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  1. The controls for brushes seem to have been designed to be as confusing as possible, and as akward to use. Making the controls more user friendly would certainly help sales to persons coming from other image programs, or having less experience, or less English language fluency. Take the Clone Brush as an example. The control should be on a panel that is always visible, or when made visible stays visible and can be moved around. The main controls needed are for the length (which everyone else calls size, you call width), width (not "shape!") hardness, rotation of the origin (in degrees, not %!!!) and circle or square (which is entirely lacking in Affinity), flow, and a check for aligned/non-aligned. Look at how easily they are visible in Photoline's panel--see below. And when you change them in Photoline, the example in the upper left shows you the change. (The triangle in middle left is the control for circle/square.) Or look at how easily Paint Shop Pro shows them on a toolbar across the top--the second example shown below. Also, PSP shows the outline of the location, size and shape from which one is borrowingon the photo, -that is much more usefull than a little "x" on the photo! See third photo below. You have an additional control which they lack, a rotation within the borrow. I don't know a good name for it, you have it within the top bar. It at least is already in degrees. But it is less important than the rotation of the borrow shape, which is only on the "More" dropdown. Affinity needs a clear, visible set of controls for the brushes. The panel should have a memory so that when one gets back to it the controls are where you left them. This is really important. If Lightroom had a decent clone, half on us would still be with it.
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