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Found 21 results

  1. I know you can save stroke profiles during the period the document is open. But it would be better (for me) to have a permanent save so they are available always.
  2. I have calibrated monitor and printers; I use i1Studio from xRite for both. I setup a document like this, 1 page: I insert a reference photo, this one: Now I print: I disable color management in the printer's driver and enable it in AP The "Xerox workcentre..." printer profile was created by me with i1Studio, it works great in any other app I have As a second check I export the document in PDF and print it with Acrobat, same profile (and the print is ok). So I'm asking: does AP honor the printer profile for a CMYK Postscript printer as old as a Xerox 7435? Infact it doesn't seem to, and ANY profile I use in the print dialog gives the same output. In general I'm very happy with AP it's just so annoyng to have this extra step when it comes to printing. Thank you very much.
  3. I want to create a preset so that the default color space is ROMM RGB. I saved a preset on the Basic tab in the Develop Module with Profiles set to ROMM RGB and Brightness set to 5%. When I bring up a new raw photo (Nikon NEF file) the Brightness is set to 5% but the Profile is Adobe RGB. Why won't the preset maintain ROMM RGB? Is there a fix? Thanks very much.
  4. PDF export fails when a linked image has no embed color profile (Message failed to export once progress bar reach the end). It was getting me crazy. First i had to export the pdf page by page until i find the offending object resides. Checked all images on that page. Then simply opening the image in Photo, letting it automatically assign a color profile and saving the image with the new profile embed solves the issue. It failed both on default PDF settings and my custom setting. Publisher 1.4.8 Mac under Catalina last.
  5. I just realized after dragging a phaseone IIQ file to infinity that professional lenses are not really supported. No profiles for Schneider Kreuznach, Phaseone, Hasselblad etc.. What a pity...
  6. In Photoshop we were supplied by our printer a paper simulation profile the form of a PSF file. This profile gives us an idea on how the colors will be represented printed on our paper color. Can Affinity Photo read PSF files? If so, where do I place these files so they show up in the soft proofing profile list? If these files can not be read, what kind of file do I need in order for Affinity Photo to read them. So far I have been unsuccessful in getting these files to load. Will I need my printer to supply me with an ICC profile that corresponds with the PSF profile settings?
  7. Hi, this is an old problem still present : - image developed in Affinity Photo beta 243 and passed to Persona Photo, - Color Efex call by the filter menu, - the image appears desaturated in the Color Efex window without filter actived.
  8. Is there any way to sync the color profiles between all the affinity apps? We have 20 seats in our office that need the color profiles prefs to be consistent throughout all the affinity apps. In Adobe Bridge we can set it up in bridge and all colors settings are set for all the adobe suite apps. Is there any way of doing this in the Affinity Suite of apps? Doing this makes the it easy for all the apps to be centrally controlled, maintained, and ensures the color profiles are consistent throughout the workflow. Setting them up individually makes room for something to be mismanaged or a setting being missed. This can be be catastrophic if somehow the wrong profile is used on one of our files when going to press. Is there a way to set up color prefs that transcends the other apps from affinity? Maybe I am overthinking this but, would someone tells me how this works when using studio link with different color settings?
  9. Hello Everyone. I have down loaded from the Permajet print paper manufacturer web site a whole bunch of ICC profiles for printing. Problem: All of the downloaded profiles have the suffix .icm - but Affinity Photo searches for profiles with a .icc suffix. So. Are the icm profiles compatible with Affinity and how do I change the search to include icm profiles? All help and advice gratefully received. Thank you.
  10. Hello I just bought the new iPad with magic Keyboard and pen V2. I Am a very experienced photoshop user and want to work from my iPad as much as possible now that’s no longer a toy. I want to import and use specific ICC profile dedicated for CMYK printing and the most common calibration standard (G7 or Gracol 7) it is available in photoshop as a default installed profile Hopefully there is a way to do this. My next question and hope is to be able to have keyboard shortcuts for swapping tool functions like the Freehand Selection Tool, going from add to subtract from selection. In photoshop you can hold the option key to go from add to subtract. If no keyboard maybe a button on screen to do the same? I have another issue I cam across and that was gradients do not display correctly going from white to 100S% black showing a bunch of bad breaks, please sample images attached I used for testing.
  11. Hi everyone, forgive me if there’s an answer to this question somewhere on the forum I’ve yet to find, but I’m wondering if there is any way to add/download printer and paper profiles for soft-proofing to the iPad version of Affinity Photo. I always save and then move over to my iMac for printing, but it would be great if I could do the soft-proofing and printing straight from the iPad Pro. Any options out there? Thanks in advance and happy holidays.
