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Found 1,183 results

  1. MarcBr

    Angkor Wat

    Hey folks, here is another edit/composite using AP Result (work in progress): Source: At the moment, I am not quite happy about the masking of the palm leaves Refining the mask crashed Affinity Photo several times, so I tried my best with manual masking, but I am still not where I want to have it - maybe I will have to spend another hour to get it right... If you have some good hints about better masking, I would be happy Besides, what do you think about the edit? Cheers, Marc
  2. Hello everyone, From today i believe i have to start sharing few of our design works (actually i'm working alone but i do build a team from time to time depending on project size ) Most of our client/requesters are Church based and we really enjoy doing stuffs for them but what you will se here is more about Smarty Studio standing with other studio/teams together into what is to become Congolese Design Style. Well each country have it's own style of design but Congo doesn't have a proper thus most of Congolese designers simply clone/copy styles from everywhere. This is a beginning, please your inputs on each design palet/kit will be of great help and will help us improving better. Blessings !
  3. Hello everyone! I'm new to the Affinity scene and love it so far. I've been a Lightroom user for years and decided that it's time to put the presets and sliders aside for a while and really take control of my editing. Enter Affinity. The purpose of this thread is to discuss workflows used when editing multiple photos from a photoshoot. I can't seem to figure out a truly effective way to edit 50+ photos without creating a mess. Any pointers, videos, web articles, or books are welcome. Thank you all for the support and I look forward to reading your responses.
  4. Hey guys......so I was working on my new course...and got the the lesson on making brushes.....sooooo I had to amek some brushes. I made a set of fog/ smoke brushes in raster and a set of silky smooth stroke brushes for your vector applications. I have learned so much from the people on the site....I wanted to give back, so here ya go . I am working on new blog post and some new art using them....so I will keep you in the loop Feedback on them is always appreciated, I love making these sorts of tools Jeremy , www.7thseasonstudios.com Stroke brushes -7th season studios .afbrushes Smoke and fog brushes -7th season studios.afbrushes
  5. I had a play with focus merge today and was wondering what caused the halo on the top tiny flower [mostly] --- slight subject movement is my guess. Pana Fz300 + remote cable + Canon 250D close up filter + focusing slides (yep cheapo) couple more added -- any hints and tips very welcome . it's it better to take more photo "just in case" or get it right with less photos --- these are 5-8 file stacks as the little sensor has more dof than most "big toys" Damn amazing techknowledge; and pretty fast considering . Affinity Mirroring still fascinates me !! What the computer does is one thing; how the whiz kids explain it to the computer in the first place is a whole different ball game Cheers
  6. In support of our fantastic photo editing app, please use this comprehensive and structured set of videos for accelerated learning! The video tutorials are available on Vimeo and YouTube via these links: Vimeo - http://affin.co/PhotoVids YouTube - http://affin.co/photoyt We now have a specific Beginners Series of videos tailored to absolute beginners, with a more manageable pacing and focus on concepts and straightforward procedures. They all include subtitles to aid understanding. The tutorial set includes: Beginners Series Opening & Saving - YouTube / Vimeo Layers - YouTube / Vimeo Adjustments - YouTube / Vimeo Filters - YouTube / Vimeo Exporting - YouTube / Vimeo Introduction Discover Affinity Photo Getting Started Technical Benefits Basics Document Setup Layer Concepts Layers Overview Live Filter Layers Scaling and Transforming Cutting Out Understanding DPI Accessing Help Transforming Document/Image Resizing Canvas Resizing Cropping: Practical Cropping: Aesthetic Straightening Images Cropping: Golden Spiral Cropping: Options Aligning Images Selections and Masking Making Selections Refining Selections Pixel Selections from Layers Quick Masks Mask Layers Exposure Merging Clipping vs Masking Vector Masking Using Adjustment Layers on Masks - YouTube / Vimeo Correction Adjustment Layers Levels Curves Shadows/Highlights Split Toning and Selective Colour LAB Colour Mode Defringing and Chromatic Aberration Live Perspective Haze Removal FFT Denoise Removing Lens Flares Changing Eye Colour Graduated ND Filter Effect Salvaging Underexposed Images Dual Perspective Correction Perspective Skew Correction - YouTube / Vimeo (New: 20th April) Retouching Cloning Inpainting