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  1. Add support for System Rating and Review Prompts, this would allow users to rate/review from inside your app, this would increase the amount of ratings Affinity photo gets, Which also may increase the amount of people that buy your app. Here are instructions on how to support this feature. Ratings and Reviews SKStoreReviewController
  2. First thanks Serif for taking my productivity with an iPad to the next level, there is absolutely no app that comes even close to Affinty Photo, and to be honest I just bought the iPad to have it there after I saw the demo on wwdc. So so since I work with mainly the last 2-3 month I found some things that might be beneficial, from a professional point of view. (Maybe I missed them yet) - the shadow slider in develope persona is in my opinion far to aggressiv, (the main reason why I still use Lightroom) - also since I do mainly landscape the images seem a stop darker then they actually are in develope persona - it would be cool to have some kind of own font management like in Vectornator pro. - also I would love to have an styles or assets management like the library’s in Adobe Cloud. - a shortcut to change the brushsize with the Apple Pencil right on the workspace - to be able to turn on/ off a ruler to the sides of the workspace , I searched every option but maybe missed it if it’s already there. - enter Colors in hexcode Besides the Programm is almost flawless I think so much power on an iPad is insane. I mean it even opens Vektor graphics like a pro and better then every so called Vektor app in the App Store, so thrilled for affinity designer.
  3. Hi everyone, When using the flood select tool, you allways get a selection of 100% which can be what you want in some cases and in others not! I rather expected to be able to select an area and get also somehow a blurred selection rather as you do by using the "Select sampled color" comand in the select menue. But this "select sampled color" comand is hidden . And alsoits sometimes difficult to realy judge, with the "select sampled color" command , to judge, what you realy selected, because the selecion corner only shows the 50% area... So both tools can be improved together in workflow with the Quick mask toggle.. Here comes my idea as a jpg file. Tell me what you think about it.. Tom
  4. User support email, having a support email can improve the process of reporting bugs and solving issues. Here is a resent reviewing the App Store.
  5. There needs to be an easily accessible section in the app where you can report bugs/request new features, right now there's no way for users to report bugs/request new features from inside the app. This section could also submit a diagnostic log about the current status of the app/past issues to Affinity so they can better solve the users problem.
  6. Bonjour, Voici une liste si dessous des informations détaillées qui vous assistez Etant ancien client ancien client photoshop CC il serais bien d'ajouter quelques récapitulatifs Alors soyez-vous informé de l'amélioration et du rajouts. _ Possibilité d'avoir accès à tous les moments au filtre ajouté sur l'image comme un calque direct "calque de réglage" sur l'image, possibilité ainsi dit ajouter un masque de claque. _ Avoir accès à tous les instants au masque de dégradé Car une fois ajouter à un calque et que l'on s'enlève de la sélection dégrader il disparaité il faut en refaire un si le dégrader ne nous convient pas. _ Avoir la possibilité de faire une sélection rapide sur un masque de calque. _ Copier coller un masque de calque sur d'autres images simplement en le glissant sur un calque. _ Intégrer plusieurs image sur un projet pour pouvoir découper une image sans devoir le faire sur d'autres projets, enregistrer et ajouter une image. Simplement avoir dans un document plusieurs images séparer pour découper ou retoucher séparément pour ensuite ajouter à l'image simple glisser sur lautres. _ Intégrer des brush personnalisable. Ou de style flamme, herbe, fumée. Pour avoir plus de possibilité pour le futur photomanipulation. Hello, Here is a list if below the detailed information that you assist Being former customer old CC photoshop client it would be nice to add some summaries So be informed of the improvements and additions. _ Ability to have access at all times to the filter added on the image as a direct layer "adjustment layer" on the image, thus being able to add a mask of slap. _ Have access at all times to the mask of gradient because once to add to a layer and that is removed from the selection degrades it disappears so one must remake one if the degrader does not suit us. _ Have the ability to make a quick selection on a layer mask. _ Copy paste a layer mask onto other images simply by dragging it onto a layer. _ Integrate multiple images on a project so that you can crop an image without having to do it on other projects, save and add an image. Simply have in a document several image seperate to cut or retouch separately and then add them to the single image slide over each other. _ Integrate customizable brush. Or flaming style, grass, smoke. To have more possibility for future photomanipulation. Quote Edit Quote this
