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Un placer saludarles de nuevo. Comparto con ustedes un nuevo proyecto de arte realizado en Affinity Designer y Affinity Photo. El Diseño vectorial fue inicialmente realizado en Designer para luego rasterizarlo para aplicar efectos de desenfoque, texturizado y ruido en Affinity Photo. Gracias por la oportunidad que me dan de presentar mi trabajo. Especialmente a todos aquellos que han hecho posible el diseño y funcionamiento de esta suite de aplicaciones Affinity con herramientas tan alucinantes y que no limitan nuestra capacidad creativa. Espero sus comentarios. ¡Gracias!
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Most of this drawing was done with affinity designer. Affinity photo was used for some elements. It was a trial and error process took about a month to complete. A few tweaks have been made.
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‘Guilt’ is a BBC Scotland drama series where only the strongest liars, bluff merchants and crooks survive. This is the work I came up with when Progressive Broadcast Hire asked for another ad. It presents their part in the production. I am delighted with the wording; it’s that latent copywriter in me coming out again. It appeared in British Cinematographer magazine.
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While working on this catalog, I used all the programs from the Affinities package.
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multi My first exhibit with Affinity (mainly Designer and Photo)
Bentox posted a topic in Share your work
I've been working on an exhibit on the social mouvement in Belgium since the beginning of the industrial revolution.It's a long project started in september 2020, delayed many times due to the covid and finally released in june 2021. The content is partly inspired by a comic book I relaesed in january 2020 on the Belgian social security system history. Done on Adobe, and as so many people I just wanted to quit. So I finally played with Affinty on the hard side, directly on big size filed for final production. The stress was High, very high ! I messed up a little with Publisher but finally get my way through the learning curve and, oh boy, I loved the export persona option. It saved my day ! Here is the pictures off the exhibition in Dison, near Verviers, the drowned town in southern part of Belgium.
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Here is a link to a font produced today using artwork from 2014 and 2016. I wonder how the glyphs can be applied today using Affinity products. https://forum.high-logic.com/viewtopic.php?f=10&t=4930 It is a colour font with monochrome graceful fallback glyphs included. William -
New version 1.2. Attached is the latest user guide for my application Canny Vectors. The guide was written entirely using the Affinity applications – Publisher, Designer and Photo. Constructive criticism is welcome as I would like the next version to be even better. You can install the application via the links here: https://forum.affinity.serif.com/index.php?/topic/143089-free-vector-tools-for-windows-10-users/ Canny-Vectors-User-Guide-1-2.pdf- 9 replies
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Here is a piece of work I created as an advertisement / poem which reflects on retro technology.All work done in Affinity Photo using the G'MIC plugin and Affinity Publisher. The only exception was the creation of the QR code in Serif PagePlus X9 and the text edited in LibreOffice Writer. See YouTube video at (Time Mark 37:35) to hear it read out:
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I have written a poem which reflects on the invasion which took place in 1978 all around the world. It is written from a UK perspective on the phenomenon called SPACE INVADERS. The title graphic was created in Affinity Designer, the text edited in LibreOffice, the layout done in Affinity Publisher and the graphic editing done in Affinity Photo. The YouTube link takes you to an audio version of the poem with backing music created in OpenMPT and speech created using Microsoft Sean TTS and mixed in Audacity. The frame effect was done in Fotosketcher. I hope you enjoy this retrospective on this seminal arcade game.
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I am Adobe Illustrator user from many years and using Affinity Designer and Photo from beta but never made logo from basic to finish in Affinity. I was previously made basic vector in Adobe illustrator and then put some colour and gradient in Affinity Designer. oday i thought i sjould give a try to make this logo concept all in Affinity and i made basic drawing in Affinity Designer and then used Affinity Photo brushes to paint. Hope you like my first try
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Made this on stream tonight, between Designer (most of the work) and Photo, started off as just the cube, then found the greenery assets while trying to find how to create a sphere... Then added some of the assets and things from the Affinity store. It's nothing overly special, but probably one of the nicer things I've managed to put together. Probably a lot/too much going on, but was just playing around - rather happy with how it came out. Name of it came from a viewer which is why it went from more than just the cube to what it is.
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Why do you make your artwork the size that you make it please? Looking through the Share Your Work forum, artwork is in many different sizes, so I am wondering why people choose the size that each of them uses. For example, I often use 2171 pixels by 1571 pixels because I am producing artwork with the intention of producing hardcopy prints by using what are termed Photo greetings Cards at the Papier facility. https://forum.affinity.serif.com/index.php?/topic/138654-artwork-for-greetings-cards/ William
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Unicode Inc. announces design competition http://www.unicode.org/announcements/u14call/index.html William
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Hey Everyone! I decided to play with the Equinoxe cover reproductions. Post-production is done in Affinity Photo, but before that, everything in Affinity Designer.
