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Found 184 results

  1. I like the power of macros in Photo but in my workflow I use a lot of macros and there is no way to create or organize the most used macros, tools and menu items in a panel. I would love to see something like this implemented in the next version. A great example of something like this made for photoshop you can find here.
  2. Hi, As I explain it in my previous post (MacOS + AP + Nik Collection FULL FONCTIONALS ...), Selective Tool plugin can't work in Affinity Photo because it open a scripts panel in Photoshop ; but most of then can be reproduce with simple macros in Affinity Photo ... So I did it ! 1- At first, you have to install Nik Collection plugins for Affinity Photo, some YouTube videos explain clearly how to do it. 2- You have to correct *.config files has I explain here. 3- Install "NIK Collection Selective Tool.afmacros" How it work ? Generaly, the "real" Selectiv Tool copye and merges all the layers, then it creates a full mask (black) befor calling the plugin you select with it. When you've finished to work in the plugin's panel, you go back in the editing software and you just have to erase parts of the mask with a white brush to reveale the effect ... NIK Collection Selective Tool.afmacros works exactly the same way. Note : you don't have to use Selective Tool to work with Nik Collection plugins ; this tool is just a "plus". Enjoy it ! NIK Collection Selective Tool macros for Affinity Photo.zip
  3. unni

    violets and bee

    Camera: D3100 Nikon Lens: Tamron 90mm macro iso 100, f8, 1/125sec, Godox TT600 handheld external flash and X1T-N wireless remote on camera, 1/32 flash power. Camera Handheld. (Left hand flash and right hand camera with left hand fingers supporting camera lens barrel farthest end.) Processing: No settings modified in develop persona. After opening in photo persona, made color adjustments in LAB color space. Back in RGB space, made multiple curves adjustment targeting flower outer petals, inner white petals, greens and bee body. luminosity masks were used for the targeted adjustments. Flattened the layers, took it to LAB, used unsharp mask on lightness channel. Brought back to RGB color space, exported image to jpeg. Image below processed in AP. The second image is without any processing.
  4. I have used equations to resize my images as described in this thread. I use the Parameter a to adjust the final image size to the desired maximum. However the parameters are constrained to lie between zero and one (inclusive). In this macro, zero gives a size of zero and one gives a size of 4000px. The parameter a is a multiplier for 4000 so that 0.2 gives a target of 800px. I have found that it is much more convenient to enter a fraction in the parameter box so, instead of entering 0.2, I can enter 800/4000. All the user has to do is to remember the denominator should be 4000. The ability to enter fractions is documented for other parts of the user interface, but I thought it worth mentioning that it works here as well. John
  5. I was watching a video course on Lynda.com (Advanced Affinity Photo for Desktop) and the video for creating your own macros. The video shows recording a macro where the first step is to create a selection from a layer. When I try that, I get Macro Recorder - Cannot record "Selection From Layer". Am I missing some setting that I need to change to allow this or is it not available on the Windows version? The course appears to be recorded on a Mac version of Affinity.
  6. ---- the settings after running the macro ? Do I need to explain more??
