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  1. Wow! Surface Studio seems to be giving its competition, Wacom and Apple, a run for their money. There's a lot of arguments out there, but i wish Apple could design an iMac and macOS to accept touchscreen input in the manner Studio does. I remember Craig demonstrating drawing on an iPad Pro and then copying the drawn map to a Mac at WWDC2016. This was supposed to showcase the brilliance of the new Universal Clipboard feature that binds iOS and macOS devices closer together. Comparing to Studio now, that copy-paste feature really looks like a desperate workaround more than anything else. When it comes to productivity, Microsoft certainly has trumped Apple, at least for now. This makes me consider switching allegiances. Apple needs to address this quickly! Right now, I strongly feel that their adamant decision to not sort of merge iOS and macOS, is more of an egotistical stance and a cruel business strategy to generate more profits. I'll reserve more comments for now, until at least after 27th October when Apple will be announcing new Mac hardware. http://www.pcworld.com/article/3135370/computers/hands-on-microsofts-surface-studio-is-a-windows-pc-for-the-mac-crowd.html Will Affinity on Windows be "tweaked" to take advantage of the Surface Dial?
  2. Hi, I am completely new to affinity photo and am reaching out for help. Can someone show me how to put a border on a photo so that I can print it on canvas and not lose any of the image to wrapping around the sides of the canvas. This border should be the exactly 1.5" on every side so that when the canvas is wrapped around the frame the image is completely visible on the front. ​Thank you in advance for any help or suggestions.
  3. This would be quite useful, especially for tiling textures for example.
  4. Just wanted to know if there is any news or rough ETA for Affinity Photo on iPad. It's been announced as "on the way" for a while now. Anybody have an idea when/if a beta version will be released? Thanks
  5. Hello, I can't seem to work out how to do this. I've limited experience with Affinity Photo, using it mostly for simple contrast and exposure adjustments. I'm sure I'm missing something obvious but can't figure out how to apply a simple ND Filter effect to an overexposed sky. Thanks!
  6. Hi, I am Arun. I am new to Affinity Designer and Photo. I am very impressed with the tools. I would like to buy both Designer and Photo. I would like to know if there is any offer or a combo package available if I buy both? How many systems can I install and use it with a single license? Is it concurrent license or seat license? Regards Arun prakash
  7. We know that there'll be the iPad counterparts of Designer, Photo and maybe Publisher. I was wondering, could Serif post more promo clips on these apps, just to whet the appetite even more?
  8. Hi, I'm loving the program so far - I find it a lot nicer to use then Adobe. Just a few questions - 1. Are you guys able to give us a rough date on when you see the ipad version of affinity designer + photo will be released (im very keen) 2. I have purchased both Affinity Designer and Photo on my mac, I no longer own a mac or pc and work exclusively from an ipad pro. Will I have to re-purchase these apps or will the licensing cross over for the ipad? Thanks!
  9. Hi Affinity team, I don't know what is the best set-up (Designer and Photo) to use with my hardware : MacBook Pro 9,1 - i7 2,6Ghz - 8Go Ram - nVidia GeForce GT650M 1Go + Intel HD4000 OSX El Capitan 10.11.6 I don't find any informations to understand what could be the best preferences I've to select for my kind of hardware. For the moment I've selected both and I got less "ventilation panic", but is it the best thing to do ? According to me, there is a lack of information on some options in the prefs. panels. Thanks by advance for your answers.
  10. For bizarre technical reasons I won't go into, I had to change Apple IDs when I updated to macOS Sierra (actually before, but this problem didn't surface until now.) Because I have a new Apple ID, Affinity Designer won't update to 1.5 through the App store. I get an error that updates are not available with this Apple ID. Makes sense. What can I do now? Going back to the old ID is not an option. Can I download and install both Photo and Designer again ( I am a registered owner) under the new Apple ID? Will my Affinity registration still be good? I thank you for your help. Don
  11. I have had Affinity Photo for several months. No major issues. After receiving a promo email I have just purchased Affinity Designer which downloaded and installed OK. On first attempt to open, the app crashed. Tried again, same result. Went back to Affinity Phot and tried to open it and that crashed as well. The Designer install has screwed both apps. I then used the reply in the promo email to advise Serif and ask for assistance. Advised to hold the Control key while opening and when reset menu appears to select all. Tried this with both apps but it does not work with either. HELP!
