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Found 123 results

  1. dave2017


    I sometimes have a group of photos to process. Each one doesn't necessarily take long, but the whole sequence of operations might. I may use other tools as well in the process, and eventually bundle the results off by email to an interested party. As an example, today I was asked to take close up photos of a table top. I took a bunch of photos - then I wanted to upload them all to AP. Then I wanted to select a few, and make some changes, such as blurring out the background, and finally I wanted to save them somewhere unique, and then send them off. I don't know how big a problem this is with other photo editing tools - it may actually not be any easier - but as I have already written, each small step adds up and in the end the process becomes tedious. A more streamlined process would help.
  2. I have edited several photos of a photo session. Lets say a have several dozens of images ready to export then as JPEG. In LR, I just select all final images and choose export to create the JPEG of all selected photos. What is the best way to do that in Affinity ? What is the best workflow to deal with editing and saving all selected images of a photo session ? best regards
  3. Perhaps I don't understand what the option "Synchronize tools between documents" does, but I suspect it means that if I change a brush size or in other ways change a tool's settings, then that change will also apply if I go to another open document. If so, it does not seem to work. It does not have any effect. Is this a bug? I'm using version 1.6.7
  4. I want to deliver uncompressed 16-bit TIFF files to a client (unfortunately, I don't know the specifics on how they will be printed, like size, paper stock, etc..,) so I would like to give them the best image I can, then they can do what they need to on their end to meet their print needs. So I'm trying to work out the best workflow. There are 12 images I need to deliver, so I was going to batch process them into 16-bit TIFF files (from the RAW files), then open them in Affinity Photo to edit. Keeping in mind that AP can't export uncompressed TIFFs, what's the best workflow from this point? Open in AP, edit, save as TIFF with layers, then flatten, and deliver as is? Assuming that the TIFF I'm working with is uncompressed. Or , edit, save as TIFF with layers, then open in Preview and save as an uncompressed TIFF? Is there anyway to work with the photo in AP's file format, then get it back to an uncompressed TIFF? Not sure if I'm over complicating things, but all I really want to do is Take my RAW file, edit in Affinity Photo, and deliver an uncompressed TIFF. (The client actually requested a EPS file, because they will use Illustrator at some point, but that's not my problem lol.) Thanks for the help.
  5. I'm conscious this has been asked before but there seem to be no recent updates here in the forums. On the iPad, can we please have a meaningful default filename when exporting images? I am using Affinity on an iPad Pro, it is fully up to date. I have tried a number of methods to import my images in the first place, but the one that seems most efficient is via the iPad SD card reader which is reasonably quick (once it has built tons of thumbnails... every time), where the Photos app imports the files. My source images are RAW files, sometimes paired as RAW & JPG (Olympus OMD camera). I have seen on the earlier threads on this subject the comment that "Photos doesn't retain the filename on import." That may once have been true but certainly is not true now and hasn't been since before the last Affinity iOS update. Both FileBrowser and in Lightroom Mobile can see the exact original filenames, same as if I had imported to my laptop. Affinity has been left behind and insists on "Untitled.jpg" as the only default option, so I have to open one of those other apps up to remind myself what the exported jpg filename actually should be (if I want to be able easily to recognise later where the export came from, which I do). Terrible workflow, and gets in the way of processing a batch of photos. An enhancement would be also to add (insert, replace) other standardised filename stubs - personally I like to prefix the capture date, others might like to add an album name when working on a bunch of photos. Any chance of an update?
  6. I know that files are interchangable, and can be opened in other app from menu, but sometimes it's overkill IMO. When goal is to make some quick edits in one photo while document contains dozens of them, more convienient way would be just edit this particular image. Something like: select bitmap -> edit in Photo -> do what you want -> save directly back to Designer. Same thing could be useful in reversed situation: select vector object -> edit in Designer -> do what you want -> save directly back to Photo Cheers
  7. Hi forum, On both Photo and Designer, I'm often confused by when my vector stroke styles are either inherited from the last object I create or not. I can't work out the rules for how this happens - can anyone advise on how to control this behaviour either way? Similar issues when I just want to draw a new vector with a new fill colour. So I might select the previous vector layer because I want to insert a new object in front of it. This object will always inherit the style of the one I have selected, which is often not what I want, and can make it hard to see the new shape. I have to change the fill and stroke afterward to stand out against the underlying object. I'm sure I'm missing something simple here!!
