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  1. I'm here on behalf of my 70-something sister, who I'm trying to wean away from Adobe Creative Suite because she's on low fixed income and cannot afford Adobe's highway robbery. She bought Affinity Designer and Affinity Photo, but she is having trouble with her visual acuity diminishing and cannot see the tools. The grey-on-grey scheme may be pretty, but it's not terribly functional for those of us who are getting older. She is very depressed because she depends on her graphic design work to help keep her focus off her painful fibromyalgia, and it's her one great joy in life to be able to do design. She already has a big honking monitor, but the Affinity tools stay too small even when she's at full screen for her to be able to see well enough to work. Is it possible you could add a hover-over-tools feature that folks can enable to be able to see the tools better? I know you've got the tool tips, but they are really too small for people with older eyes (and I am one of them) to be able to read without straining. Or maybe a skin that people can apply who need help in this department?
  2. I suggest the implementation of "INERTIA" settings in both "Affinity DESIGNER"(especially) and "Affinity PHOTO";Alike you can change the behavior of tools in Artrage. so your curves etc. smooth out while you draw. Just like you would apply more pressure to the tool, which would normally have the effect in reality of not being able to move so fast. (Would be much easier to draw specific curves...(sry4myenglish)
  3. Can we get just B for brush and Shift B for all other tools inside? I hate to have to scroll through all inside to get to the brush.
  4. Really would like to see the tear off option to tools buried inside others. Unless I am missing this somewhere?
  5. I don't know what happened, but I left Affinity Photo open and put my iMac to sleep last night and this morning when I switched to AP and noticed that the left side Tools were missing. When I click the View menu, I see a checkmark to the left of "Show Tools." Toggling that does nothing except expand or contract the left sidebar by 1cm or so. Quitting and relaunching AP does nothing to solve the problem either. The Toolbar shows just fine, and I can toggle that just fine. It's only the TOOLS that display at left which won't show anymore. Choosing "Customize Tools..." expands or contracts the black space at left by about 8cm or so but otherwise shows nothing when I toggle it. This seems like a bug, but since I could be doing something wrong and since I have no steps to repeat this bug I am writing this QUESTION today. I guess the only way to resolve this problem would be to reset all preferences to defaults or otherwise reset AP, but how do I accomplish that? Thanks. UPDATE: Solving my own question (although the cause of this anomaly is still a mystery), I clicked Preferences > Miscellaneous > Reset XXX on all 5 buttons and then relaunched AP. To my delight the Tools now display at left. Very odd but glad to see there's an easy fix. If I can find a way to repeat this bug I will of course report it in the Bugs forum.
  6. As I suggested in this thread, currently tool settings are remembered only on a per-document basis. For some tools, some people like to use different settings than the defaults (such as the Healing Brush layer sampling options in my case). This means that with the current implementation, I need to change those types of settings every time I create a new document and use a particular tool for the first time. This is obviously not ideal. I see two possible solutions to improve the workflow: 1) Add a "Make Default" button (and possibly also "Reset Settings to Default") to the tool options bar 2) Add a preference "Remember tool settings across documents" Should you choose to do both, you would obviously only need to show the button(s) if the preference setting is turned off.
  7. How are we going to make Affinity 10x better than Photosh**? For the portrait photographer, we offer the Frequency Seperation tool - where low frequency allows for the control of large areas of color and tones; and high frequency which allows the control of fine details, skin pores, hair, skin blemishes, and fine lines. Who needs to remember all the layer steps or actions, when we have a single tool to do the job. For the landscape photographer, we offer the Zone System tool - based upon the zonemapper/zonefinder technology used in the lightzone project over at LightZoneProject.org. The visions of Ansel Adams brought into the digital era...SWEET!!! Did I mention 10x better? Think light-years better...