Frequency Separation Liquify: Retouching Vector-Based Retouching Enhancing Landscapes/Architecture Vector Architecture: Worked Example Enhancing Camera Phone Photography Making Images Pop Revealing Sky Detail Bringing Out Water Detail Quick Inpainting Crooked Horizons - YouTube / Vimeo RAW Development Raw: Discover Develop Raw: Developing Images Raw: Overlays Raw: Redeveloping Images Raw: Noise Reduction Maximising Raw Latitude Custom Tone Curve Raw Development Quality 32-bit Raw Development - YouTube / Vimeo Raw Colour Quality Automatic Lens Corrections Raw: Recovering Overexposed Highlights Raw: Exposure Bias Getting Creative Lighting Creative Gradients Creative Black & White Sepia Images Brushes Blend Modes Blend Ranges Liquify Persona Sky Replacement Adding Borders Text: Branding/Watermarking Diffuse Glow Displacement Circular Bokeh Swirling Bokeh Simulating Ambient Occlusion Texturing with Blend Modes Creating Atmosphere Creating Light Beams Vector Lighting Simple Gradients Technicolor Emulation - YouTube / Vimeo Creative Painting Colour toning with shapes Infrared Emulation Radial Blur Regular Tone Mapping Compositing Landscapes Adding Extended Borders Creating Photo Collages Abstract Ideas #01 Abstract Ideas #02 Enhancing Low Light Trails Light Painting Compositing Tone Mapping Portraits HSL Tonal Separation - YouTube / Vimeo Orton Effect - YouTube / Vimeo Design Aids Snapshots Modifiers Designer/Photo Interworking Pixel Accurate Design Placing Documents Useful Keyboard Shortcuts Non Destructive Inpainting and Cloning Layer Creation Behaviour Layer Nesting Exporting 3D LUTs LUTs for Tonal Adjustments View Points Global Cloning Subtle Toning Multiple Colour Formats Scopes Curves Picker Non-Destructive Dodge & Burn Flexible Defringing Edge Detection for Masking Split & Mirror View Batch Processing Clone Sources Pixel Art Resize Direct PSD write-back (round tripping) Freehand Selection Tool Undo History Importing .abr Brushes Undo Brush with Snapshots Quick Toggling Panels - YouTube / Vimeo Light UI - YouTube / Vimeo Brush Stabilisation - YouTube / Vimeo Channels Channels Channels for Alpha Masking Channels: Creating/Storing Selections Editing Single Channels Channels: Greyscale Blending Channel Packing Filters Live Filter Layers (Also in Basics) Apply Image Apply Image: Equations Equations Filter Dust & Scratches Filter Halftone Scanlines Effect Mirror filter Diffuse Glow Filter Defeating Filter Limits Panoramas Panoramas Tricky Panoramas Panorama Distortion Correction HDR (High Dynamic Range) HDR: Merging & Tone Mapping HDR from one exposure - YouTube / Vimeo HDR: Tone Map Presets HDR: Panoramas HDR: Preprocessing HDR: Advanced Editing HDR: Ghosts Removal HDR: 32-bit Editing Focus Merging (Focus Stacking) Focus Merging Focus Merge Retouching Focus Merging Bracketed Exposures Live Stacking Maximum Stacking Big Stopper Effect Light Painting Blending Stacking: Long Exposure Simulation Stacking: Noise Reduction Stacking: Object Removal Stacking: Exposure Merging Stacking: Star Trail Effect Live Projections (360 editing, perspective projection) 360 Live Editing - YouTube / Vimeo 360 Advanced Editing 360 Retouching 360 Multiple Views 360 Roll Correction - YouTube / Vimeo Live Perspective Projection OpenEXR/32-bit OpenEXR Multichannel Import/Export OpenEXR Import Options Editing 32-bit 3D Renders OpenEXR: Using Alpha Channels & Association 3D Render/Texture Work Seamless Textures Clone Sources: Texture Creation Enhancing 3D Renders #01 Enhancing 3D Renders #02 Tone Mapping 3D Renders 3D Relighting with Normal Map Passes - YouTube / Vimeo Colour Management OpenColorIO Setup OpenColorIO Adjustment Soft Proofing Printing on Mac Printing on Windows Wide Colour Profiles vs sRGB - YouTube / Vimeo Macros Macros Macros: Equations Macros: Layer Behaviour Batch Processing with Macros Finishing Off Sharpening Selective Sharpening Exporting Export Compression Efficiency Plugins Installing Nik Plugins (macOS) Installing Nik Plugins (Windows) Installing & Using Nik Dfine Projects Nature Portrait Supermoon Product Shot Retouching #01 Nighttime Architecture Workflow - YouTube / Vimeo Portrait Retouching Workflow - YouTube / Vimeo Bonus Content Uplift Epic Skies (1.6 Bonus Content) - YouTube / Vimeo Windows Workflow videos In addition to the regular tutorials, we've also got some workflow videos shot on the Windows version of Photo that cover using a variety of features to edit an image to completion. These tend to be released on a more informal basis. Hadrian's Wall Tiled Building Portrait Retouching Monochromatic Architecture Canary Wharf Banded Demoiselle Please let us know about areas you think need covering, have problems with, don’t understand, or just tell us if we’re on the right or wrong track. Simply reply to this pinned topic. Have fun with Affinity Photo! Best wishes from the Affinity Documentation Team!
  7. John Rostron