  8. Hi, Affinity imports EPS, PDF, AI ... They support Pantone and other color books... but what if they do not see the Pantone names in the imported PDF file? If you have a description of colors attached to a document - you substitute, if not - you guess... You can create a palette from a document, but the name of colors is not helpful... Corel, Illustrator can read colors names - Affinity can not (even from the PDF generated by them)? Anyone have some worked Adobe - Affinity workflow?
  9. Hi, in Affinity there are nice tools to stack photos (focus, panorama, ...) :-) It is not possible to sent files from outside the program directly to this tools. But this would be nice, becaus of integration in Lightroolm and similar software. In the moment you can sent more photos to Affinity, but you are not able to use them in the stacking tools. Of cause, a "real" Lightroom integration would be the best for the workflow. For the moment it will help, if there will be a way to send photos to all tools in Affinity (and reimport the result). Regards Stephan
  10. First of all thank you for the improvements in windows handling in the latest beta - this is already a good step in the right direction. I'd like to add some further optimisations on the window topic: 1) When you drag & drop a file from the windows explorer please: - open it in an undocked window (elsewise no second drag an drop is possible unless you float the first window)! - if possible in 1:1 Zoom (not enlarged to windows size as in place right now) - and with an adapted windows size to fit the original file 2) When you float a or all windows please make the floating window(s) fit the picture in the current zoom level (optimal windows size) - if it fits in the workspace. 3) If a window is larger than the original document (regardles if docked or floating) please automatically center the document within the new window (and disable the view tool in this window). If you resize a floating window smaller than the document: dock the document at the top left corner. Maybe it makes sense to implement a general setting "Always center documents when smaller than window". If a document is smaller than the window there is no need to be able to move the document within the window. One could avoid accidentally "loosing" the document in "outer space" if it would always be centered in the docked window (if smaller than the window) 5) When you work with docked and floating windows in combination you can't bring the docked window to the front. This is a general problem. It could be solved by only allowing docked or floating windows mode but no mixture. Floating windows can be brought to the front. 6) It would be nice to arrange all floating windows optimized on the workspace (e.g. horizontal, vertical, tiled) with one click (menu command) 7) Also nice to have: additional information of document size (height/width in current units somewhere at the windowsframe of a document) 8) If I undock many documents why do they cascade at the top right(?) corner of my screen? 9) Drag and Drop of layers between documents should be possible These are just some suggestions that come to my mind. Cheers, Timo
  11. I was recently advised to check out affinity. I must admit I didnt check the price or functionality before buying but so far its practically useless for me. I generally import my pics onto my pc or nas using lightroom 5.7. this works well for my pc centric workflow and I am not interested in upgrading lightroom at present. What I want is to auto sync a number of folders to the ipad so I can introduce an ipad work flow. The minimum I want to do is review pics and remove them. Perhaps Ill progress to doing some raw edits prior to syncing back to the pc. I do not at any stage want to use the cloud or import pictures 1 by one. Lots of apple apps can see my nas although I have not found an option to download a whole folder or folders. Ive looked at the import from options and they just seem to be missing an import from nas option. Any thoughts/help greatly appreciated.
  12. Hi everyone. After being part of a conversation with one of the forum members where they expressed a wish to have a start to finish set of tutorials about developing landscapes I thought I'd do something about it. So here it is: https://www.udemy.com/affinity-photo-developing-landscapes/ I've tried to make it different from the other courses I've done. Instead of presenting a range of tools and techniques, I've made the workflow a priority. You get to develop a series of (downloadable) landscape photos and follow a series of steps to get to the finished photo. There are variations with each photo, but the process is similar each time. I've done this for two reasons. The first is that, given this is a workflow based course, it seems only sensible to practice that workflow repeatedly to make sure people get comfortable with it. The other is that I've chosen different kinds of landscape photos to demonstrate the flexibility of the method. I hope it's of some use to you and thanks for your time, Simon
  13. I would like to be able to save an image directly from the develop/RAW persona without having to do a roundtrip through the photo persona. This would be especially great if the edits could be saved non-destructively. Some pictures don't need editing with the photo persona, this would definitely speed up my workflow for certain images.
  14. Apologies if this has been answered somewhere already, but even Google could not find that answer for me, so here goes... I have created a CMYK document "Print (Press ready)". - Can I place RGB images in the document which will automatically be converted to CMYK on export to PDF? (InDesign workflow) - Or do I need to convert images to CMYK before placing them in the document? (XPress workflow) Many thanks!
