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Found 6 results

  1. I am stacking several night sky shots using HDR Merge . The subject has a shot of the Moon very bright set at correct exposure. shots allowing for moonlight on foreground and a large structure building in the midground .The problem I am having is that when I adjust the tones after merge with an acceptable level I cant get the sky dark enough to show off the stars its either one or the other leaving far too much editing as a result . The foreground has snow in it illuminated by the moon the sky has to be dark to show off the Moon and stars, the Horizon has a residue of after sunset light civil Twighlight.so very difficult but if I can get it close to what I saw great dont mind small amount of tweaks . The final result Im getting is leaving the sky as if it was daylight and when i pull the tones control down to get the sky dark everything looks Muddy with all the colours looking yuck! any help would be appreciated .
  2. Same problem in 1.7.3.481 Any comments from the Serif staff? Refine selection is completely useless... No improvements here whatsoever in about two years.
  3. IU'm converting from Photoshop and struggling to understand something - In the colour panel, there are 2 colour circles which appear to correspond to a 'fill' colour, and a 'stroke' colour - whereas in Photoshop they relate to Foreground and Background colours. Does Affinity Photo have a concept of Foreground and Background colour or not? In Photoshop I can create a gradient from the foreground colour to the background colour - how do I do the equilavent in Affinity Photo? I used the colour dropper tool to select 2 colours in a photo, but as soon as I switch to the gradient tool I don't seem to be able to use the colours I picked, as a white gradient fills the entire layer and I cannot find an option to go from Fill to Stroke colour.
  4. Can you convert from color to grayscale and/or black/white in Affinity Designer and/or Photo? This is very helpful for designing for the very few people who cannot see color in checking for background/foreground contrast.
  5. Tackle down object in foreground (the lamp) by stacking works fine. With only two pictures, the bike light has almost completely been removed. Hot to do the opposite? I tried 1000 things, but now I am running out of ideas. Pictures are originally raw, but size is to big to upload here. The result is not as perfect with the jpg's, but still ok. Foreground: Background: The pictures are shot on tripod, so for stacking no Auto nor Live are necessary: Any suggestions, how I can remove the BACKground with stacking? Any help appreciated! :) Cheers, Roland
  6. I know of the shortcut to "Fill" and then chose a color from there, I think there should be one for filling with foreground and background to work faster with masking
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