    Warping Text onto a wave

    Some time ago I presented a formula to plug into Equations to warp text along a wavy baseline. I promised to create a macro to perform this, but never got round to it. Well here is that macro and a library containing it. Wavy Text.afmacro Wavy Text.afmacros The transformation is just a sine/cosine curve: y=y-(h*a/3)*(b*sin(360*x/w/c)+(1-b)*cos(360*x/w/c)) The a parameter determines the amplitude. The default is a=0.5, which creates a wave that reaches about half way to the top and bottom of the layer. The b parameter shifts the position of te wave along the horizontal axis. The c parameter affects the wavelength. Reducing c gives more waves along the x-axis. If you start with a text layer such as: and apply the macro with the default parameters, you get: The macro is designed to operate on a text object on a background. It needs the background to give it room. It begins by rasterizing the text to a pixel layer. It uses the height and width of the background layer to determine the amplitude and wavelength, not the height and width of the text itself. To use this, I would suggest creating a new document of a size to hold the text, then warp it, then place or copy it into the target document with an appropriate blending mode. John
  8. Hello, how do I turn on the smart/audio guides like you get in photoshop? If you don't know what I am talking about, check the adobe link below: https://helpx.adobe.com/photoshop/how-to/align-space-objects.html
  9. MarcBr

    Wedding Couple

    Hey folks, this time just some basic photo adjustments, dodge&burn and repairing/inpainting to clean up the ground and the couple: Original: Hope you like it - Cheers, Marc
  10. John Rostron

    Fair Amaryllis

    This is the time of year that Amaryllis (aka Hippeastrum) bulbs burst into flower. This is the second flower from one bulb. The first has rather gone over and the third is not quite open. I photographed this full face using 13 images in a stack, focusing on the tip of the stigma and progressively down into the throat of the flower. I found that using the jpegs resulted in the white parts of the petals being rather blown out, so I used the original raw (awr) files. Using the merge, I cropped it, then duplicated it and made a selection of the flower itself and deleted it. I then inverted the selection and applied a Layer > New Live Filter > Blur > Gaussian Blur with Preserve Alpha selected. Restoring the flower from the bottom layer gave the finished image. John
  11. Hi guys, i'm looking for a similar tool the "Actions"Photoshop in Affinity Photo. Could anyone tell me which tool has the same function? Thanks! Sorry for my English. ^^'
  12. I had been processing an image an image by making a selection and then selecting Refine selection. This created a red matte that covered my entire image, not just the non-selected part. I was able to paint around the edges and refine and use the selection. I then tried to print the image. and the red matte also appeared on the preview image. I exported the final image as a flattened tiff (closing the original). I then re-loaded it and went to print. Again the red matte was there. The image printed OK. You can see my final image under Share Your Work. John
  13. John Rostron

