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Found 123 results

  1. Hello dear people, I'd like to retouch a bunch of photos (resize/crop/contrast), all in the same way, and then export them efficiently (like not one by one). Is there a trick? With file->New Stack, I managed to do the retouching-part, which gave me a "Live Stack Group" in the layers panel. (Is this a "normal" layer with childs?). Now I am searching a way to export all single images from this Stack Group. efficiently. like not one by one. Is this even possible? Or maybe you would know a different way to go about it? TL;DR : Who knows a way to export several layers as independent pictures with "one move"? Thank you!!!! EDIT : I think I FOUND SOMETHING that works, via export persona and using the layers as slices... looks promising. sorry for the fuzz
  2. RosomakPL

    Rasterize bluring images

    Hello, I have When attempting to rasterize the "image" layer, AP (AD probably also but I have not tested) destroys bitmaps and blurs them. This significantly hinders work. Is there any way to avoid this problem? I would like to be able to use the clipboard and not worry about the program spoiling everything when attempting to rasterize layer. maybe you can detect that there is a bitmap in the clipboard and use an algorithm that will keep the data intact? By the way, what is the purpose of pasting bitmaps from the clipboard into the "image" layer. If you want to be able to work normally on it (cut or copy selected areas) you have to rasterize it in the end. I do not want to save every bitmap to hdd and then open it. This extends the working time terribly. Pasted bitmap: And after "Rasterize":
  3. First, I apologize that I have different aspects of this problem in different topics. Summary of Problem: On my MacBook Pro 17", to which a Thunderbolt Display is connected, I have developed a RAW file in AP Develop and specified the ROMM RGB for output. In the Photo persona I changed the Document | Colour Format to RGB (16 bit), setup my adjustment layers and live filter layer, then export the document as a JPG, 100% quality, using the ROMM RGB profile, which should be embedded. When I compare the exported file and the document in AP, both at full size, both either on the laptop display or on the Thunderbolt display, the JPG is much darker than the document as displayed in AP. Both displays have been calibrated using basICColor display and an X-rite i1 Display Pro. I have several color profiles for each display, D50 L* 160 cd/m², D50 2.2 160 cd/m², D65 L* 110 cd/m², etc. Regardless of which one I use, the JPG is alway much darker than the AP document when both are viewed at full size on the same display. Only when I set the color profile to the factory default does the document in AP become as dark as the JPG, which does not seem to change much. (☚ Thanks to @owenr for the suggestion after doing some valuable tests!) Clearly, the take-home message cannot be, so just use the factory profiles, especially given the ages of the laptop (late 2011) and the Thunderbolt display (bought second-hand several years ago). Testing my Understanding: For some time I have been assuming the the export must be the culprit, but @owenr graciously tested my .afphoto on his (her?) Mac and verified that the JPG as displayed by Preview is identical to the document as displayed by AP. My understanding is, on Mac's applications don't need to worry about monitor profiles, that is the job of the OS. So AP only needs to worry about the working color space, described by the ROMM RGB profile, when rendering the document, and the target space when exporting, which, in this case, is the same. And, since Preview is color profile-aware, I should be seeing identical images, regardless of the monitor profile. But perhaps AP is doing something else when displaying the document? Or, not for the first time, my understanding is faulty. Can anybody explain what I am seeing and perhaps suggest how I can profile the monitor(s) so that the JPG and the document in AP are identical? For anybody interested, the .afphoto, a .jpg and a .tiff are here: https://www.dropbox.com/sh/l5oaidwrbn4xiot/AADQ32NVF14neGoV_fqEYV8Xa?dl=0 . Thanks
  4. It has been happening since a day that whenever I am trying to change the fonts and I go to the dropdown menu in text options Affinity Photo freezes...on Mac High Sierra. The beachball goes on and on and I have to force quite and restart the app but even after several attempts it hangs as soon as I touch the fonts selection dropdown either in the floating window or the the top shelf. This has made it unusable. Has anybody else experienced this? Is there a solution to this bug?
  5. Hi, what is the best way to convert rgb images to cmyk for print with Affinity Photo? Thanks
  6. Mensch Mesch

