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  1. These are my sample halftone brushes. Hope it's useful to anyone. Sample Halftone Brushes.afdesign Halftones.afbrushes Halftones_Named.afbrushes
  2. This started off as a thumbnail and brush experiment for the 2 new brush sets associated with 'Ecosystem' but I have gone a bit 'over the top' for that!. Used Brush sets Substrate Painter | Vector Bristles and a collection of vector elements
  3. Ecosystem Second instalment of inked murals and follow up to 'Fallen' All Raster Drawing using Inktober Inker Brushes Full Size 3000mm x 800mm (A bit big!)..but hey! AD can cope! upload size (10%) 3543 x 944px
  4. I recently updated to Affinity Photo 1.9.1.979, from the Microsoft Store. I had no problems with the previous version, but this version has a strange problem: Whenever I perform an action such as a Merge Down on an effects layer, committing a Live Projection Layer, exporting a picture as a .jpeg, or similar actions involving rasterization, random pixels (often in thin rectangles) are rendered. The pixels appear to contain information from the previous history layer. For example, after making a picture darker and merging down the layer, there may appear pixels that are still as dark as the original layer. Or when making an edit involving a projection layer and then removing the layer, there may appear pixels that are transparent. Attached is an example. The original picture (with a disabled brightness adjustment), then darkened and merged with the brightness adjustment, contains a few pixels that are still the original brightness (which can be seen by the history brush). This happens with many other operations. This is a critical hinderance to my workflow, slowing me down by having to use trial-and-error and undo-redo until the pictures render properly. Any attention or support appreciated!
  5. Camouflage II Pattern Styles Created a new set of styles using some of the base textures built for the organic pattern Brushes Sets I and II using multi layer symbols to extend the effects 30 independent styles (set with maintain fill aspect ratio/wrap) File size is Larger than usual! ....Exported the .png but a t higher res (400dpi) Sample Sheet as below with .zip file for assets: Camouflage II Pattern Styles.zip
  6. I made a series to curved shapes of increasing size that I would like to flatten into a layer so I can fill the spaces with different colors/gradients. I see lots of advice on converting raster to vector but not the other way around. Can Should I convert the curves to selections? I feel really lost here.
  7. Here on display are some of my personal project illos. Choice of quotes is rather arbitrary and satisfies my personal tastes. Illos were made in AD & AP, combining vector and raster brushes with a help of Wacom tablet/pen. Series is a work in progress.
  8. Recentartwork. BD's Museum-Illustration. Series.
  9. Latest vector/raster digital artwork. By me, an avid DC's music listener. Not commercial, personal work.
  10. Raster digital brushes artwork. Personal work. Recent one. The title on the cover says "The book that read me". By unknown author.(!)
  11. I have an icon in raster format. Icon is stored as .png or .jpg file. Icon is drawn with black or gray color on white background. HOW CAN I CHANGE THE ICON COLOR AND KEEP THE IMAGE QUALITY AS IT IS AND KEEP THE BACKGROUND WHITE AS IT IS ? I have installed Affinity Photo and Affinity Designer so solution can be in both of this software. Please see attached file - I would like to change the icon from dark gray to red - how can I do that ? Thank you !
  12. I am wondering whether it is possible to export vector graphics from Affinity Designer with 3D effects as purely vectors. My experiments with this seem to indicate that those 3D effects always get rasterised on export. Is that the case? Whenever I export without rasterising being applied, the resulting file loses all 3d effects.
