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Found 72 results

  1. "Hell hath no fury. . ." seems a nice girl. This got really complicated as it developed - different layers with different blend modes & opacities. The problem with doing something like this is: when you want or need to merge certain layers they never merge as you expect them to; the layers never keep their individual properties but default to the highest setting and then the effect you had is gone. Time to undo and stop playing with fire!
  2. What a grand title! All day in the making and another "live" composite which steered its own course; I just went with it.
  3. Apart from the backdrop (virtually gone) this image was created with photographs of water. With help from the liquify persona and blend modes I was able to realise this particular visual experiment.
  4. Well, summer is coming and the holiday season too.
  5. Hey folks, here is another edit/composite using AP Result (work in progress): Source: At the moment, I am not quite happy about the masking of the palm leaves Refining the mask crashed Affinity Photo several times, so I tried my best with manual masking, but I am still not where I want to have it - maybe I will have to spend another hour to get it right... If you have some good hints about better masking, I would be happy Besides, what do you think about the edit? Cheers, Marc
  6. Hey folks, back again with a small composite made of three photos from last year's trip to Bali and some burning sky stuff I shot during summer. Result: It could need some more finetuning for sure, but I am pretty happy with how it turned out. What do you think? Sources: Cheers, Marc
  7. I'm having some troubles with the Define option under the wand tool... still having a photoshop --> photo learning curve. Anyways, this is my first Affinity Photo manipulation. Starting to get the hang of it. If anyone is willing to walk me through some advanced methods for defining masks, please let me know.
  8. I often walk past this tree and always thought at the right time there was a photo there . Cloudy day worked well . The background was made from the top of the right hand side image What was going to be one of my quick edits but turned into a bit more ; again original files masked out with the Selection brush mostly >> top of tree was blurred several time while being rotated this way and that Copy/paste the tree images with layers onto the blurred background >some more masking >> lot of moving images around to get something that looks balanced Should have put it away for a day or so at least before sharing -- can be amazing what will be seen and notice with fresh eyes -- A mentor of mine; Peter Eastway said he and staff would often look at his main composition images for a month or two; or more before considering the photo to be as perfect as possible . That's why he is a master; or maybe it's grand master several times over of photography. If you fly QANTAS his photos are used in the magazines --- good job; being flown to all parts of the world to take photos and then getting paid a lot for them -- worth googling As always, honest comments (CC) and questions welcome Fz300 panasonic -- I'm currently rekindling my love affair with my little mate Pana :lol:
  9. Composite of 2 photos taken many months apart.
  10. Five Finger Voting - A quick-and-dirty illustration for a presentation slide.
  11. This is a composite done in Affinity Photo. The city is a 3D model rendered in Daz Studio. I photographed the elephant in the Gothenburg museum of natural history.
  12. Yes, it's true. The only thing I can say for sure about this image is the fact that it took bloody ages and lots of experimentation.
  13. My first composite in AP to practice masking. Kind of European landscape (3 photos taken in France, 1 in Germany and 1 in Ireland). ;·)
  14. Don't believe everything that Hollywood tells you. I have it from good authority that these two guys get on like a house on fire; the first chance they get, out comes the piano and before you know it - it's an all out rendition of "Nessun Dorma." And if you thought the Italian language was difficult to understand. . .just you wait till you hear this mother sing. Put that in your dreadlocks and smoke it!
  15. I've always been a Chess player as far back as I can remember. This picture is a fanciful acknowledgement of that.
  16. Not too sure why I did this, it just grabbed me as a good idea.
  17. I don't know. . .the things I do to keep myself amused. I actually lost count of the number of layers I had going on this one, they just grew exponentially until I didn't know what to do anymore! Arghhh!! The layers, the layers! Still, gotta laugh haven't you?
  18. An example of something coming from nothing. I began this picture with an entirely different intent for its outcome, but when inspiration comes along - you just have to run with it.
  19. Produced my first action figure photo shoot So much easier than working with real people! Action figure was photographed by me on a miniature photo studio I built, and lit with speed lights fired remotely using radio triggers. The background is stock. All elements were composited in Affinity Photo on my 10.5" iPad Pro.
  20. Here is the final image that I was having the crashing issue with a couple days ago. 100% iPad Pro with Affinity Photo. Hope ya like.
  21. Did I laugh or what. Yes. . .I giggled all the way through this.
  22. I've been using Affinity Photo and Designer since nearly their respective launch dates, and I continue to hold hight hopes for this company and it's products. I recently decided to begin a transition to an entirely mobile workflow, utilizing an iPad Pro 10.5, Affinity Photo, and any additional apps needed to do the work I wish to do. I'm almost a week into my new mobile journey, and I'm not only blown away by this setup, I have little desire to work on anything else. Can't wait to see how AF for iPad improves! If the app devs are reading this... ADD MASK REFINEMENT IN PHOTOS PERSONA, PLEASE! Anyway, here's a 6-image composite of my niece on her Jurassic Easter Egg Hunt.
  23. Just my imagination running riot. . .again!
  24. Hi, I'm fairly new to photo editing and I just bought AP. I'm trying to achieve this effect by following this (PS) tutorial, tho I'm stuck at what hes does at 6:00 into the clip. When I'm trying to make the mask and then invert it, tho I don't get the same effect in AP. Could anyone explain how to achieve this in AP? Couldn't find any AP tutorial on a similar effect.
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