    FLOWER POWER Brushes

    Hey folks! I've created a little collection of some flower brushes for AP and AD (Pixel Persona). Hope you like it. You can download the brushes here: FLOWER-POWER-by-MENSCH-MESCH.afbrushes.zip [12.3 MB] Installation: Unzip the downloaded zip-file. Install the FLOWER-POWER-by-MENSCH-MESCH.afbrushes file in your brush panel. Keep on drawin' Norbert
  7. Hi, I have the latest version of Affinity Photo running on a MacBook Pro 17" under macOS 10.12.6. When I use a Soft Proof adjustment layer to soft proof my edited photo before printing, I check the box to show the out-of-gamut areas. The tutorial leads me to believe they should be grey, but they seem to be black on my setup, and, depending on the photo, it takes a lot of playing around with the Curves adjustment to get rid of most of them. Is there a special meaning to black areas, as opposed to grey? While I'm at it: Where can I read up on curves, gamut, etc.? I've never used such a photo editing program before, not even Lightroom or Photoshop. Thanks.
  8. So i've taken quite a few pictures with my camera ready to be stitched into nice panoramas. Except, I cannot drag and drop the files from windows explorer into the New Panorama window of AP. Have I missed a setting or is this simply not possible? It's a bit tedious to search through thousands of photos to find the series i want to stitch. Any Ideas?
  9. Dr Astronomy

    Blue artifacts when sharpening

    HELP! Please I am getting blue artifacts when developing RAW (.dng) images I get bring the DNG into the develop persona and develop as per the screen shot attached When I apply the development I then duplicate the background layer and go sharpen - high pass (7.5px mono) and change the layer mode to soft light The navigator shows lots of blue areas yet the master image doesn't - on exporting I get an image the same as the navigator image with blue all over it. The same issue occurs with live filter If instead of softlight I use hard light or overlay there is no issue. In 16bit mode there is also no issue As I prefer to keep images in 32bit until final export is there any way around this issue Thanks
  10. Jangbu

    Osprey in B&W

    I seldom use B&W for nature photos, but, in this case, like the result. After receiving a tip that a pair of nesting ospreys had taken up residence atop a telephone pole beside a busy local highway, I managed to capture a few images. After conversion to B&W, I adjusted the individual tone curves to blacken the blue sky and produce a range of grey tones. Applied a bit of contrast and sharpening for the final result.
  11. Dingdong

    Astro Photography

    Hi everyone I have recently expanded my photographic hobby into astrophotography. Some time ago I watched a tutorial on the stacking feature in Affinity and thought I would give it a crack with some images I've taken in the last three or four weeks. I have to say that I am very happy with the the very first images I took and ran through Affinity. The process is somewhat quicker than dedicated stacking programs for astro but the results (for me) are very very satisfying. I thought that perhaps those that are interested could post their images and discuss different processing techniques that they have used. So I guess I'll get the ball rolling with my first astro edited with Affinity Clear skies D
  12. FantasticMrFox

    Several Nik Plugins Crashing Ap

    Using Affinity Photo 1.5.1 on a Mac. I reinstalled the free Google Nik collection today (I had it installed before, but it disappeared after the 1.5 update). Made sure I followed all instructions carefully, authorised globally etc. AP Preferences show Analog Efex Pro 2 and Color Efex Pro 4 as 'Working', the rest is marked as 'Unknown'. Analog and Color Efex do, in fact, work, and so do Silver Efex and HDR Efex. But Dfine, Viveza, and the two Sharpeners just crash. I know others have reported Viveza crashing when setting a control point, but for me it already crashes when simply trying to open it. Affinity Photo just closes in an instant, and I get a macOS message that it quit unexpectedly. I was under the impression that all of the Nik plugins are supposed to work in AP 1.5 (with some bugs still to be sorted out)? Additionally, when opening the filters that do work, I get a prompt to buy them, or initiate the 15-days demo. That is despite the Nik collection now being free, and me having downloaded the files after they became free. I would be grateful for any advise :)
  13. Hi, would it be possible to implement a log (logarithmic) scale for histograms? It would be easier to see small pixel counts without having to mouse over. Cheers.
  14. Being very new, I'm using a number of tutorials to assist my learning. In many such, in both AP and AD, when they move their cursor along either the horizontal or vertical edge of the page, the center lines of the page pop-up, usually in green lines. Mine is not doing that. I've added a pixel layer, and doesn't matter if I'm using the pen tool, brush tools, or gradient tool, as I pass along the edges it still does indicate center lines. Where is the setting for turning this one?? Here is the URL of a tutorial that describes it early on:
  15. Hi, Affinity Photo has been crashing for me constantly on startup and I don't know why, I have the latest .NET Framework. I have tried opening it with CTRL held down. 6a03f208-60a0-4057-a025-3a94e04c87b8.dmp
  16. ...is only 1024. Way too small. I would like to twirl all photo so up it to 9999 at least, please. (yes, I tried to enter bigger values numerically but no, 1024 is maximum.) Edit: The same maximum seems to be in all distortion filters.
  17. Hi, I downloaded an EPS file from Freepik, and when I open the file seems like all vectors got distorted (like pixels) and impossible to edit or work with it. On illustrator the file opens OK (just to check the problem is not the file) Could you please advise? You can download the same file on this link https://www.freepik.com/free-vector/abstract-background-green-tones_1064803.htm#term=green background&page=1&position=2
  18. notpill

