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  1. This vector layer has been forced to turn off Anti-Aliasing. One of its curve layer has been rotated, before being rasterized. The rasterized layer doesn't retain its former shapes in pixel accuracy (or its shape displayed in Pixel view mode). *Edit: even without rotating the object, vector layers cannot keep its pixel-perfect shape after being resterized
  2. Hello, I am thinking on making a game in a pixel art style, could anyone help me with what I am doing, I searched in the program and the web on way to do this but I found nothing
  3. Locked pixel layer at the bottom of layer hierarchy is selectable by clicking or dragging. If it's not at the bottom, it's not selectable.
  4. Hi! I donĀ“t know how to explain this here we go... I have a Google Pixel 3 phone and take RAW (DNG) pictures using Adobe Lightroom Mobile, then I export them as Original and open them in my Computer with Affinity Photo. The results processing the photo in Lightroom Mobile directly is way better than doing it in Affinity Photo, do not get me wrong, I am NOT saying Lightroom Mobile is better, I am saying that Affinity is not reading the image appropriately, I already tried adjusting "Assistant Manager" and actually improved a little bit after changing the image to "32 bit HDR" and
  5. Dear all, I have an outdoor exposition coming up, for which 20 of my photos (bug portraits) will be printed on 1,3m x 1,3m boards (51x51 inch). Is there any option in Affinity Photo to upscale, to add pixels (as in: a higher ppi)? The photos are originally 6240 x 4160, but since the prints will be square, they will be cropped. Do I need something like Topaz Gigapixel, or is there a tool in Affinity Photo that can do something similar? Cheers!
  6. Would be nice if you could add integer only mode to the pixel unit. (not hiding decimal point by rounding. actual data should be integer) This also should be applied to objects that's resized or rotated. This is useful for who work on pixel based artwork. It can prevent unwanted change of size or blurry image without checking each object that's pain. Also an object could snapped to another object that has decimal numbers on position/size, this is annoying.
  7. Hi there, this is the first big project using APublisher as a former Serif PagePlus and AI user. For some reason, all "l" and some "." are pixeled as soon as I export them into PDF. See exampel. No change of font, export into curves does make a difference. I never had this issue nowhere before. Do you have an idee, what this may be? Other than that I'm very happy with the Affinity Suite.
  8. So I wanted to export this rasterized text like it looks in the image, exactly like it looks. That is, as I see it in the Affinity Designer viewport with no effects on. I have to mention that this text has been rescaled from 120 pixels to the current that the image has (about 2000). Is there a way to export it with a decent quality retention but looking the same? My app is in Spanish btw.
  9. Hello, (Sorry if my english is not perfect, not my first language) When i'm digital painting, I often need to switch between the brush and the eraser very quickly while keeping the same brush style, size and opacity. It's really annoying to just want to erase a tiny mistake, switch to the eraser and realize your eraser brush is in a completely different style and having to change all its settings just for one click. With the pixel tool, you can just press Ctrl to quickly erase, it's so perfect, I wish it was the same on the paint brush. It's one of the most awesome feature
  10. Hello, Recent convert from Photoshop here, and I'm pretty happy with Affinity's products so far! Transition has been fairly easy, and lots of features to like. One problem I'm having, however, involves the Pixel Tool. I did a lot of my pixel work in Photoshop using their Pencil tool, with pen pressure controlling opacity. However, when I attempt the same thing with AP's Pixel Tool, pen pressure seems to be binary? Like 0-50% pressure = no mark made, 51-100% pressure = 100% opacity. Am I missing a setting somewhere? The brush tool seems to behave correctly to pen pressure, b
  11. You might want to use a pixel layer as mask layer, but still be able to edit this layer and see the impact of your edits live. This is easily possible: Start with at least a background layer and a second pixel layer intended for masking add the live procedural text filter with this formula A=R, R=1, G=1, B=1 (or download preset "grey to alpha" below) Clip this live filter to the pixel layer to be used for masking Clip "pixel mask layer to be used for marking" to the background layer where you want to use it. The procedural text filter will become invisible in the l
  12. I made a series to curved shapes of increasing size that I would like to flatten into a layer so I can fill the spaces with different colors/gradients. I see lots of advice on converting raster to vector but not the other way around. Can Should I convert the curves to selections? I feel really lost here.
