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  1. Good morning everybody, I am finding another thing that seems to be missing from Designer which I use an awful lot in CorelDRAW and which is kind worrying to me unless maybe I'm missing something. In Corel I have a blend tool. I believe Illustrator has the same thing though I don't use Illustrator. It allows me to create two objects and blend them together. This is particularly useful for creating interesting drop shadows and so on. Is there really no way to do this in Designer? I'm attaching a screenshot to show you what I mean. Corel allows me to choose which aspects of each object inte
  2. Can we get one? Like this from CorelDRAW... Thanks!
  3. Hello I am running Version 1.9.1 of Affinity Photo on Windows Desktop I wanted to lighten up the color of the face a bit but ended up basically cloning the light and a blue flag over the sections where I was painting with the clone tool - in the tutorials the Lighten-Clone Tool only picked the brightness level of the source target and applied that to where they painted - so I would not expect it to pick the color and apply it, too, I hope I am not mistaken here? I was following along basic tutorials as I am transitioning to this Editor currently, so I believe I followed the instructi
  4. Hi, is there still chance to have equivalents to illustrator effects like rough, blend, warp, zigzag, etc...? I've found that this has been addressed here for years. These are important things for me that force me back☹️ Thanks.
  5. Hello, I have a doubt, how to give the same effect as the "underlying layer" of photoshop? I know where the setting is in AF, but I don't know how to configure it to give the same effect. For you to understand the context, I have a "recolor" setting, a background image and a character, each in its own layer. I want to apply the "recolor" adjustment only to the character, but I want to apply the effect of the "underlying layer" of photoshop, as in the image I attached in this post. Thank you
  6. I have 2 separate curve layers that overlap. At a certain point for these two curves(between the two black arrows) I want the gradients to merge or blend together more. Is there a way to do this without converting these layers to pixel layers or doing something destructive?
  7. In the tutorial link to my post we can see pass through behave differently. "passtrough"'s blend mode let the group affect the below layer, "normal"'s blend mode prevent this behavior. In my configuration displayed in the linked image, I see that both behave the same. I am wondering if it is a bugg or intended.
  8. Hello world, I have created this simple typography logo. You can watch the timelapse on YouTube with this link Logo Timelapse
  9. I would like to see a way to blend objects together. Illustrator has this feature and it's pretty useful (the blend tool). Sorry for the unfair comparison, I really like what you guys are doing, I'm just trying to help you make a better product. You may have to do some interesting math, I think Illustrator takes the object with the maximum number of points and then maps the same number of points on the outline of the less complex object. Then you can calculate your angles, curves and coordinates.
  10. Hi there I´am trying to erase part of a mask using the brush in overlay blend mode. It suposse that if the mask is un black and white and the brush in overlay mode, when the brush pass over a white part of the mask, it should not affect whites, but it does. How can I fix this?
  11. Hello, I often use "blend if" in photoshop. I use it to convert a draw to coloring page or blend two images based on color. Does Affinity Photo have this feature ? Thanks !
  12. @MEB This is not only about using gradients. It's about dropping a long flat shadow. Regardless of the gradient. It would be great if Affinity Designer can generate such a shadow shape from another shape (or group or text). Or a FX. Maybe an option for Outer Shadow or a complete new entry to cast such long shadow.
  13. Hello, ...yes, i’m just another guy asking for features… But i’m just trying to help to make AD better. Please consider to implement asap this tools in Designer because: - Knife tool: It’s not possible to cut groups in a fast way. (yes we can perform compound operations but only on one object at a time...) - Links: It’s a must for all the designers since most of the time we work with images in low resolution (to be fast and light) and for the final work we replace the pictures in the link folder for Hi resolution ones. - Roughen effect on a VECTORIAL line (Smith, hard
  14. Hello everyone, I have a question about swapping faces in a picture. How do I make it look the swapped face like it was on the original picture. I mean the same colour, tone, texture et cetera. There is a tutorial for Photoshop that does exactly what I mean but I don' t know how to translate that to Affinity. Link: https://www.youtube.com/watch?v=h7bDCFlSeGg Thanks in advance!
