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I like jaguars, they appear in my dreams. This is a work in progress. 100% vector, no pixels, no vector brushes (which aren't vectors). Most recent stage on top, vector outline view in the middle and jaguar in a virtual 3D frame at the bottom. After this, I will add hair texture with my Huion 620 Pro drawing tablet (not looking forward to that), which will make the vector outline of objects / layers difficult to distinguish. In my portfolio blog the various stages are included - https://communicats.blogspot.com/2024/03/vector-painting-of-jaguar.html In the bottom section of this blog entry you will also find tips on how to make working in drawings that contain a plethora of objects / layers less difficult and time consuming.

First test of complex drawing in Affinity Designer 2. Crashed three times - first crash moderate data loss, the following second significant data loss. Image is not finished yet, but I ordered a new computer and will wait for the new rig to arrive before continuing to work on this 100% vector drawing. Rendered image on top, vector outline below. Progress sequence in my portfolio blog: https://communicats.blogspot.com/2022/11/continuing-jaguar-illustration-in.html Update November 22 2022: Felt the urge to continue the project in spite of the unpleasant crash experiences on my very old computer (2004). I drew some reflections in the water and detailed the hair in the ear areas with the pen tool as Stuart RC suggested. Update 24 November 2022: Started to draw the jag's fur texture in its face. The image below is downscaled and shows less accurate detail than the actual size. The old machine crashed only one time (....). Details and sequence images in my portfolio blog. Update November 26 2022: Worked on the tail, the left eye that I enlarged slightly and began experimenting with the overall fur texture. I don't want a single pixel in this drawing; it must remain 100% vector. This means no 'vector' brushes, symbols and patterns are included, since they do not contain real vectors. I temporarily used the Styles function in just one shape, but that is to observe the result. Later I will use a method that exclusively involves pure vector shapes and strokes in a specific way. I may probably have to wait until the more powerful computer, that I ordered, arrives to successfully draw the jag's fur texture. Below is the previous stage. Below is the vector outline view of one of the most recent stages.