  12. Hi, on a regular basis I check Affinity Photo to asses how close it has become to a viable alternative for Color Correction / Prepress production jobs. People in this business (including friends and colleagues of mine, worldwide) tend to use an established set of techniques, which in turn require tools – not many, to tell the truth: we could be using Photoshop CS4 and do 99% of what's needed to get the job done. FYI, what would make legions to operators switch to AP (but AP still misses) in my opinion are: 1. A proper set of Channel Blending tools, namely: Apply Image working on the open image's own channels: e.g. apply the Red to the Green, Lighten mode, 50% opacity. We use Channel Blending on ~80% of all images we work on. Calculations is handy too, but Apply Image would be OK. 2. A proper automation system: Macros are the first step, scripting is the second (I know there already are topics on this so I'll just mention it). Production doesn't only mean batch processing, but also dedicated script that can automate hundreds of steps based on each image's features. The two above are, I would say, mandatory for people in my business. Which includes also savvy retouchers. A delightful extra, instead, as follows. The AP team already gifted us with a true gem: Curves in RGB, Lab and CMYK – at the same time. What would obviously follow (at least for a color correction twisted mind) is a Channel Palette displaying at the same time R, G, B, C, M, Y, K, L, a, b, 10 channels. This, combined with Apply Image working on channels would make us drool and set on fire existing subscriptions. I'm sure the engineering team has its own, well defined, priorities: my intention is to put to your attention what are the needs of some professionals in the imaging business. Thanks for your attention and best regards, Davide Barranca
  13. I think the ability to save the History of your work is a really amazing feature in Affinity Photo. As a newbie that was pretty excited about this feature, I have been turning it on for all of my work. However, after noticing some slow-downs and crashes, I have been trying to figure out how much of an impact history has on performance and file size. I'm curious how much space it takes up in a file. More importantly, I am curious what sort of impact saving history has on performance. I am running Affinity on a fairly old Macbook Pro, so any tweaks I can make to get things running more efficiently will help. So, I guess I am asking two things: 1: Does saving the history with your file have a big impact on performance while working? 2: How much does the history affect file size?
  14. Very MUST HAVE feature, when you are selecting points, they appears in own bounding box, and you can manipulate it like an object — scale, rotate warp (add warp). Just like in 3dsmax. Open 3dsmax and just add many coolest features from there, your app will conquer universe. Just from Edit Poly tool. Add extruding edges — killer feature... Just a lot of basic tools and you will be a king... Also: copying along path, matrix, create object arrays etc.; make instances or copies of objects, make it separate type. Make linked or embedded objects. Would be great to have ability to join many edges to one vertex (but the last is like fantastic)))
  15. Would love automation/scripting/actions and ability to create all these (perhaps as "plugins") in a common scripting language like JavaScript (even allowing a "simple" mode similar to recording actions in Photoshop). For workflows which are repetitive it would be great to automate common actions as well as support third-party plugins which allows sharing common workflows, extend basic functionality, etc. Programs like Photoshop, Illustrator, Sketch and even something like Unity3D support this, and a cottage industry of helpful third-party plugins exist to extend the features and usability of apps beyond the capabilities of the core dev team. I think for Sketch it is a huge draw-card for users to automatically do things like create interactive mockups, export multiple files/sizes at a click of a button, and I would imagine that it would open up some great community-driven potential for Affinity's range of products (especially for Affinity Publisher, which I'm really looking forward to playing with, being a long-time sufferer of InDesign since Adobe shelved Freehand).
