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Found 19 results

  1. [English version below] Hallo zusammen, ich erstelle Pläne und Grafiken für digitale Präsentationen (Fachgebiet Architektur). Folgendes Problem: Ich stelle die gewünschten Farben in Affinity Designer mit dem HEX-Code ein. Wenn ich die Grafik exportiere, wird diese immer mit knalligeren Farben exportiert, als eigentlich eingestellt. Ich benötige PNG, JPEG und PDF-Formate. Mit allen Formaten, mit allen denkbaren Einstellungen habe ich bereits herumprobiert. Das Programm, das Dokument und im Export haben die gleichen RGB-Einstellungen und ICC-Profile. Eine zeitlang ist bei der Einstellu
  2. Version 4 ICC files do not seem to work with MacOS 11 and Affinity Photo. After contacting the paper company and working through my problem, we discovered that using version 4 ICC files when printing from Affinity Photo produce an incomplete print. In my case just yellow and light cyan. They kindly sent me a version 2 ICC profile of the same file, and it worked. Has anyone else been having this problem? iMac MacOS 11.1 Epson SC P800
  3. Good Morning, I just starting doing some sublimation printing at home and was looking to see if anyone had success with matching up color profiles to get good prints from the Epson 7720 with Asub paper 120g ? If so could you share your setups inside affinity designer (MAC USER)
  4. Hi I've been using moo.co.uk for making postcards from my photos for many years. They allow me to have as many different photos on the front as I have cards in a pack. I haven't seen any other company offer that, or I would probably just switch now. They recently removed the option "picture enhancement", which worked really well for my photos. The first batch of cards that arrived now has less contrast and less shadow correction than the earlier versions. I have not reached out to their support yet, but will of course. https://support.moo.com/hc/en-us/articles/360035605391-Dull-or-dar
  5. I use Affinity Phote (1.6.4.104) on an Acer Notebook with Windows 10 and an attached wide gamut monitor (EIZO CS2420). The screens are profiled with i1 display. The bug is, that Photo always displays colors in relation to the profile of the first monitor. Im my environment this is the notebook screen with a sRGB profile. So Photo treats the wide gamut monitor like a sRGB monitor. Conequently Photo displays colors on the wide gamut monitor over saturated. I could verify the assumption by activating an ICC profile with interchanged color channels, which delivers a very strong effect (red becomes
  6. In an attempt to get my head around Publisher’s PDF export behavior (compared to Adobe’s which I’m rather familiar with), I stumbled upon this thread which only touches some of my problems: Some settings in the export process (under File > Export > PDF > More) don’t seem fully developed yet, so I hope to find some clarity here: PDF/X-1a: The standard only allows CMYK and spot colors, so the options “As document” and “Grayscale” don’t make much sense, right? PDF/X-4: The standard allows several color models, but if I want to output CMYK-only (despite enjoying other X-
  7. I find it hard to understand the effects that color profiles have on the colors of images in Affinity Photo. A raw image opened in Photo looks de-saturated, compared to DXO and preview in Irfanview. The JPEG from the camera looks better, but less saturated than shown in other software, like Firefox, Paint.net and Irfanview. Perhaps some setting of Photo overrides the data from the image? When developing the image I assign the ROMM RGB profile. From what I understand this profile keeps the highest number of colors available during editing. Is this true? After making adjustments I
  8. Hi all, the link to the original post can be found at the bottom of this posting. I am reposting here as I believe it is a bug and no one has taken an effort answering the original post in the questions and answers forum, so hoping to have more luck getting answers by posting in here instead. To summarise: There is a huge discrepancy in the soft proof results between Affinity Photo, Adobe Photoshop and Lightroom when using Relative Colorimetric, Perpetual or Saturation rending intents on the same images. The differences are so large that in my opinion seemingly Affinity Photo doesn't
  9. Hi, I've calibrated my scanner using the X-Rite i1 Studio and that resulted in a ICC profile. The profile is saved in the same place as my printer and display profiles (C:\Windows\System32\spool\drivers\color) but when I choose Document->Assign ICC profile in Affinity Photo 1.6.5.123 my printer and display profiles are there but not my scanner profile. When I do the same in Photoshop CC 2018 I get a very long list of profiles including my scanner profile, why? Best regards Nicke
