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Found 5 results

  1. Is there a way to enable airbrush style brush that color continuously flows and become thicker while holding mouse button? Photoshop and Gimp have such brush.
  2. Hello fellow Affinity aficionados, in continuing my scooter series for Redbubble, here is my second retro styled scooter/travel poster. This time a Lambretta featuring a young couple scootering about Paris in the fall. All done in Designer 1.6 Check it out on my Redbubble site as well. https://www.redbubble.com/people/kevincreative/works/29498216-retro-lambretta-scooter?c=706027-wheels
  3. Hey all, in continuing my scooter series for Redbubble, here is a retro styled Vespa/travel poster look featuring a scootering lady about Rome. Lambretta will be next in the series. All done in Designer 1.6 Check it out on my Redbubble site as well. https://www.redbubble.com/people/kevincreative/works/29083512-retro-vespa-scooter?asc=u&ref=recent-owner
  4. Here's another dog, seems I'm on a roll... personal work this time. Thought I'd try out an all airbrush style paint piece using mostly pixel persona and the spray paint brushes in Designer. I had tried this guy a few years back in photoshop, this turned out much better. ;) Maybe I just suck at photoshop painting... :) Some discoveries made with this piece has got me thinking of some personal wish list items for Designer as it pertains particularly for painting: - rotate canvas - an option or toggle to hide the brush cursor while painting (some of the brush cursors outline previews are a little distracting and are in the way while painting) - smooth stroke or lazy mouse feature - quick flip canvas (horz and vert) to check composition - OPTION > COMMAND > SPACE BAR and COMMAND > SPACE BAR for zooming (it's enabled and works as expected in draw persona but not in pixel persona, never did get an explanation on why this is... :huh: - this is a biggie hence the UPPERCASE letters!) :) The navigator palette just doesn't cut it for quick workflow. as an aside... - would love to see a "global" noise effect ability like in Affinity Photo (live filter) to be able to globally cover entire artwork with noise from the top most layer...
  5. So... I wanted to see how Affinity Designer's pixel painting feature set stacked up to Photoshop's with a little experiment. I had created this Bunny illustration in Photoshop CS4 (yes I know I'm a little behind the curve) and decided to take a crack at it in AD. I was excited with some earlier attempts at painting in AD so I thought a back to back comparison would really reveal it's strengths and/or weaknesses. The original image on the left is PS the recreated AD image is on the right. The other two images are from AD with a background added. Years ago I used to be an airbrush artist and I worked out a workflow in PS where I used the paths as "frisket" to created selections to "airbrush" inside of. The AD piece at right is done in a similar fashion. I created paths of the various objects, arranged them on layers and painted inside them using the great selection of brushes available. But with AD I was finding I could work a little more flexible and more "un-destructive" allowing for more freedom to experiment and play with ideas... for instance the whiskers are strokes that I can continue to tweak if needed, the high lights on the ears are also strokes that could be further refined and a lot of the "painting" are actually effects and not painted at all, so those would be adjustable after the fact as well... ...all in all I was very pleased with the outcome and more importantly the "workflow" exceeded my expectations. For me, truly this is the perfect workflow that I have been wanting for years, a real balance of vector and pixel that delivers on what it promises - finally! Now I'm not dis'ing Photoshop, and I don't want to start an Adobe bashing thread... I just thought a comparison of what I discovered in my working method might benefit others and also I wanted to thank the Serif team for offering all of us a solid choice!
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