    Selections on flipped canvas

    Hi there guys! Affinity Photo 1.6.7 on iMac (21.5-inch, Late 2009) here I don't know if this is related in any way to this bug or it's a 'by design' choice but this is what I've found: - Selections are not affected by canvas flipping (see the screenshots). Is this normal? (btw using "Select/edit selection as a layer" I cannot even flip the canvas ) thank you
  19. I'm recording a macro in AP windows to create a new fill layer and change the fill color. Macro recorder dies when I change the fill color. Error is "can't record set fill". Anybody know a way around this?
  20. Hi, I'm a relative newb to Affinity Photo but have some photo editing experience with Photoshop & others. The issue I'm having is with scanning an image at the highest resolution for editing in AP. I have a Brother Ds-720D and am using NAPS2 as the scanner software on a Windows 10 machine. I am scanning at 1200 DPI. Scanned images when viewed in NAPS2 when zoomed to the extreme (1000%) show almost no sign of pixelation. When I try to export in any photo image format - png, jpeg or tiff - the output file is quite pixelated. Viewing the file properties of the exported file shows it's reduced the image to 200DPI. From what I can see I've set the NAPS2 preferences for the highest quality output. So ... I tried exporting as PDF and the output file when viewed using Adobe Reader with extreme zoom (1000%) looks identical to the image as viewed in NAPS2. Ok, so now I seem to be getting somewhere ... However, when I try to open the PDF in Affinity Photo the maximum DPI I can select for the import is 400. If I go with that setting the imported PDF is significantly better than the tiff import but is still quite a bit more pixelated than viewing the PDF in Adobe Reader. [example below with the AP import on top with the Adobe Reader view below] BTW, I've set the View Quality setting in AP to Bilinear (Best Quality), so that is not the issue. Is there any way to import my PDF at 120DPI? If not, can anyone suggest a better way to get the highest quality scan into AP? The image is a crusty old, low-quality set of four snaps from a photo booth (yeah, a real one) from when my wife & I first started dating over 20 years ago. We'd like to crop the four images, clean them up somewhat and blow up prints from them. I realise they'll always look like low-quality photos and I'm happy to roll with those artefacts. What I want to try to avoid is adding additional processing artefacts. Hope you can help. Cheers, Stew
  21. Dave Quail