  13. Designer on iPad, recently updated: when I want to DUPLICATE a BRUSH from a list, the message "new brush added" appears, but no brush appears at the bottom of the list. In Affinity Photo duplication occurs, but in Designer NO
  14. Hi, I love Affinity Photo. There's only one feature that keeps me from switching completely and opening Photoshop anymore. I'm doing lots of Pixel Art for Games and in Photoshop, you can set the pixel aspect ratio to be other than square. Here you can see that a pixel is actually 2:1, 2 pixels wide and 1 pixel tall. This is the standard multicolor mode for many old computers like the C64, Plus/4 etc. It would be fantastic to have this on your feature list. I can't stand using Photoshop anymore. Help me. Cheers, Esshahn
  15. Hello, new user here. I'm very happy with the purchase, but there's a little thing I'd like to ask in order to be able to ditch exporting to Photoshop completely. I intend to use AD mostly to generate 2D artwork in multiple resolutions*, and it's really important to control the amount of antialiasing. Without that, there's always a lengthy "pixel cleanup" stage that follows the creation of any asset. While being able to fine tune the antialias intensity would be amazing, I'd be happy with a simple "turn off antialiasing" option for both the pixel preview and the "rasterise"option.
  16. In Affinity Photo, if I move the pixel, its edge will become smoothed out. (I always draw with brush with 85% hardness above) Regardless it is select all pixel in a layer then move; or select a portion of a layer with selection tool then move, the hardness of the pixel become very soft. Is this a feature? Or simply the pixel too low? lol
  17. Hi Support Sorry for the large video file - I haven't figured how to reduce it yet. Can you check the video to see what the problem is. Affinity Designer 2020-09-17 15-41-48.mp4 The problem I'm having is that layers go missing mysteriously if I embed a pixel layer. I was doing it fine when I started (you'll notice that there is no problem with the ships body that has a pixel layer embedded in the vector layer) on the file but this seemed to happen as I progressed. I don't remember having this problem before. Is this a known issue with the update? - I tried looking but t
  18. Is there a way to change the default measurements in A.Photo to inches from pixels? Inches Decimal would be even better! Thanks, Ken
  19. Hi, I am working on a pixel art design, and need to use a pixel grid (just a grid with 1px), but de grid is not working under 4px size. It is normal? I am making anything wrong? Thanks in advance RPReplay_Final1586418326.mov
  20. Hey, I've worked on a vector + pixel job and want to iterate several times on the pixel part. I would like to delete / reset all pixel layers as a bulk operation. Right now I have to select them one by one, it's tedious. Is there a way to bulk select all layers of a certain type? In this case, select all pixel layers?
  21. I've probably read all the posts on the forums about this topic. Even the ones from almost 3 year ago. Yet the issue still remains. Is there a way to snap objects together without having a gap between the objects? I have tried the force pixel alignment and move by whole pixels. I also find that this does not only happen when snapping shapes to shapes, but also having a shape on top of another shape. It is also visible when a shape is on the side of the art board and exported to PDF format. I also tested this in Adobe Illustrator CS6, which is old, and I don't see this issue when putting shapes
  22. I've been experiencing significant amount of initial brush lag/latency in 1.8, whether using a tablet or mouse - I'm using an iMac (HD, not retina, for what it's worth). I've seen this mentioned in the Windows specific section, but thought I'd bring it to the Mac section too as it seems to be an issue across the board. I addition to that (possibly related) I've also experienced weird thin tapers at the beginning of my strokes when using my drawing tablet (XP-Pen Artist 22R Pro), even if I press really hard with my tablet pen from the moment I put the pen down - the unwanted tapered beginn
  23. So far I've figured out this: In order to make pixel art (which would look something like this), I use Pixel Persona mode then create a square brush and then click on the Pixel Tool. Yes, I've turned on the grid and snapping, but I can't seem to draw the way I would want a pixel brush to draw. It's a bit hard for me to describe but I want the brush to move less like a painting brush and more like its snapping to the grid. This free drawing program is the best example I could find (just click New Drawing and test it out for yourself) of the way the brush moves which makes it so much easier to m
  24. Created a design (all vector), but now I'm told it needs to be exported to PNG file format. I know now that vector and PNG don't really go together. Searching for best way to get my design exported to PNG while maintaing image quality.
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