  7. Hi! I found unusable slider ranges in macro dialogs. I've got frequency separation and Gaussian blur as (combined) interactive steps in one macro. The sliders in the dialog box are barely usable. I usually need to vary the values between 0 and 20, which is only a tiny bit of range at the left edge. A slider movement of 1 screen pixel causes a change of about '6 px' in the radius, but high accuracy (in a .x pixel range) is mandatory. The range of the high pass radius is 0 ... 100 px standalone, but 0 ... 1024 px in the macro dialog, the range of the Gaussian blur radius is 0 ... 100 px standalone, but 0 ... 1024 px in the macro dialog. With identical range and behavior for standalone and macro dialog use, everything would be fine. Workaround welcome, fix preferred, personal error possible. Best regards, Bernd
  8. Good Morning All! I am currently attempting to find a replacement for Adobe Fireworks as the business I'm employed by would like to move away from the costs involved with Adobe. We have narrowed it down to Affinity Photo as a necessity to have for the batch function but also a luxury to have the Photoshop capabilities to use on the rare occasion. We had some custom scripts written which we imported into Fireworks. I cannot get the same end result with solely the batch process function within Affinity. Below is the script contents that were written for us for Fireworks. Is it possible to automate this inside Affinity? Essentially we want the option point the batch tool to the files to resize multiple photo file formats into 1000 x 1000 72dpi. For example, If the image is 1000 x 500 before batching, we want the batch program to fill out to 1000 x 1000 with the colour white. We no longer require "makeResize" and only "makeLarge" within the script. var theDoc = fw.getDocumentDOM().filePathForRevert; var origFile = Files.getDirectory(theDoc) + '/' + Files.getFilename(theDoc) var newFile = 'file:///C|/batched/'+Files.getFilename(theDoc, true) makeLarge() makeResize(227, 227, '_m') makeResize(75, 75, '_s') makeResize(40, 40, '_t') Files.deleteFileIfExisting(origFile) function makeLarge() { var oldHeight = fw.getDocumentDOM().height; var oldWidth = fw.getDocumentDOM().width; if (oldHeight > oldWidth) { newWidth = 1000 var temp = oldHeight/newWidth newHeight = oldHeight/temp newWidth = oldWidth/temp } else { newHeight = 1000 var temp = oldWidth/newHeight newWidth = oldWidth/temp newHeight = oldHeight/temp } fw.getDocumentDOM().setDocumentImageSize({left:0, top:0, right:newWidth, bottom:newHeight}, {pixelsPerUnit:72, units:"inch"}, true); fw.getDocumentDOM().setDocumentCanvasSize({left:0, top:0, right:1000, bottom:1000}, true); fw.getDocumentDOM().setDocumentCanvasColor("#ffffff", true); fw.getDocumentDOM().selectAll(); fw.getDocumentDOM().align('center vertical', 'true') fw.getDocumentDOM().align('center horizontal', 'true') var theDoc = fw.getDocumentDOM().filePathForRevert; var theFolder = Files.getDirectory(theDoc) var theFilename = Files.getFilename(theDoc, true) var fullPath = theFolder + '/' + theFilename var theExtension = Files.getExtension(theDoc) fw.exportDocumentAs(null, newFile+'_l', ({applyScale:false, colorMode:"24 bit",exportFormat:"JPEG",jpegQuality:80,jpegSmoothness:0,jpegSubsampling:0,name:"JPEG - Better Quality",numEntiresRequested:0,percentScale:"100",useScale:true,xSize:0,ySize:0})) } function makeResize(height, width, ext) { fw.getDocumentDOM().setDocumentImageSize({left:0, top:0, right:height, bottom:width}, {pixelsPerUnit:72, units:"inch"}, true); fw.getDocumentDOM().setDocumentCanvasSize({left:0, top:0, right:height, bottom:width}, true); fw.getDocumentDOM().setDocumentCanvasColor("#ffffff", true); fw.getDocumentDOM().selectAll(); fw.getDocumentDOM().align('center vertical', 'true') fw.getDocumentDOM().align('center horizontal', 'true') var theDoc = fw.getDocumentDOM().filePathForRevert; var theFolder = Files.getDirectory(theDoc) var theFilename = Files.getFilename(theDoc, true) var fullPath = theFolder + '/' + theFilename var theExtension = Files.getExtension(theDoc) fw.exportDocumentAs(null, newFile+ext, ({applyScale:false, colorMode:"24 bit",exportFormat:"JPEG",jpegQuality:80,jpegSmoothness:0,jpegSubsampling:0,name:"JPEG - Better Quality",numEntiresRequested:0,percentScale:"100",useScale:true,xSize:0,ySize:0})) } Convert for Web.jsf
  9. hubs