  13. Just discovering affinity and getting used to the program took a hot second as my only digital experience has been a few undergrad digital painting courses with the cintiq but I primarily work on ipad with procreate UNTIL now. Overall I love Affinity so far as a comics creator, the toolsets the platform offers are just better suited to my needs as a sequential artist in general, and is the first legitimate alternative to photoshop I feel that has been offered on the IOS platform. Inking in the platform is miles ahead of procreate in that I can get a nearly analog realistic end result just with the default brush sets alone (which I haven’t even tweaked yet). I do have several things that have come up that are by no means deal breakers but admittedly when going through my workflow proved to be somewhat of an impediment. 1- With tool short cut commands while using a keyboard, the limitations in the pixel persona are quite evident. You have an amazing toolset available and the ability to switch back and forth between ALL available tools with keyboard shortcuts would speed up my workflow significantly. Namely when working in the pixel persona, having the ability to use a shortcut to quickly switch to the selection tool would be amazing. Possibly a solution could be to keep the current shortcuts as they are but simply adding the neglected tools to the list WITHOUT default shortcuts, allowing the user to input commands themselves to whatever suits their needs. -expanding on this some more, additionally adding a keyboard function to alter brush size and opacity would be amazing, or just the option to custom bind a key to it. 2- One thing I noticed while working was that the program struggled keeping up with my speed? (As an FYI I’m on a 2nd gen IpadPro 12.9”) Admittedly I work rather quickly and freehanded so when doing things like hatching- if I make strokes in rapid succession the program tends to seize up slightly and takes a few seconds to register the marks, and typically when it does any indication of pressure sensitivity is gone and I have to erase and slow myself down. Lastly- altering the function of pressing “shift” while actively drawing. I really wish it didn't “lock” the line to either vertical or horizontal and instead treated it as a point of origin while maintaining control over pressure sensitivity and snapping to a straight line. Again, overall I LOVE affinity as a sequential artist and have been informing my professors and colleagues about the program with great enthusiasm- and all of them expressed keen interest when I listed all the functionality options affinity has in comparison to procreate. You guys have truly made the ipad a viable alternative to other mobile creative platforms and I sincerely thank you! Threw a page of inking I did in here where I was basically just experimenting with brush functionality and learning the platform in general!
  14. Hi, I want to ask about exporting EPS file. 1) When i export to EPS as "EPS FLATTEN", does it really mean that the file is totally rastered and UN-EDITABLE on any graphic software ? 2) And, i've tried to export as "EPS FLATTEN", and i got this white background attached. How to exclude that white background ? I need to make sure that my EPS file which i would sent to my client is for printing purpose only, as i have policy not to share raw material. Much appreciate if this forum can help me with solution for my situation. Thank you
  15. Created a new set of small paint brushes for detailed texture work Zip file contains 30 brushes (3 pack x 10) PDF sample file added Paint Brushes S1 P1-P3.zip PAINT Brushes Set 1-01-03.pdf
  16. Organic texture Brushes Pack 1 Version 2.0 I have been working on updating the original texture brush packs so that it complies with more recent uploads The original 11 brush packs(.zip) files have been removed and replaced with a single file containing all the original brush packs so that they are stil accessible Added a new set now containing 12 brush packs (120 brushes) also in a single file for download. Made significant changes to the original brushes a. simplified the nozzles by removing the intense pattern overlays and added 28 new additional png files to increase pattern variation. b. Reduced the initial size of the some of the original brushes. c. Adjusted the brush dynamics to allow for use of flow and accumulation in the general brush tab d. Where possible reduced the reliance on random size variation in brush dynamics d. Added sample 4 page PDF for download e. Removed original sample images (11) and replaced with just 4 enjoy! New Versions TB ORGANICS V2.zip OB 1 Set 1.pdf Old Brush Set ORGANICS 1 ALL V1.zip
  17. hello designers, after i have done a project i exported it and this is what happend (in picture) it is rasteraize and it is very clear when i export many shapes Can someone tells me what is the correct method to export a logo in affinity designer ? because i iam a new affinity user thanks.
  18. If you read this solution: https://graphicdesign.stackexchange.com/a/79248 And watch this video: You'll see how effect this method is for converting Raster Pixel Art to Vector Pixel Art and I think it would be an amazing tool for Affinity Designer to have!