    Fonts

    I notice now that AP beta displays "Loading Fonts" on startup. Is it loading the full set of Windows fonts, and would the number of fonts being loaded affect AP startup times?
  22. Is there a way in AP (Windows) to save different Settings in the optionbar. One example of several settings: I prefer to work with the gradiant tool - Type Linear white to black. Unfortunately, affinity can not remember such Settings. Thank you for a answere. Armin 60/5000
  23. Just saw this market map of the Digital Photo Industry ... Introducing the first market map of the Digital Photo Industry a bigger map picture from Dpreview ... and wondered that Affinity Photo isn't a named part of the Desktop Editors and Mobile Apps categories there. Maybe Serif should tell them to be added there too (?).
  24. Here's a tiny list of topics within Affinity Photo for Windows I'd like to address as important improvements that need implementation from a professional photographers point of view (Based on version 1.5.1.54 Final). I'm aware that some points have been mentioned by other useres already. It would be great to get some kind of feedback from serif staff with regards to the likelyhood of implementation. I'll try to extend this list when new topics come up. Please do not see most of these points as "nice to have" additions or "customer dreaming", but essential improvements required(!) for any kind of professional workflow. The list does not cover obvious minor or major bugs as they get tracked by serif staff anyhow I suppose. As well I'm aware that some of my suggestions have already internally been rejected and implemented differently as "By Design" - maybe there's a chance to reconsider this decisions. A suggestion could be to start a discussion in the forum with your customers to see what's their preferred way to handle the implementation. Basic workflow/Window handling: - When undocking a document window from the workspace it should automatically adapt document window to document size (or maximum window size with scrollbars if document is larger) - maybe selectable in the preferences - When zooming in or out a document window size should automatically adapt to document size (or maximum window size with scrollbars if document is larger) - maybe as a setting selectable in the preferences - After resizing an undocked window the document shoud automatically be centered within the new window dimensions - One should be able to drag and drop a layer from one document into another document (not just with CTRL+c CTRL+v) - The area where one can grab the frame of a window for resizing shoud be enlarged - Pressing ENTER or ESC should confirm or cancel a dialog - as defined in windows UI standards (e.g. in crop mode none of the keys work) Macros: - (multiple) layer selection should be recordable - colour assignment to objects should be recordable - for macros it would be good if resizing of a document could be based on a maximum side lenght regardles if the document is landscape or portrait - Make conditional decisions available (e.g.: IF (DocHight > DocWidth) THAN ... ELSE ...) Alternatively include some kind of JavaScript language. - Include "Export" functionality with parameters as part of Macro recording - Add customizable keyboard shortcuts to dedicated macros Other: - it would be important to be able to make a selection based on a colour(range) (including tolerance, adding and subtracting from a previously chosen colour range) - not only based on the 3 base colour as currently implemented. - if unproportional cropping is selected it would be good to temporarily switch to "original proportion" cropping or fixing the current proportion by pressing the Alt or Ctrl key - optional parameter adaption for certain filters (e.g. gaussian blur) when resizing a document to fit the new dimensions. Currently unadapted parameters of these filters wreck every document after resizing. - icon size in the layer panel should be definable (similar to PS where 3 sizes are available) - I'd prefere to have one common command (keyboard shortcut) for the brush size and not a seperate one for each tool. - Saving setting and content for parameter fileds and pathes would save much time. Just some exaples: 1) Export preferences (They are continuously back to stupid *.png instead my predefinde personal settings ...) 2) Parameter for live filters (e.g. gaussian blur or unsharp mask) 3) Parameter for fx settings 4) Cropping Mode (setting keeps switching back to useless "unconditioned") 5) Resize method (e.g. bilinear/bicubic) - at least the standard setting should be something usable instead of bilinear! - Assistant settings should be global and part of the preferences (e.g. adding new layers on same levels as selected layer or as a child) - Make all variables available in fields that allow calculations (e.g. transforming) - Make the frequency layer seperation parameters editable like in live filters - Increase maximum size of liquify brush - Increase parameter range of many FX settings - Would like to save a list of export settings (Slices) as one preference in the Export persona - a proper "flatten image" and "flatten group" command would be nice (combining layer in AP is not intuitive and effortless at all! Just take a look how PS does it ...) - auto-adapt parameters of filters when scaling objects (e.g. gaussian blur, fx-settings) - in low resoloution the fx parameters are by far not precise enough (e.g. a picture with 800x600px can't deal wit a shadow in a watermark between 0.1 and 0.0 px-precision) - make live adjustments/filters masks directly visible as an overlay. - When a graphic in the OS (e.g. Windows) is copied via CTRL-C it would be great when clicking on "new document" within AP the dimensions of the clipboard picture would be automatically copied as a preset for this new document - assistant should add new layer even when flood fill tool is used - Numerical scaling through the transformation dialog should optionally allow scling of textsize in related objects as well. - Would be nice to display Colour Mode and bit depth behind the filename in the document window (as PS does it) - Help files often does not open (wrong focus, dialog open that does not recognise help key) - include "AutoClip" option in filters that change document or layer dimensions (e.g. most of the distortion filters) - A new document should automatically have a pixel layer as the background layer (alternatively all tools that require a pixel layer should automatically add this layer - maybe an extension of the assistant) - Metadata Editor (This is a high priority for everyone supplying stock content) - Flood Fill with bitmap pattern - Include a small button next to the fg/bg colour circle to reset it to black/white - Global definition of standard grid setting - Definition of standard output profile from the develop persona - Provide picture thumbnails in Windows File Explorer - Spiral Tool - Improved Transform panel functionality (e.g. radius for circles) Performance: - Serious improvement of InPainting tool performance! - Multiple layer performance Cheers, Timo
  25. When manipulating a layer mask by using the paint brush tool or even simply inverting it, the corresponding layer icon/thumbnail in the layer stack does not update.
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