  10. Hi, Could you help me with some questions below regarding using ICC profiles: 1. I can "Assign ICC profile" or add layer with "Soft Proof Adjustment". Do I get exactly the same result When I use the same ICC profile in each of these two options? Are there any differences/implications in further work with photo when use each of these options? 2. There are different lists of available profiles in "Assign ICC profile" and "Soft Proof Adjustment". Why? 3. How can I sort (by names) profiles on the list of ICC profiles for "Soft Proof Adjustment"? 4. Is it possible to switch
  11. Hi everyone! I've been looking into the possibilities with the Affinity suite, and whilst it's all very promising I do have one question regarding matters of an ICC profile nature. I suspect a fair few of you will either work alongside or will have transitioned from Photoshop, and one quite invaluable facility is the capacity to spot read the ink density of a CMYK image to meet with overall percentage limits for print saturation, which in my case tends to usually be 240%. Is there any such sampling tool in the Affinity suite which I'm missing, or a known adjustment layer process (maybe via sof
  12. When opening images that do not have assigned ICC profiles, I do not always see a warning that Affinity Photo has assigned the working space profile to the image. This has created a fair bit of confusion for me today, because I was trying to detach the ICC profile from an image using the Export function, but when I opened the exported image to check that this had succeeded, it was being presented to me as if it still had an embedded profile. (I actually wrote a bug report for the Export function having a broken ICC profile attachment option, but when I double checked reproducibility befo
  13. When "Use document profile" is selected in the export menu, the profile is not embedded with the image. It just defaults to sRGB no matter what the document profile is. I tested this with PNG and JPEG exports. When I export a document that uses Adobe RGB, the profile on the image is sRGB. If I go into the export settings and specifically change the ICC profile to Adobe RGB, it exports correctly and the image has Adobe RGB embedded.
  14. Hello, The 1.4 upgrade was a good one. I have imported a new profile from Blurb with the correct suffix but it doesn’t appear in the list when I try to apply. Any ideas? Being very experienced with PSD I don’t find doing most tasks in Affinity too difficult to pick up after going through the tutorials. At the moment I think Select > Colour Range isn’t too useful due to the lack of any adjustments. Duncan
  15. OSX El Capitan Steps: 1. Have two color corrected screens, each with it's proper profile assigned. 2. Go to settings and give monitor 1 the menu bar - making it the main monitor. 3. Launch Affinity Photo. 4. Open a photo document ( in my case I used a document with Adobe RGB color space ) 5. If on the main monitor, the colors will be accurate. 6. Move the entire AP interface over to monitor two - or create a new view, separate the interface and move view 2 to monitor 2. 7. The color on monitor 2 view is wrong. It still uses monitor 1's color profile. 8. Quit affinity photo. 9.
  16. I'd like to be able to remove the colour profile from a document, you can add or convert in Photo - but not remove a profile - which is helpful when working for the web and screen.
  17. I understand that future enhancements are planned to Photo printing capabilities, and that at present the OSX system print dialogue is the way to go. In the mean time is any guidance available on getting the best from the current print capability? In particular it would be good to understand how the ICC profile menu options work and how these might affect the print result or help with proofing and setting rendering intent. A short video tutorial on this aspect would be useful.
  18. Hi everybody, I'm working with Affinity Designer for some weeks now but I'm new in this forum. Just a question: is there a way to add some more color profiles, apart from those already included inside Affinity Designer? Or, if not, is this something that will be included sometimes in future? I would like to have all my illustrations and files color managed the same way, despite they've been designed inside or outside Affinity Designer. And I don't like to make too many conversions through color profiles since you can lose precious info while converting from profile A to profile B.
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