  19. Started work on Inktober 2019 Challenge.. Day 01 Prompt:Ring Completed in Affinity Designer Original Size 500mm x 500mm 300 dpi Upload size 1771 x 1771 HQ and jpg
  20. Not a bug per-se, but there's a configuration error in Affinity Designer and Photo's raster brush settings while using "Velocity" to control brush size. I noticed this with previous versions and thought it might be addressed in 1.7, but unfortunately it's not. Using velocity to control the brush size is meant to change the brush size depending on the speed at which you draw. Think gel-pen - the quicker you draw, the thinner the line is, and the slower you draw, the thicker the line is. As it stands, in Affinity, it's more of a slow gradual build up in size regardless of the speed at which you draw - sometimes it doesn't really do anything at all to the size. Procreate's 'Gel Pen' brush is a great example of this, and so is ArtStudio Pro's brushes with velocity enabled. Clip Studio Paint also has it, which I used to demo the feature so that you can better understand what I mean. I've uploaded a quick screen recording of this to YouTube to better show what I mean (below). I've boosted the 'velocity' jitter significantly in CSP just to make it obvious, and I've maxed it out in Designer, but it isn't doing much. The velocity feature is super awesome for getting a digital brush to feel and behave 100% like a real ink pen. Would love to see this realised/fixed in a future update.
  21. Affinity Designer for Desktop feature requests: 1. Add a "Recents" or "Recent Files" panel/option to the Welcome Dialog to quickly open a recent project. 2. Add a tracing feature to create an outline or centerline vector image from an original raster image, with option to choose how many colors and nodes to use in creating the vector. I use Corel Draw to do this easily. This is especially useful for converting scanned or photographed hand-drawn text into a vector image. I'd love to have this feature in Designer.
  22. Inktober 2018 So it begins again....All AD this year....hopefully! (except for initial sketching)... Links Day 01 [Prompt:Poisonous] | Day 02 [Tranquil] | Day 03 [Roasted] | Day 04 [Spell] | Day 05 [Chicken] Day 06 [Drooling] | Day 07 [Exhausted] | Day 08 [Star] | Day 09 [Precious] | Day 10 [Flowing] Day 11 [Cruel] | Day 12 [Whale] | Day 13 [Guarded] | Day 14 [Clock] | Day 15 [Weak] Day 16 [Angular] | Day 17 [Swollen] | Day 18 [Bottle] | Day 19 [Scorched] | Day 20 [Breakable] Day 21 [Drain] Day 22 [Expensive] | Day 23 [Muddy] | Day 24 [Chop] | Day 25 [Prickly] Day 26 [Stretch] | Day 27 [Thunder] | Day 28 [Gift] | Day 29 [Double] | Day 30 [Jolt] Day 31 [Slice] (This one is the only vector!) Project Brushes INK Working on a new Inking 'toolkit' consisting of Vector, Raster Brushes and vector assets. Samples as shown below: Vector Brushes A. inkBrush - Vector - Inking B. inkBrush - Vector - Paint C. inkBrush - Vector - Texture D. inkBrush - Vector - Effects E. inkBrush - Vector - Granular F. inkBrush - Vector - Render G. inkBrush - Vector - Linear Raster Brushes A. inkBrush - Raster - Pattern (Geometric) B. inkBrush - Raster - Pattern (Organic) C. inkBrush - Raster - Sketch D. inkBrush - Raster - Draw E. inkBrush - Raster -Paint F. inkBrush - Raster - Bristle G. inkBrush - Raster - Hatch H. inkBrush - Raster - Vegetation 'Stamps' I. inkBrush - Raster - Splatter J. inkBrush - Raster - Grunge K. inkBrush - Raster - Texture L. inkBrush - Raster - Stipple M. inkBrush - Raster - Effects Vector Assets A. vectorAssets - Grunge B. vectorAssets - Texture C. vectorAssets - Geometric Patterns D. vectorAssets - Organic Patterns Tutorials A. Creating Vector Brushes Experiments Vector Brush Experiments Inktober Prompts Day 01 [Prompt:Poisonous] AD only Original Size: AD 400 x 400mm 300dpi (Uploaded Size:1417x1741px/300dpi/hq jpeg)
  23. Hi, just wondering if it is better practise to create assets for use again as veftor or raster?
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