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Showing results for tags 'mittens'.
Utterly apolitical, I promise! I'm not even from the US, so I have no axe to grind. As everyone on the interweb seems to be popping Bernie Sanders into humorous settings, I thought I'd have a go myself. I looked for the largest photos I could find, as it's much easier to work at the larger size -- and the mistakes are less obvious when I save the jpeg at a much smaller size (I hope!). OK, the first one is The Night Watch by Rembrandt (but you know that).I found a copy of Mr Sanders' photo online and selected out the figure and the chair. After some trial and error, I thought this was the best position to place him, but I had to flip the image to make the perspective of the chair to match. Fortunately he's fairly symmetrical, so it's not obvious. I made a slight Curves adjustment to get the contrast more or less right. Then I selected a section from the costumes of the figures in the background, upper left , applied an Average blur to it and laid it over the Mr S layer, set the blend mode to Overlay, and dialled down the opacity till the colours looked right. Finally I made a selection with the Pen tool and used that for a mask to put him behind the chap in front.I ought to have removed that dog, I suppose -- or moved it back a little so it doesn't look as if it's under the chair. And this is Luncheon of the Boating Party by Renoir.I used the same original image I'd extracted for the previous pic and masked out parts of the Renoir to out him behind the table. Then I Cloned in some background to remove the chap who was originally sitting there -- a little bit of his head and shoulders was still visible. I made the same adjustments as before, including the colour overlay (from the big fellow's arm on the left) to try and match the skin tones.Now here's the clever part! I made a copy of the Bernie layer and its adjustments and rasterised it. (This way I still had the group intact if I made a mess of it.) I opened the Paint Mixer brush and selected the Impressionist Oil 01 brush, set the foreground colour to none, and painted brush strokes over the raster Bernie, making sure I had Auto Load Brush on and clicking Clean Brush frequently. In this way I made the texture match the rest of the painting and not look like a photograph. I didn't need to do this with the Rembrandt, as his style is photographic.