  15. This is a bug in the floating windows handling .... it's hardly impossible to resize a floating window in AP .... please check and work on this! See attached video! It seems this does not occur on developers machines - elswise that would have been taken care of long time ago ... it is close to impossible to change the windows dimensions! (In conjunction with the desasterous floating windows handling in AP please check this for improvement!) - there are people out there that really try to USE your SW - professionally ... please keep that in mind ... and don't igore their workflow needs! Cheers, Timo window resize.mp4
  16. I'm aware that the focus of development has not been on essential workflow elements but I seriously beg you to have a look at some of the basic daily work topics for daily work users (it's not features that differentiates AP from PS ... it's workflow!) Taking a closer look at the windows handling: Dragging a window from the docked position to a free floating position leaves the windowns in XXL size instead of adjusting it to the current document size - it's a nightmare! Is there a chance to center the document within an optimised size of the window adapting to the current size of the document (within the current zoom state)? The situation gets even worse since the handles for adjusting the windwsize are active in such a small region that it's extremely hard to resize a window to the desired size. There's probably 2 pixel space that makes the cursor change from horizontal to diagonal and vertical resizing (or simply clicking in an unused space) ... why don't you make handling easier? Why don't you automatically center the document within a given window but leave it to the user to center the document with much effort? I would as well appreciate a button that releases all existing documents from a docked position to a free flaoting position, automatically rezising and cerntering them - what an easy programming task but a big improvement for the users ...if you want to be competitive (you got the features), start with meeting the basic handling requirements! Cheers, Timo
  17. Hello there! This request may sound stupid, because the least thing you'd want to happen when working on a file is being unable to go back to a previous color adjustment/setting. And in that regard, Affinity Photo is a beast! I've files with literally dozens of Adjustment Layers stacked upon each other... UNLESS... you're working on a schedule, being TIME your most relentless enemy when you're hired per hour. Last week I helped on a matte-painting project for a gaming company and (I haven't noticed this workflow issue until then), creating an Adjustment Layer whenever you need to make a quick Levels, Curves, HSL, etc. tweak and keep painting over, can become your worst nightmare when having just 8 hours to deliver 4 on-set paintings. I know you can merge that layer immediately after you've made the adjustment (even with a shortcut), but BELIEVE ME, having to: 1. Create the Adjustment Layer. 2. Nesting it to the specific layer you need to apply the tweak (if not, it affects all layers) 3. Merging it down 4. Repeat for the next one... It's a very tiring set of tasks you need to do, only to make the shadows of a single tree more intense (I.E.), inside a dozens-of-layers scene. Hope this request makes sense, because it's directly related with money and delivery times and will improve A LOT certain type of work pipelines. Cheers, Enrique
  18. I do have some quite significant problems with the pen tool. I have to cut out complex forms and use the Pen Tool to create the outline. Within AP it often happens that points close to each other are not set (instead the last point gets pre-selected). Effectively a new point can't be set within a certain distance to the last point (so constant zooming in and out is required to set nearby points!). Not always beeing aware of this since I'm setting hundrets of cornerpoints the curves closes unwanted and a new curve starts. This is very annoying since I have to go back in history or even delete many points since I did not instantly realise that a new curve has been created. Comming from PS where I never experience these problems it is a serious hurdle in AP and one of the reasons I still get back to PS for this task since the workflow is far less error prone and it takes up a lot less time. In PS you can't accidently close a curve, getting to close to the last enterd point will add a bezier-curve instead of a line what is not a big deal. Maybe someone can have a look into this and improve the handling of the pen tool to make usage more efficient. As well the history function sometimes fails when working with the Pen Tool (experienced that in other situations as well). Cheers, Timo
  19. Hi everyone, here´s a Questin comming from our PR appartment. We are Architects, and our Company produces Plans and views of Architectural Projects using CAD software, that will be printed as PDF files.. now, when importing them, Illustrator, as well as Affinity Designer seperate lines ore layer with for example dotted lines or to exploded separated lines.. so you get hundredts of seperated single shapes, that before belonged to for example ony on Autocad line, that was just told to be dotted... and.. using Designer or Illustrator kills the possibilty to change their look afterwords. nevertheless, Designer seems to organise the seperated shapes a little bit further into Groups, and my question now is, can i just select the segments inside of such a group and combine them into one single easier editable curvesegment ? is there a way `?