  8. The controls for brushes seem to have been designed to be as confusing as possible, and as akward to use. Making the controls more user friendly would certainly help sales to persons coming from other image programs, or having less experience, or less English language fluency. Take the Clone Brush as an example. The control should be on a panel that is always visible, or when made visible stays visible and can be moved around. The main controls needed are for the length (which everyone else calls size, you call width), width (not "shape!") hardness, rotation of the origin (in degrees, not %!!!) and circle or square (which is entirely lacking in Affinity), flow, and a check for aligned/non-aligned. Look at how easily they are visible in Photoline's panel--see below. And when you change them in Photoline, the example in the upper left shows you the change. (The triangle in middle left is the control for circle/square.) Or look at how easily Paint Shop Pro shows them on a toolbar across the top--the second example shown below. Also, PSP shows the outline of the location, size and shape from which one is borrowingon the photo, -that is much more usefull than a little "x" on the photo! See third photo below. You have an additional control which they lack, a rotation within the borrow. I don't know a good name for it, you have it within the top bar. It at least is already in degrees. But it is less important than the rotation of the borrow shape, which is only on the "More" dropdown. Affinity needs a clear, visible set of controls for the brushes. The panel should have a memory so that when one gets back to it the controls are where you left them. This is really important. If Lightroom had a decent clone, half on us would still be with it.
  9. One small suggestion. When scrolling over the tools in the tool pallet, it would be nice if they gave you some feedback like highlighting or enlarging. Make the app feel more responsive to what you want. Also some of the shapes in the tool pallet should be combined to save space. This will give room for other tools that will be added later.
  10. Is there a morph tool to edit the picture or design you make on affinity designer?
  11. http://motherboard.vice.com/read/why-computers-have-trouble-with-blending-colors I read this article, and think Affinity (all of them) need a more accurate blur, square brightness, average (or whatever else), then square root brightness. Simple compared to the other things, like photo's inpainting tool. (If you are really curious, the other layer in the screenshot is a picture of a pine marten)
  12. Hi Gentlemen! Can somebody tell me how to put the icon "Fill/Stroke" from the Color or Swatches panel - on the Tools toolbar in AD? See screenshot below: Thank you in advance! yoO
  13. I have recently downloaded the affinity photo beta. I have played a little with it and it does seem to be a very good program with great potential with all the user support. I'm a photographer that uses lightroom 5 for 95% of editing. I have tried to understand CS6 and have learned a little bit of the program but find it a complicated and extremely powerful program. Since this is a new program and I don't use Affinity Designer I am having difficulty understanding how to use the layers and masks in this program. I'm sure they work in a similar fashion but things are laid out in a different manner I find. If you know how to use layers, masks, and the tools that affinity photo has can people start to post some short tutorials here please. Would be great help. I'm sure the affinity crew is working hard at creating some but think they are likely very busy fixing and adding features to the program that simply learning how to use the features for newcomers is being overlooked. Things I would like to know: 1. how the layers work 2. how the masks work 3. how to create a layer-mask and then be able to "hide" or "reveal" part of that mask by using a brush and a black or white swatch what all the tools do down the left side of the screen. I know I can play with them but I can't seem to get some of them to work so I don't know what they do... 4. the basic navigation of the UI, since it's new to me Would appreciate the help and hopefully people can post little youtube videos right in this thread that people could search and find... cheers, Jason
  14. Here's one for you that a lot of programs don't seem to get right: Perfect Triangles Every so often, I need to create a triangle in a layout. It would be fantastic if the triangle was based on a true equilateral shape, where each side where the same length (rather than building a triangle based on a square, which results in two sides that are longer). Additionally, Even when I can create a proper triangle with resizing one dimension by about 86%, the central rotation point is still mis-placed. I've sketched something up so that you can see what I mean. Thanks! Anton
  15. It would benefit those of us with older eyes if the highlighting behind the active tool could be increased. It's very hard for me to tell by looking which one I have selected.
  16. I've tried looking around to no avail. Is there a way to align or distribute objects to the art board rather than to each other? Thanks!
  17. Hey guys, while i see the benefit of converting to curves for shapes that have editable parameters(such as cog, star, etc.), i don't see why you would have to convert a square or circle/ellipse to curves before being able to edit them. Those shapes being basic should be editable from the start, convert to curves just adds one more click and can become annoying. The facebook moderator told me that rectangle could be merged with rounded rectangle tool in the future. Perhaps is best having the rectangle be an editable curve by default and only turning into non-editable when you set rounded corners. Even though, rounded corner radius could be applied on a corner point even if the shape is not a rectangle. What do you think?