  15. How does one create a long shadow effect in Affinity Designer? There doesn't seem to be a blend feature. https://www.youtube.com/watch?v=tp_T5t8rJ8g
  16. Vic Asecas on our Facebook page asked about creating a long shadow, it would be good to have in future. Here's the example effect Vic wants to achieve: When I had a play I struggled to make it look as good, it seemed to me that the effect can be approximated with dark shapes and a gradient transparency, but the gradient has a straight profile perpendicular to the gradient path. In Illustrator, this effect can be achieved using blended copies of objects that go from e.g. 20% opacity down to 0% with a blend spacing of e.g. 1pt. Even with a long shadow this produces vector banding like t
  17. Hi all, Hopefully I have posted this in the correct place, although I'm not convinced I have, apologies if so. I have a problem with a panorama I have made. I didn't think to take a second row of photos for the sky, but didn't like the balance of the picture once I had blended the pano. As such I extended the sky vertically in affinity, however this has created an odd looking sky. The real solution would be to get it right first time; I will make sure to take more than one row next time, even if it is just blank sky. Out of interest though, is there anything I can do to
  18. I am at Page 82 of the Affinity Designer Workbook and followed the instructions to change the Inner Glow layer effect from Normal to Multiply, Screen, etc... but I don't see any change happening. I have a couple of questions: 1) Where can I see the 2 colors that should take part in the blending effect? I only see one gradient color in the Eyeball layer. 2) What should I see by changing the Blend mode in the Workbook example?
  19. Presets are available in many tools but Blend Options also needs a way to save presets because here sometimes we create complex curves. I wold also make a dropdown list with all the presets to be available in the tool window or replace that button with a dropdown that has an option to save a preset. I would integrate this dropdown style to presets in all the tools (black and white, gradient map, curves.........)
  20. I've brought this up a few times on the forums, but (and I'm getting desperate here) pleeeease add Dissolve to the Blend Modes list for layers and brushes - pretty pretty please! The tedious workarounds to achieve this effect simply aren't the same, and not nearly as effective. Dissolve is the easiest way to turn any, otherwise normal, brush into an amazing textural experience, and was one of the most used features for me in Photoshop. Dissolve played such a big role in my work that I've had to adapt my style completely after switching to Affinity, and I miss it dearly. I even took
  21. When using a raster brush that has 'wet edges' enabled, it often automatically disables the wet edges when you switch to another tool (like the eraser) and then back to the brush again. It's not a big issue, but it would be really great if the brushes retained the wet edges setting to save the hassle of manually checking it again after using another tool. For some reason this doesn't always happen, but I thought it might be worth mentioning as a lot of the more 'intricate' custom brushes use wet edges for textures and effects. Similarly, and I appologise as I've mentioned thi
  22. Hello everyone, I have a huge issue with the Smudge brush tool in Affinity Photo (Mac). When I use it to blend between two colours, it messes them up completely. I tried a lot of settings, even tried the smudge pre-set from DAUB brushes library but they all do the same. Please see below screenshots of the setting used and some tweaks with flow and strength. Can anyone help me out??
  23. At my current job we use Corel Draw in our graphic design department. I have switched to Affinity Designer and Photo for my personal work and these are my 5 features I use very often in Corel that I would love to see added. 1. Boundary Tool - Have a print/cut Roland printer and this tool is essential when creating a cut line around multiple objects. 2. Envelope Tool - Use this quite often for text effects. Converting to curves and manipulating from there works alright but Corel leaves the enveloped object still as text and can be still edited. 3. Flood Fill Tool - I'm able to re
  24. Hello, Currently trying out Affinity Photo and messing around (trying to learn it after many years of Adobe Photoshop) and I've found a reproducible crash. Previewing the blend mode fast from Normal to Erase on the Blur layer (inside Group 1) then to something else and back to Erase causes the application to crash. https://streamable.com/tay53 A sample project file has been attached. Test.afphoto
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