    Error in documentation

    In the Help Page on Field Epressions, in the section on general arithmetic, that for input '/2', the result is 'divide by a half'! I am told that this error is present in both the Windows and the Mac versions, and in both 1.6 and 1.7. John
  14. Bit of a long coming rant Is it really that hard / completed / confusing for others or am I just the dumb one ?. Other programs like lr and on1 make it so easy even if I haven't use On1 for ages and have likely forgotten how it worked. I call the whole grad tool thing "best to leave it tool" as i did with Ps programs --- easier the paint in / mask in the files or colours Just seems impossible to make an easy transparent gradient to blend 2 files together or add a colour or adjustment to say one edge . Honestly; videos I have seen tend to jump in at the deep end or don't mention a transparent gradient I would really appreciate it if you can explain the basics of making a simple transparent grad in Affinity Photo. Cheers
  15. Is there a way that a photo can auto update itself in designer, after changes to it has been made in photos, and then saved? I placed a photo that I edited in photos into designer, then I needed to make adjustments, but every adjustment I make, I need to replace the picture is designer with the updated one, even though it is the same picture, same name. Is there a way to make it auto update like it would do when using illustrator and photoshop? Thanks, Harold
  16. Dear all, I need to clone from a static source point with the clone tool in photo. In other words I want the source point to remain fixed where it was originally set instead of following the clone tools movement with a fixed distance while hovering over the target area. From what I understood from the docs, this behavior can be achieved by unchecking the “aligned” checkbox but this doesn’t work for me (actually checking or unchecking the box doesn’t seem to change the tools behavior at all. Bug or feature or my fault - don’t know). Is that possible? Any help appreciated. Thanks.
  17. Hi all, If I try to modify the HSL control points on a 32 bit image in the blue channel for example to green, nothing happens, I have to click on the green channel in order to see the greens affected...(is better a video than words). Everything seems to work fine if I convert the 32 bit image into a 8 bit one. I'm attaching the sample file. Cheers, Juan HSL_32_bit.zip
  18. Hi, When opening a JPG and doing a simple operation (flip), and saving this file (ctrl+s, erasing the original file). The original JPG is 539 Ko, the same after a flip in AP or AD is 1850 Ko. The problem is the embedded profile. Can we have at least an option in this case (erasing original file) for saving the file without profile? It's a problem with pictures for the web.
  19. Hello, is there any shortcut to use will have a selection tool to change between add and subtract instantly? Like in PS? This will make my life waaaay easier. thank you!
  20. Hello, I got TIF from a client and when I try to open in AP, I got blank, transparent page (doesn't matter is it drag&drop, open from dialog inside app or via "open with"). TIF is around 241 Mb, 4724 x 6677 px @ 200 DPI CMYK and can be opened in Photoshop CC 2015. Using AP 1.6.5.123 on windows 10 x64, 1809, screenshot attached. I can send this photo on request, but can't publish original scan on forum. Since I own also Designer (1.6.5.123) and am testing Publisher beta (1.7.0.257), I tryed that, too ... Both programs open blank rectangle: TIFF has thumbnail in windows explorer and any other program show/preview file normally (Xnview, Paint, ...). Bests, b.
  21. Hello Everyone ! I would like to know what is the easiest way to match colors on a Photo Montage/Composition in Affinity Photo without going all this crazy and too technical way. Is Serif thinking about bringing in the Color Match Live adjustment ? it is needed and may help shorten too long workflow or steps. Blessings !
  22. Hi there. When creating a vignette in Affinity Photo, it will only create an additive vignette not a subtractive one in CMYK. I.E. You can’t see a vignette against a white background, but you can against a grey one. This only affects CMYK. Not RGB. Cant speak for other colour profiles.
  23. Hello People Hello Dev's and Team Well today i'll make it simple for this amazing product we love. I would suggest a new Special Filter to be developed and implemented on Affinity Photo. The Skin Tone Live filter This Special filter should take care of helping the user to process skin tone adjustment in a Pro way and with ease of use. it should come with a tonal range picking tool that allow to pick and a set the initial/reference point/color range we would like to apply into areas we wish to correct. The filters should be Live and Non Destructive allowing a anytime tuning. The same filter should also include slider that will help us achieve things like Smoothing etc... like existing Filters is should have a Mask in it so we can paint the adjustment on specific areas we think we need to correct. let's say i want to make a model skin uniform, i would select the skin color Filter, use its picking/tonal range selection tool and click on the area that i think is the good/best tonal reference point, once i get that point it becomes what i will paint using brush tool in areas i think should be corrected, then i paint into areas i want to uniform to see them updated with selected tonal range and from the same Filter i should also the able to slide left or right (starting from center) to smooth or sharpen the applied skin tone. This should help us spend less time working on model/portrait skin tone but gain great results. if others can learn from us then we too can learn from them but make it 1000 times better than how it offered/presented actually. That was my suggestion for Affinity Photo. Blessings !
  24. Please find below the current feature roadmap for Affinity Photo. The list is a selection of features from our own internal roadmap we would like to share with our users. If a feature you would like isn't on the list then feel free to create a new post so everyone can discuss it. We read all the feature suggestions and consider each one very carefully. Photo Editing -Looks persona -Levels improvements -Curve Improvements -Export persona - preview with compression and palette optimisation -Non destructive Develop Layer Usability -Tool Presets -User categories in the media browser for shapes and objects Pro Printing Support for image layer Spot channels Please feel free to ask questions about the features on the list but don't post new feature requests in this thread, just create a new post. (Updated after 1.5)
  25. bit of spit and polishing ; and still ''without care in the world'' 1] original raw file -- just as well I have some idea about editing 2] as edited yesterday 3] orton effect and background colours added in Affinity (yep; used the graduation tool Pana Fz300 I have used the Orton effect for years and there many way to do it; however this is based on James's video click Little trick to add shadow under log ONLY >add FX shadow to dog/log section >deplicute >remove Fx from bottom layer >add mask to top layer >brush away top layer to leave only the bottom part of the log and the shadow --- something I taught or perhaps retaught myself today . You could paint in the shadow but that didn't work for me suggestions comments questions welcome
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