  18. Being a typography junkie, i'm often switching to the type tools. Trouble is I usually end up with the one I DON'T want - mostly the Type Art Tool. when I want the Text Box. The simple answer is to set modifier keys for alternative tools - so "T" might be Text Box, and "Shift-T" = Text-Art - or vis a versa… And similar for the other non-type tool variations. This one should be a snap for the next release, without distracting from the serious stuff like multi artboards. TIA!
  19. I think in Illustrator, when you select a shape tool - you can perform a key command (I think option+click) to pull up a menu for that shape tool in order to pre-define the shape you want to create. So, let's say you wanted a rounded rectangle at 100px x 100px with a 20px corner-radius, you would be able to set those properties in the options menu and then click a submit type button and it would create the shape on the artboard for you. Currently, (as far as I know) you can only create the shape by clicking and dragging the shape to whatever size on the artboard. I'm assuming there may be an options menu for at least some tools, or a feature request out there for this feature already - but just in case there isn't yet, here you are. Thanks!
  20. Parabéns pela iniciativa de construir um software concorrente..... .. Mesh Tool ,, Gradient mesh tool ... Sim , seria uma ferramenta incrível a adicionar no affinity. Quando não chega ,, ou façam algum contrato para fazerem uma ferramenta, igual ou melhor que o http://www.meshtormentor.com/ . AH e diga-se de passagem, uma boa dica ..... Suporte para Linux ,, Chrome OS que provavelmente será o sistema operacional a substituir o windows e OSX ... Porem no Chrome OS o software offline com suporte online para alguns ajustes ... não curti muito a interface.. que tal aproveitarem o embalo do Material Design da Google e fazer algo realmente inovador. Ah e o quick look do Mac,, Seria bom fazer algo em relação aos arquivos affinity , que poderiam conter as paginas no quick look , e também futuramente no Chrome OS.
  21. Hey guys, loving the new program or app as it's clued nowadays, but while testing it out the brush tool is very slow and laggy, with the mouse and even more with my intros 4. Anybody else experiencing this? My mac is a macbook retina 13 with 8 gigs of ram and a 256 ssd, this years model. PEace
  22. Hi all! I've been meaning to ask: do you have plans to make all the interface elements dockable (to screen edges, that is) *even* in separated mode like in CS? It's not a big deal having AD (and, I'm thinking, APub as well) in a single, consolidated window, but what about Affinity Photo, when it finally comes? Much like in Photoshop, I'm hoping you can drag and drop layers from one document to another and, as such, a unified, tabbed interface suddenly stops making much sense. However, not being able to maximize/zoom a window without it going behind the palettes, tools and toolbars (like in CS apps), could become a bit of a bummer. I am aware that many of the UI issues suffered by CS apps (ID CS6, I'm looking at ya!) come from badly implemented dockable palettes and its interactions with subsequent OS X versions and their functions (namely, Spaces), but… Are you taking that risk and thinking about it? It's just that I can't seem to find any specific mention to palettes and Separated Mode minutia in your roadmap. Oh, by the way… I know this is becoming a running theme, but… As much I enjoy at least being able to “window-shade” floating palettes into an horizontal strip, that is a bit '90s-ish. Adobe really nailed it with the iconized palettes in vertical, collapsed strips. That, alone, and the ability to dock them left *and* right (as you can see on the enclosed screenshots from Ai and ID), is a massive space saver. Are you planning anything along those lines?
  23. Currently the only way to change the appearance and size of the tools tool bar is to change the number of columns which restricts you on size of the overall tool bar. As many will set up their own individual workspace, especially when working in Separated Mode, the freedom to be able to grab and manually adjust the size of the tool bar would be useful, with the icons on the toolbar dynamically changing position to fit the tool bar. If the tool bar was too small for all the icons, then a fly out can appear containing the rest. As this would be done through user choice, I don't see it going against the surface level UI ethos of the program as it wouldn't be a default setting.
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