  12. Any chance of incorporating the option to manage printing with icc profiles totally within the iPad app? E.g. when i use the print dialogue i am given the choice of printing as is and letting my printer do all color management, I would like to have the option to let the app control the colour output by having the option to apply an icc profile to my image as i print it. Similar to the process found in dare i say it.....photoshop Cheers in anticipation
  13. Any chance of incorporating the option to manage printing with icc profiles totally within the iPad app? E.g. when i use the print dialogue i am given the choice of printing as is and letting my printer do all color management or applying an icc color profile to my output and let the app control the colour output? Cheers in anticipation
  14. I'm puzzled about how I can use Adoramapix' icc profiles. I'm preparing grayscale images, originally medium format negatives scanned. Affinity assigns Grayscale D50. There doesn't seem to be a way to assign Adoramapix icc profiles to the documents, despite my having downloaded them from Adoramapix. Is my best option just to use the Adoramapix profiles to soft proof, and edit my work accordingly?
  15. May Im the only one who need this in RAW editing for my fuji x-series and canon pictures, but is it on the roadmap for the near future? I can't find any thread about it :) attached is an example of how adobe did this in lightroom
  16. Update 1.6.1.93 fixes the previous inability to apply a supplied or custom-calibrated .icc paper profile to a print job. (Previously, the printer dialog would spontaneously revert to the image colour profile, eg. ProPhoto. This deficiency was my last tether to Photoshop, so I can now slot Affinity Photo into my colour-managed workflow. Thank you to the development team. You should really highlight this fix in the release notes. It was a show-stopper for photographers who actually print their work. I happily discovered the fix by testing the new releases.
  17. I need to grade (develop) several photos to the same standard, but run into a few problems. The right way to do this for me, would mean being able to overwrite the profile I have laid on all the pictures, and have all the pictures loaded with said profile update automatically. Instead, Affinity Photo rejects saving a profile with a previously used name, so when updating the profile I need to give it a new name, and then change all the photos to use that new profile. Which is both tedious and messy. I understand the need to protect users agains sudden and unwanted changes, but it goes too far. It slows down a whole class of use cases. I also see it could be kind of slow to update a large number of pictures at once, but the advanced thing to do here would be a "lazy" approach, where the changes wouldn't be applied to the pictures before needed. As in viewed, saved, exported and so on. (But for me, either way is an improvement.) I also tried the snapshots in the develop persona, and while I see that they have a limited use they are impossible to rename. Which makes it difficult to remember where I was when I took that snapshot. Fix, please?
  18. as described already in another thread here, i am encountering (strange?) problems with colors in both designer and photo, especially for cymk-colours. they kind of 'burn out' and are far too vibrant, so theres no way working with because they not nearly match whats expected. rgb seems quite right to me so far, but i have to use both affinitys mainly for cymk-workflows regarding print. so i have some questions that may be answered to get a grip on this and hopefully find a way towards a solution. 1. there are two options for rgb-profiles, one is called 'rgbu' - what do they exaclty refer to, and what is the difference between them regarding the use within affinity. more simple: why there are two? 2. is there any way, affinity works different regarding color-management than other applications like the adobe ones or corel does? the reason behind this is: the latter seems to do it right and (cymk-) colors are more or less close on screen - but not so in AF, although the profiles are set consistend and are the same thoughout all applications. 3. normally i would assume, all applications are using the screen-profiles that are defined in settings within OS - or win7 in this case. that means: every application uses this (in this case custom calibrated) profile as a basis to render according to the profiles set within the application itself... any other thing for affinity? so what is completely driving me nuts is the fact, that i cant get affinity to show only slightly correct colors for cymk... and i dont have any clue why. the awful thing is, that when emulating a srgb-space on my wide-gammut-monitors it seems to work far better, but i cant believe affinity wont be able to handle wide-gammut spaces... affinity (at least designer) is buildt to use for design & graphics of course. and while print is (still) some great part of that i believe that one should be able to work within cymk without that hassle and be able to get a correct color-preview on screen even for that. right? so the question to me is whats going wrong in that case??? is it affinity? is it me? is it another hard- or software? currently i am running out of ideas, but i have to solve this! any hints and thoughts highly appreciated and thanks in advance if more info is needed please be so kind and simply ask for it :-)
  19. AP Beta 1.5.0.43 still bad reads the color profiles in Nikon's JPG files. The picture was taken in Adobe RGB color space - AP indicates sRGB. I have to manually assign the correct profile. Sorry for my English :)
  20. I have several .icc profiles that I used in PS, they are lab and printer specific. Question, how do I use them in Affinity? Is there something similar to proofing? Do I need to set up my color preferences as I did with PS, in order to match my lab?
  21. So I was directed to post here from someone at the official Facebook page... So, I went ahead and downloaded and 'unboxed' the program last night and I had a ton of issues with the imported color profiles. When I checked the preferences all of the color profiles look right and it imported it with a sRGB color profile and it looks horrible. Is there a way to fix the color profiles and have the correct one import when I open up a raw file? I think once I get past this issue I'd like to do another video showing the program a little better and test all of the other features. It's just hard to get past the color profiles looking wonky. I've tested them all and they look really bad, even CMYK looks off. Who knows maybe I'm doing something wrong? Obviously people are going to need tutorials once this goes to the full version. I'm in no way an expert in Photoshop, but it's obvious to me that there are issues with the imported settings. A few people are also complaining that it's doing crazy things to the color calibrations on their monitors, as well. The files are from a Canon 5D MkIII Here's the video: https://www.youtube.com/watch?v=yHjwZakRaJc
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