  16. Hello, I've been using Affinity for a while now, and have liked it quite a lot. Photo bends quite well to digital painting (sometimes even better than PS) but today I noticed a tiny problem. When I use Paint Brush with a brush that has texture (I've included a picture), the brush cursor shows all the little holes in the brush too, which makes it a bit hard to see what I'm painting. Is there a way to reduce the cursor's visibility somehow? For example turning it into a crosshair permanently (for now crosshair works only when the brush is really small) or showing only the outline of the brush, not it's insides too? I've looked through the Preferences and the forums, but I haven't found a solution yet. Thanks!
  17. Hi; More a question than a request, let me know what you think. Currently, if I apply an adjustment over an image, when I close its window the adjustment keeps selected, forcing to manually select the original layer in order to perform other tasks. For example: let's play with the levels... ok, it's good. Now let's apply some focus... mmmh ¿why is it not working? Oh, the layer is unselected. Now let's apply some intensity... but I'm seeing some noise; as the noise filter doesn't work well yet, let's go to develop persona. ¿What? ¿An error message? Oh, it's the layer becaming unselected again. I'ts a bit annoying... ¿Should be more logical to keep the layer you came from selected after applying an adjustment? What do you think? Val
  18. I have always needed to make vector images. They are often disappointed with the result in tracing the main software. It would need a utility that eliminates isolated dots or tiny invisible objects and tracing residues.
  19. I've noticed that no matter what I do with the contrast or brightness sliders, the number at its right never changes. The adjustment works fine, only the number is not. If I enter a value manually and hit enter, the slider reacts properly, but the number remains 0. I've also noticed that it shows 'px', instead of '%'. Regards; Val [edit] It happens with all the adjustements.
  20. Hi, In the develop persona there is a tool called overlay gradient tool. Does this tool not exist in photo persona? The reason I am asking is because some of my scans are in monochrome (no RGB), and the develop persona is not able to handle none RGB files. Which reminds me... is it possible to converse color profiles? Cheers Peter
  21. Hi; I'm giving the AfP extensions a try; regarding Apple Photo app, i've found this issue: I've loaded a bunch of JPG images into Photos. Selected one, clicked 'edit'; looked for the AfP extensions and selected the 'edit in affinity photo' one. Image loads into AfP normally. Edited it, exported, then closed. Back in Photos, clicked on Cancel in order to preserve the original. Then I selected a second photo and repeated the steps. When selecting the AfP extension, Apple Photo tries to load it into AfP, but the document never gets opened. Pressing cancel or closing the app brings a message indicating that the edition is in progress, but the document never gets loaded into AfP. Quitting Apple Photos and reopening it brings me to step 1: can edit the first image, but hangs on the second. My camera's RAW format isn't compatible with Photos, so I cannot tell you if this is a JPG issue or a general one. Regards; Val
  22. Hello, I recently tried the panorama feature and it works really great. But what's missing is that when I compose a panorama out of RAW files (NEF in my case), it would be cool to be able to develop the stitched foto further. Today I have to develop each photo of it's own at the beginning. Best Regards, Sven
  23. Hi, When using the clone brush tool, I notice that I have options to set the rotation, scale, and opacity of the cloned area, but I can't find any way to adjust the location of the clone source once it's been set. I find it much more useful to adjust this location using the keyboard shortcuts, rather than the rotation and zoom. For reference, the way to do this in PS, is holding Option + Shift + arrow keys. It's extremely useful when the source of your clone has a repeating pattern. Is there a way to do this in Photo? Thanks
  24. Hi everyone. Absolutely loving Affinity Photo (recently moved from PS). I am currently trying to create artificial light on a portrait, I am not a fan of the lighting filter, so I am trying to use a paint brush to create the effect, I usually get the general idea and then toy around with the colour, however, it will not allow me to change the colour once I have added the effect.. Any ideas? Thanks!
  25. Hello, in the export persona there is the possibility of 1x, 2x, 3x export for different resolutions. This works well with imported high resolution images that fit to the highest needed resolution. But when I add a layer and paint something i.e. with a soft brush, this layer causes a low resolution warning. This is really strange. Is there a way to define that the layer can be painted in 3x resolution? Or is there a workaround? Thanks for any idea, elk
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