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These are fake album covers I made with Affinity Photo for the Album Cover Challenge thing. I also included the a simple logo I made for my project 674D55F3-4B1D-45C2-9FA9-180D4776B1CC.MP4
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These are designs I created in Affinity Designer and Photo. Inspired by 70's Anarcho punk band Crass from the UK. I am using these for my attempt project called PIPE BOMB MEDIA. I'm the guy sitting in the "I'm Already Dead" image, I am also using the pseudonym "Manifest Destiny" for this project. I am a really big fan of this style and minimalism in general.
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Inspired by the isometric grid 🙂 AD + AP 1920x1080, png 8bit
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I've drawn an illustration of a crocodile for no reason except too much time. 🙂 I'am working with Designer and Photo on a windows pc with a wacom tablet attached. The original photo was taken by vaun0815 at unsplash.
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The last client illustration project I worked on in 2020, and the first one I've posted in 2021 - had an absolute blast creating this! 👾 I used Affinity Designer (for plotting the initial layout and perspective guides), and Affinity Photo, with an XP-Pen tablet, for the drawing/painting, colouring, and finishing effects. There's a bit more insight into the process on my Bēhance if anyone's interested: https://www.behance.net/gallery/111102577/Pips-Meadery-Code Hope you guys like it! Stay safe out there, Christi. 🤙 http://www.instagram.com/christidutoit
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Hi, I required Affinity Designer in november, so please bare with me. I saw Wonderwomen, a car and a plane made by really, really great artists. I have no intention to get that good, but to get better I need to share my work for getting suggestion and tips. I am at kindergarten level. Starting out with 2 courses at Udemy, watched dozens of youtube tutorials, and glad I got it so far. The fur on the head is kind of okay, the body does not really fit. thearms stick out too much, shadowing is pretty hard. THe eye is jpg, I was unsuccesfull in following 'art with Flo' . I can not get the mouth blend better, like the illustration from Deema Egerov. (I need other artists work trying to recreate to develop myself.) So if anyone has some time to get me some tips, I love to hear from you. Many thanks, Yolanda monster1F.afdesign
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Made with Designer and Photo. I went through the movie frame by frame for references and then came up with something that was a little modern but more anchored in the art deco design of the original movie. I also looked through Willis O'Brien's pre-production images of Kong since i wanted him to have a rougher look.
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I love the aircraft from between the wars, they experimented and tried all kinds of airframes and paved the way for the aircraft we see today. One of those was the De Havilland DH 88 Comet. Three of these thoroughbreads were built for the 1934 air race from England to Australia. All done in Designer and Photo with oodles of Perlin noise in the background.
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Third magazine created with Affinity Publisher (and Photo and Designer). No Adobe products were used in the creation and proofing of this issue. There was a problem about halfway through the creation where Publisher 1.8 would seize up the file when saving and for whatever still unknown reason, the file could not be opened. All sorts of error messages. Thankfully there was a backup through Time Machine, although much work was lost. Paranoia set in and started saving copies every few minutes to several different folders. Sure enough, the same saving error occurred and file would be corrupted so I'd open a backup and kept juggling like that for half a day. Long story short, I reinstalled 1.7 and carried on with no problems. I did post the problem in the forums but the only semi-useful suggestion from another user was to try the 1.9 Beta. As my deadline was shortened by the problems I couldn't take the chance with the Beta version and reverting to 1.7 solved the problem. Still love the program despite that glitch (although there was much cursing during the crisis mode!). Before anyone asks, it was the magazine's publisher that requested the cover logos be turned on their sides. When anyone figures that one out, please let me know! As there are two covers, let me explain. It was decided that the two magazine titles were to be combined into one issue, evenly split (50 pages each). At the 50 mark, the pages are flipped upside-down. Not something I'm crazy about but then again, my job is to Art Direct and produce the magazine.
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I've finally entered the world of creative advertising, by submitting my entry to The Chip Shop Awards for judging next spring. Not a cheap hobby. Being allowed to create something witty, close to the knuckle and quite apt is something I've wanted to do for a very long time. This is my entry. It is an ointment manufacturer, helping out the seasonal homeless down under, buy their product and they'll donate the proceeds to a charity. Of course it is full of puns, some of you know me well enough by now! Its called How can you sleep when the Bush is burning? Pungent: noun. a bloke with rotten jokes!🤢 The photo is from the web. The packaging was done this Spring in AD. The skewing, backlighting and montage was done in APh. Wish me luck. Peter (The Drum Chip Shop Awards celebrate pure, unadulterated creativity. It's a platform where anything and everything is allowed, an awards show with no rules and no boundaries meaning the possibilities are endless!) The prizes are not glossy statues or metallic masks: they are a resin bottle of vinegar and an oversized chip.
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