  20. Hallo dear people from affinity, first i have to admit , that i love your program. It allready has got a very complete and great toolset when it comes to refining images and photos and for sure is on one level with Adobe photoshop, just for an increadible smal amount of money.. After researching the toolset of this program for my architectural company, i still can say it is a great program. But there are areas of the program, that are just much slower , thinking of the workflow of a usual architectual company, and the way Architects have to deal with competitions. Especialy in this area, in this most important workflow for architects, the way we have to construct Plans, Affinity Photo is not on one level in comparison to Photoshop. So i hope very very much, that this can be improved. So please dear people of Affinity Photo, take my post to your develloperteam, and have a look at it. I know making Software is a complicated task, and even more, because you have to deal with compatibility tasks to other Companys, that for sure won´t like to help you (thinking of pdf files.... for example).. But even Germany has got about 130 000 Architects, and most of them at the moment depend on using Photoshop at some moment in Competitions, So just think of this market... . and maybe in a later release, we can get an improved workflow also for architects and not only for photographers... thanks.. so here comes a link to a video i recorded just to show you the workflow of Architects, using Affinity, compared to Photoshop..
  21. Hi everyone, i found a secound real Problem in using Affinity Photo as a replacement for our Photoshop inhouse workflow. The first and even bigger Problem is, that Affinity Photo imports and embedds PDF files printed from CAD applications as a vektorfile, and not as a pixellayer.... the reason for this is that affinity photo for sure tries to stay flexible so you can still change the curves. but in this case this is nonsense, because you allways make the changes in CAD applications. and so, you get an embedded vektorlayer, which has strong antialiasing problems in between of the fillings.. ....... i ll get to this back later in another post, even when this Problem is allready known. Just because this workflow problem, prevents the whole architektural society from using affinity photo, which is very sad and could be solved " easily" (maybe its not ?) by just importing pdfs as rasterised layers that are embedded.. just like in photoshop... (So i developed a Workaround for this by using layer effects, coloring an embedded pdf and after this putting a outline in the same color on top, to fill the antialiasing gaps..) Now here comes a good message.. in afinity Photo 1.6 i can decide to just print my contend and also the embedded pdf files and overwrite the used 300 dpi, in the print dialog, and use for example 1200 dpi. so in the printing i can get rid of the antialiasing seams inside the pdf file, while i can still see them in the viewport. But the print is allright. but now the Secound problem for this post.. When using the embedded pdf, Architects often use differing colors inside the embedded file, and i need to make selections from those differing colors. THIS at the moment doesnt work .. i have to duplicate the embedded pdf, rasterise it and than make the selection from the rasterised file, use it, and afterwords delete the pixellayer.. THIS costs so much time again, that the architects in my company will kill me if i force them to use affinity photo. is there any other way to get a solution from this ? i put a screenshot for clarification to this post.. please Affinity...... Help the architectural Soziety.... there are about 130 000 Architects in Germany !!! most of them that do Competitions use this one workflow to print pdf´s and use them in Photoshop to make them better and they need it embedded... and working.. Its the one Single by far most important feature for them when they do Plans ........ (renderings are another thing).. So is there another way ?
  22. Good day to you, I have a short question. I don't have a graphic tablet and I have to admit that the workflow is hardly slowed be the fact that I have to reselect the brush size in the upper left corner by clicking on it. In Photoshop is a very convinient option by choosing the size of the brush with keyboard+mouse-commands. Is it planned to inplement a similar feature in the upcomming releases? I have to be true Affinity Photo is cool but this point is the reason which slowes my workflow extremely and I really have to think about using Photoshop instead of a really great product.
  23. Hello men, I would like to ask you about improve features in the Affinity Photo. Is it possible open the Location Panel in the Photo Persona? If not, could you allow it, Please? I tell you why. I would like to insert location to many my photos. I can open many final photos (post processed photos saved in Jpeg format) in the Affinity Photo. But the switch to Development persona is followed to any Pixel layer in the every picture. I can not switch affinity photo to Development persona for every opened pictures just ones. I have to open any picture, switch to development persona, insert location via location panel, hit Develop button, save (export) the picture, open another picture, switch to Development persona, ... . It is crazy. Otherwise, is any way to develop many photos from RAW format, or to change EXIF in many photos, wholesale? I think Affinity Photo is powerful tool for one picture editing. It is not ready for wholesale photos editing (RAW develop). I use Camera RAW inside the Adobe Photoshop. I want stop using Adobe Photoshop. But i am not able stop using the Camera RAW. Thank you very much Elektronek
  24. I just got the PC version of Affinity Photo yesterday and I wondered if I could change the Styles panel for the Filters panel which I use more? (Presently, Adjustments Layers Effects Style Stock) I also don't use Stock. I'm comparing to Photoshop where panel tabs can be rearranged by dragging. Also, how long should the program take to load? If mine is slower, can I adjust preferences in any way? Does having an image re-load from previous session slow it down?
  25. Hi All, Anyone knows what is a good method to convert color images to greyscale non-destructively? Except the Black & White feature. I'm working on a school yearbook, most of the images is groups of children, class group images and sport group images. Thank you.