  7. Hi, I am another user interested in Affinity Photo as an alternative to Photoshop. I have been familiarizing and playing with it after installing the beta version for Windows on my computer. Overall it is OK. It is somewhat different from Photoshop and this will require me to go through some learning, all of which is fair and expected. A part from bugs that need fixing, I think there is space for better implementation of some functions some of which are being reported in this forum. I am adding one myself for the Curves function (under Tones in the Develop Persona). Unless I am missing something, in its current implementation the curves function of Affinity allows to place and move points in the curve but does not show the values of the input and output coordinates of the points. This makes very difficult (in fact, almost impossible) to exactly reproduce a similar curve profile on different photos. Photoshop not only shows the input and output values of each selected point of a curve, but also allows to directly enter such values in the corresponding fields without having to drag each point. Also, similar to Photoshop, I think that showing a curve and its corresponding hystogram overlapped in the same graph helps to much better evaluate the effect of modifying a curve. I hope this and other practical improvements will be implemented in Affinity to make its current and already quite impressive set of features even stronger. Regards, Marco Debiasi
  8. Hello, We are currently evaluating AD to see if it could be a nice tool for our employees who need to do quick annotations on images. At this time we are facing a limitation which look very small but which is very limitative in the image annotation workflow. The use case is the following: many of our users just would like to take a screenshot of something on their screen, to paste the clipboard image in an image editor application, to draw or write on it and to save it on disk in a common image file format. This workflow is efficient only if the user has a low number of operations to do. Unfortunately when we create a new document with AD the New Document dialog window doesn't automatically get the image size from the clipboard, as Photoshop does. Hence our request for this feature. It will help us a lot (I mean it!). Thank you very much
  9. Hi, In diesem Affinity Photo Tutorial zeige ich aus der Serie Foto Optimierung wie man das Foto verbessern kann. Hier geht es nicht um große Effekte, sondern um viele kleine Verbesserungen, die dann hoffentlich für ein besseres Ergebnis sorgen. Es gab viele Anfragen, ob ich ganz normale Fotos verbessern könnte. Ich werde das jetzt immer wieder in einer eigenen Kategorie machen Hi, In this Affinity Photo Tutorial, I show you from my serie photo optimization how to improve a photo. There are no great effects, but many details which hopefully improve the result. There were many requests to improve ordinary photos. I will do this regularly in a new series. Have Fun! Ciao Jack Tutorial: Foto Optimierung / photo optimization Foto / photo: eigenes / self made
  10. Hello! I recently tried to work with Affinity and although I like it all in all, there a two things that grind my gears: In the layer pane on the left where all layers are listed, there is a "fx" button. Let's say there are two Layers, "Layer A" and "Layer B". Clicking on one layer's "fx" button will always result in opening the currently active layer's effects. So refering to the example, if I am working on Layer A and click "fx" next to Layer B, I still get Layer A's effects. I have no idea if this is intended, but to me this is really counterintuitive. I suggest to change this to open the properties of the layer the button belongs to.Further, I wonder if Affinity will support "Contour" styles as I find them in Photoshop when using the "Bevel and Emboss" layer stlye: It seems that those are ignored/not imported, if I am trying to import some PSD file. Related to the Point above: Affinity doesn't seem to import contour splines (as Photoshop uses them for shadows or bevels etc) correctly. Some presets are missing which I guess will lead to those being ignored.(?) I didn't check custom drawn contour splines yet. Rendering bug: http://i.imgur.com/Rh7lyHb.jpg I drew an oval shape, and added some triangular bevel. Since it is triangular, one would expect the very outside is dark but in contrast there is a strange "glow". (the screenshot is zoomed in for better visibility) GUI Improvement: there is no cancel button in the layer effects windows. When playing around with the effects, all changes are immediately applied which messes up the history. The only workaround I found is to undo all the changes again which is pretty annoying.
  11. Now you can create sections to export in the export persona but sometimes you need to export one of the sections to a specific size and this is not possible. Changing the document size is not an option because the sections do not change its size and you have to resize it one by one.
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