    Epic Skies.afmacros

    Would anybody be willing to share their Epic Skies.afmacros with me? It is no longer available for free or purchase from either Affinity or Uplift. Thanks.
  10. unni

    Flame of the woods

    Camera: Nikon D3100 Lens: 5X microscope objective Number of frames: 223 Time taken by computer to process focus merge in AP : 1 hr 20 mts Length of the yellow anther: 3mm The vertical member is the pistil. Rose color are of the petals. Name of flower: Ixora coccinea A picture of the full flower is also shown to get relative feel of the magnification.
  11. Recently migrated to Affinity Photo and I found an interesting tutorial for infrared. I decided to turn it into a macro (in fact, my first macro with APh). You can download it here: Ivans Infrared Macro.afmacro Here are two results: This is the original video tutorial:
  12. Is it possible to make use of macros developing RAW photos in Develop Persona? "Macro" appears in studio only in Photo Persona.
  13. Hi guys I'm an amateur photographer from Italy. I'm 21 years old and I'm beggining my journey with Affinity Photo. I would like to have some impartial Advice about this photo I shot few days ago. I post produced this raising the contrast and using my brush to give a little bit of clarity. I raised the shadows and I used the brush to be more precise raising them only in particular parts of the image. At the end I used a Green Fill Layer (with 4% opacity and soft light fusion mode ) to highlight and "give more importance" to the green part of the image. I shot this photo with a Nikon D3100 with a 55mm Micro-Nikkor f/2.8. f 2.8 / ISO 400/ 1/200 Bee's head was a little bit out of focus (I Even raised the Details, Radius 5% and Amount 100%)
  14. It would really help speed up my workflow if it was possible to record macros on the iPad version of Affinity Photo. I'm really hoping to see this feature in the next updates.
  15. My first test on focus stack. The speed of processing was impressive since the working space was set to prophoto-16 bit. It took only a few minutes to complete 25 images alignment and stacking. To compare, one single frame and the final stacked image are enclosed. Only minimal editing (curves and USM) is done on the stack. The output is very good. Soon I will be testing with 70 to 160 images taken with microscope objectives. Camera- Nikon D3100, Lens Tamron 90mm Macro, f18, 1/3 sec, ISO 200. This is the final stack. The image below is one of the 25 frames.
  16. Hi, Since I'm using APhoto for retouching, I though that it would not hurt to record a macro to automatize a few steps. I create a new layer, fine... I wish to move it, no way... I wish to change its colour, no way... well, I'm already stuck. Or, is there any trick I do not know ? Thanks, Patrick
  17. In short, Affinity Photo develops my RGB monochromatic images as RED when using the Auto-Colors tool, which breaks my processing macro for handling images SOOC. I've attached a sample example JPG from my Fuji X-S1, and the file as batched with equivalent (with exception of Auto-color which does not exist in PhotoPlus x8) SOOC workflows. I don't know an answer on how to address the case of what should be monochromatic images having (stupidly?) auto-color run against them, but I feel like this should be more robust. The alternative is I have to make another batch processing macro and run that only against monochromatic images, which sort of defeats the purpose of batching to begin with if I have to sift through files and take them out one by one. SOOC Source Image Serif PhotoPlus X8 Affinity \
  18. Hi, i have built some macros. Affinity Photo is showing me a "Generating Preview" window when i start the macro. After approving the dialog box the macros fulfills the task. This takes two times the time. I dont want a preview to be generated. If it is showing unwanted results i still can go back in the history. How do i turn this feature off?
  19. As usual, nature design and macro (kind of). I did not make a frame (nor add a vignette) for this one, just diverse settings in Aphoto. P
  20. From start to finish in AP : again, Nature's design but tried different styles (the first one is an Euphorbe and the second one Crassula). Amazing patterns/forms, no ? P
  21. Hi Everyone, I have a lot of "7 image exposure bracketing Raw" Canon 1dx mark 2 files. The problem is that it takes a lot of time to process each photo. I have a macbook pro 15" 2018 i9 32gb 560x gpu. The questions are: 1. Are there any settings i need to change in order to speed up the process, because it looks like metal gpu acceleration is off (my current settings screenshot attached)? 2. Is there an option to create a batch job for all of my 7 part HDR Merge photos, so ill be able to leave it processing and come back in an hour instead of clicking every few minutes each time? Thanx a lot in advance.
  22. Hi, I just got Affinity Photo and so far I love it. I found a few tutorials for using the Epic Skies Macro that came with version 1.6 back in November. I fully realize that I missed that free promotion. I'm cool with not getting it for free. I'll gladly pay for the macro and the photos. I know that I can buy the photos from Uplift at this link - https://www.upliftactions.com/products/epic-skies-cloud-overlays But Uplift only sells a Photoshop action, not the Affinity Photo Macro... does anyone know if I can buy the macro anywhere? Any help would be greatly appreciated. Thanks, Josh
  23. Just purchased Affinity for Windows and it says it comes with a free Macro Pack. I can't find any details of this pack and what it does or how to install it.
  24. Angelize

    Blue Hour Macro

    I've been delving into Affinity photo and the macros As I like to learn by doing I recorded a quick little macro for enhancing blue hour shots. It deepens the blue and adds a little warmth at the same time with adjustable parameters for denoise, exposure and more I thought I'd share it here Blue Hour enhancer.afmacro
  25. v_kyr

    Rusty Boost Macro

    Photos of rusty motifs sometimes have a certain flair, which you can reinforce/enhance if desired. This Rusty Boost Macro just tries to do this in a reusable manner with some simple applied layers. LAYERS This macro creates two layers for you with corresponding layer masks: The macro makes first a copy (Ctrl/Cmd-J) of your background image layer and then applies a high pass filter on it (with a default setting of 20 px) and puts this layer into vivid light blending mode. You might adjust the layer's opacity to your taste here. There is also a layer mask applied so you can include/exclude certain image areas with a white/black brush here on demand. A 15% opacity black fill layer and mask are applied in multiply blend mode, in order to give blacks a slightly stronger go and darkens the image slightly. You can adjust the black fill layer opacity to your liking and use for the layer mask a white/black low to medium opacity soft brush and paint over the image, in order to include/exclude certain image areas from the black fill. THE MACRO rusty-boost.afmacro