Search the Community

This is one of my digital paintings with the title Planets & Inhabitants/ Floryon", a landscape on a planet in our galaxy that has developed a humanoid intelligence, a hybrid between plants and animals. I worked with basic Affinity Photo 2 Beta brushes and brushes created by developers both in app. The figures in the foreground are first, modeled by me and placed in the landscape in the conversational pose.

SUNRISE - Hilo Bay, Hawaii Oct.9,2023 (06:15AM Hawaiian Time) Picture take with iPhone 13, Adjustments: ('Live Denoise', Luminance 45%), ('Levels' boost Blacks 13%, Whites 81%) Strictly an amateur photog but the 'fire' in the clouds are done by Mother Nature.

Chessington Surrey UK this morning. Samsung Galaxy S21 Ultra. f1.8, 1/122, ISO 50. Just played around with a bit adjusting the intensity of the clouds in APver2

Duplicated layer, soft light blend then Levels and Curves adjustemnts, plus a fine sharpening macros.

Cropped a little bit the layer, duplicated it, then Levels, Curves, Exposure, Brightness adjustment and Gold Punch, Subtle Yellow/Blue and Enhaced Yellow macros by James Ritson (different levels of opacity).

I deleted my previous image because I was unsure if it violated the rights of Gingerly Press. And I thought up my own motif and tried to "paint" it in the style of Gingerly Press with Affinity Photo. I called it "Abstract Landscape".

Ref: Thomas-Moran - Castle North Berwick Scotland

I am trying Affinity Photo as a painting program. If I succeed that means I can stick to one program on all of my devices throughout the complete development process (graphic novel in mind); a pretty exciting prospect. This is an attempt at a landscape with that novel "style" in mind.

In anticipation of a rather rare wintry day here in the "Sunny South" I created the sorrowful scene below from an image that (I must confess) I found somewhere two or three years ago. Unfortunately I cannot provide appropriate attribution to the original image, which I think came from Unsplash. A little selecting, a little Quick Masking, some Refining Selection, some cutting and pasting, some brushed birds, and some Snow Overlays by Paper Farms (assets) and behold! A truly dreary aspect.🥶😀

This is my first serious attempt to make something with APhoto. I used a photo I'd taken of a saltwater marsh in Maine. I brightened up the colors a bit because they looked dull. I hope I didn't overdo it. Then I replaced the sky and water, and added two Canada geese I found on Pixabay. The sky looks real, but the water and geese look pasted on because I couldn't figure out how to make them look realer. Good enough, I guess. I haven't learned to use all the tools yet. APhoto is great fun. I'm glad I bought it.

Foggy Cabin

I created this watercolour effect solely by using Affinity Photo's Procedural Textures in combination with standard techniques such at layer blend modes and masking. No third-party filters were used - even the watercolour paper texture was created using Procedural Textures. If you want an introduction to Procedural Textures for absolute beginners, with no maths or coding to confuse you, then I have written a set of tutorials beginning HERE. This image is copyright to me, of course, but I don't mind if you use in websites promoting Affinity Photo and it's amazing potential for art, graphic design and photo editing.

Well, since photography has always been my first love, here are some of my photos and often with my favourite model! 😉

The day time version was given that old time look. The old truck was added to the photo. Using Texture in the lighting control produced that grainy look. With the night version I added a picture of the Milky Way (I took) (sky replacement) and I created the look of headlights for the truck....

Landscape from above LAs Cruces NM. Canon 7D Camera Settings: f/20, 1/50s, ISO-100, 70mm Canon 28-135 USM Lens First image was as shot and second is edited to ad a little more color vibrance. All edited in affinity photo. The image was too dry and I wanted to push the colors up a little

Greetings Viewers, I have been taking pictures of the phases of the moon for a photo competition. I need to get 8 good pictures of the different phases of the moon. Early this morning at 05:20 I took some photographs of the Waning Gibbous moon. The two pictures are: 1. The original colour (looks B&W) image. and 2. The colour saturated image (looks good enough for the comp.) To give you an idea of the condition of the sky I took a picture of the sky looking to the north-east. The morning was a cold morning with frost on the ground and totally cloudless and very transparent. The joy of having high altitude aircraft grounded for the last month or so. The colour saturation was increased to show the bands of scattered light. As the dawn progressed to sunrise the "normal" flock of white cockatoos (about 300 - 400 birds) made their way to their morning roost to join with another (approx 1000 birds) then to take off for the days' foraging for seeds and roots etc. Next moon session is on Saturday - heavy rain predicted. Jeremy.

Created in Affinity Photo Panorama and caption. Do you know the mountains? http://panorama.welling.ch/Z/rigi/rigi.html

Is this where you post success without Adobe?

Hello, I have tryed brushes, blanding modes an effects on paper surfaces. I think it is interesting to work free in Affinity. This one it is done in AffinityPhoto.

Hey folks, finished another edit of a photo from my trip through Vietnam. Still not sure what to think about the "water" and its shore... What's your opinion about it - does it look too unnatural? I was trying keep no straight shore line... Original Edited in Affinity Photo Cheers, Marc

Storm King Mountain (left of center), from the southeast. iPhone 6 AF Photo enhanced

Affinity Photo Old Man's Cave : Upper Falls