising this feature.
  16. It would be nice to have the "extreme" option in the raw developer exposure settings. This would allow users to develop highly under exposed images, for example, when the flash did not go off.
  17. Mysłowice - city in Poland. Pentax K-70 + DAL 18-50mm, 50-200mm + Sigma 10-20 F3,5 EX DC+ Affinity Photo (win).
  18. Hi I'd like to apply borders to finished work. In programs such as PS or the old Paint Shop Pro, I used to select all>contract by [x] pixels>invert selection>apply effect to selected area. Is there a similar procedure for AP? Thanks
  19. I made some channel mixer adjustments for AD and AP which I'd like to share with you. You can add them to your AP though opening the document, selecting each group, selecting the "channel mixer" adj, so that it's panel opens up, click "add preset". (I've made a feature request to make that easier) You can then access them by the "view > studio > adjustments" panel which is active by default (only available in AP) These are a bit "Instagram like" so please don't overdo it, blend modes, opacity and blend ranges can, and should be adjusted upon your needs for more information about such techniques you can have a look over here cheers channel mix.afdesign PS: similar presets vor curves are available here PS: similar presets for "LUT" adj. are available here
  20. As some of you folks are asking for more photos, here are a couple from my garden this week. Although the originals are biggish (22Mb) RAW files from my camera, I've bolied them down to 800 x 600 pixels to share on Facebook. I must get round to having some full-size printing done! OK, this is my bottle-brush tree (Callistemon), which is flowering for the first time in a few years. First is the finished photo as I developed it ... Next, I went back and developed the RAW file three times, setting the exposure to -2, 0, and 1.5, and processed them as HDR. I applied some tone mapping and a little local contrast (but didn't make a note of the values -- sorry!), applied a vignette with exposure +2, and painted a little extra white around the edges and corners to improve the vignette. Finally, this is an 800 x 600 px selection from the first file before I resized it, to show the detail of the flowers. There's quite a bit of noise, as you can see, even though I shot it at 100 ISO. Time to get a decent camera!
  21. As my laptop won't display RAW files, I run every new set of photos through a batch job to create jpeg thumbnails at 600 pixels wide. Because there's no tweaking done in development, I sometimes get some sad-looking results; fortunately, the RAW file will usually turn out OK with a bit of fiddling about. (Sorry -- that's a disrespectful way to describe the amazing capabilities of Affinity Photo! I mean, with some carefully considered image manipulation :)) So here's a very under-exposed photo of a toucan, shot against a very bright sky. If I'd still been shooting in jpg, I'd have been very disappointed: there's very little room for improvement. Now here's the fidd manipulated version. I resized it to 800 px to post on Facebook; I'll do it full size for my portfolio ... but not today.
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  23. I'm being a bit cheeky, I have to admit! Someone a while back pointed out that you can pass vector images from DrawPlus to AD by exporting them as PDFs. The Autotrace studio in DP is a lot of fun to play with, and these pics were put through it with suitably tweaked parameters. I imported the PDFs into AP to clean them up a little and trim any white space from the edges. I don't claim any artistic merit (except in the Dad-ist sense that I chose the originals and decided which ones to post and which ones weren't good enough). But I like the kind of near-abstract decomposition that often comes out, and I shall take inspiration and have a go at making some vector jobs entirely by hand.
  24. Hi guys, So, basically the title says it all, AP jitters when zooming/enabling/disabling layers, basically at every click of the mouse AP decides to jitter around. I provided a performance setting and an example in the video below, any suggestion on how to solve it? Please turn on the resolution to 1080p, and no, the preview jitter is not youtube fault, is far more apparent on my screen when working with AP yeah I don't know hot to post a youtube link since it gets deleted so I just attached a .txt file with the link inside, no it's not spam, no it's not ads
  25. Hi everyone I've done a macro with 3 elipses for dodge and burning like lightroom but in ap, one for dodge other for burn and another for contrast. How to use 1.import the macro 2. clic on the dodge elipse macro but ensure the fill color is white 3.clic on the burn elipse macro but ensure the fill color is black. 4.Clic on the contrast macro but ensure the fill color is white 5. Select the move tool [v] for modifying and moving the elipse. You can play with opacity for making stonger or softer the effect or even change the blend mode. The macros will generate an elipse with a name like dodge, burn and contrast for that reason you need to set the correct color fill before apply the macro, and the other reson is because affinity photo didn't allow me record fill colors with elipses. Enjoy :) D&B with