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Found 595 results

  1. Hi. I am struggling in something that whenever I try to make something, I don't get to use the smartness of Affinity Designer. It doesn't show me the automated height, length and angle thing. Like in the below screenshot, I am trying make something with the pen tool but then affinity designer is not showing the right height I should make so that it matches the previously drawn side on the other half (or I say follow the symmetry). How do I make a symmetrical vectors? Screenshot: P.S.: I am trying to learn things and if you think there is some video which could help me out too (any tutorial)? Please care to share with me. Any help is always appreciated. Thanks.
  2. Hey Guys, long time PS user, 18+ years to be exact. I put off learning Ai for ever and when I finally decided to learn Adobe's business model pretty much put the brakes on that ever happening. To say I am disgusted with Adobe would be an understatement. I have some high hopes for Affinity Designer. I am glad to see aggressive and constant improvements to AD. After spending most of the day getting to know AD I was pleased that I could typically find answers either here or on Youtube. So being that I am here in the Suggestions thread I do have one MAJOR request and one Minor request. 1) A vector library that I can add to, preferably one that will recognize .csh files that I have accumulated over the years. Some from other users and some I've made myself. We already have the basic basic circle, triangle, square etc etc in AD but we need the ability to save new vector shapes for future use that is easily accessible. It would be great for the vector library to have an open source community data base so we can contribute and share with others. When I design a complex vector shape I appreciate the ability to save it and even improve upon it at will the way that I can in PS. 2) The ability to put two different / even multiple vector shapes on one layer. Making a new layer every time you create a vector shape can be hell when you have to comb back through a list trying to discover even a minor flaw. To me those two improvements would put AD in an advanced stage of development. I'd be willing to pay another $50 or even $100 just to have a vector library as an add'on feature. It is that important to me. Thank you and I look forward to growing with this community! CHEERS! GraphXlord
  3. A vector portrait created with Affinity Designer. Take a look at this http://b-bertuleit.de/cate-vector-drawing/ Download the original file (Affinity Designer), if you like it. Cate.afdesign
  4. Bei meinen ersten Arbeiten in Affinity Designer habe ich die Logos der Swiss National League vektorisiert und einen 3D-Effekt verliehen. Die einzelnen Ebenen lassen sich leicht exportieren und zum Beispiel als Slider in Revolution Slieder einsetzen. Einige Beispiele findest du auf meiner Webseite www.wobmann.com Logo ZSC-Lions: http://www.wobmann.com/nl-logos/#jp-carousel-846 Parallax-Effekt: http://www.wobmann.com/zsc-lions/
  5. The robot who was once destroyed and sometime after re-animated by the evil will of technomancer. This guy is like a zombie but made of steel. Used new for me method of inking - vector brushes without any pressure sensitivity at all. You just create the shape you need and make a brush out of it. Having some brushes made in this manner results in nice and natural looking inks. The reason for using them is actually better predictability of strokes and much higher speed. The brush engine just does not spend time calculating size and opacity variability and you get much faster inks. For many inking tasks this is more than enough. Have you been using this method? How you feel about it?
  6. Hi forum, On both Photo and Designer, I'm often confused by when my vector stroke styles are either inherited from the last object I create or not. I can't work out the rules for how this happens - can anyone advise on how to control this behaviour either way? Similar issues when I just want to draw a new vector with a new fill colour. So I might select the previous vector layer because I want to insert a new object in front of it. This object will always inherit the style of the one I have selected, which is often not what I want, and can make it hard to see the new shape. I have to change the fill and stroke afterward to stand out against the underlying object. I'm sure I'm missing something simple here!!
  7. Affinity Templates

    Neon Kit for Affinity Designer

    Free Neon Elements you can use them conveniently thanks to the assets panel .afassets file included. You can use it in both personal and commercial projects for yourself, your company or your customer. hope it will be useful for you Download it from here http://www.affinitytemplates.com/neon-kit-resources-for-affinity-designer/
  8. Hi Guys, I was wondering (I've been searching) how to join 2 lines together that have "middle" nodes. Say I've got a straight line with points A,B and C and another with 2 endpoints D and E. How do i go about joining the middle node (b) with the endpoint of the other line to make one unified "T" Piece? When i have tried selecting the correct nodes and "Join Curves" it connects the 2 lines end points and not the middle nose as I wish. Cheers http://puu.sh/tJHUr/11fb4c20ea.png (so connecting the bottom line node to the top lines middle)
  9. A portrait as a handmade vector drawing is always associated with a lot of effort, but it's worth it. The drawings always have their own charm and offer what a photograph can't offer. And of course, the vector drawings can be enlarged without loss of quality http://b-bertuleit.de/vektorzeichnungen/
  10. Hi, I made a Vector in Affinity Designer but when I export it as SVG or eps Inkscape and typetool3 says it's not a vector/ there is no vector in the file. Pls help! c by Quirin Wittmann.afdesign
  11. CienciasMagicas

    Affinity Designer Logo

    Hello Designers! In this video I show how to recreate the Affinity Designer Logo using the Horizontal Triangular grid. Affinity Designer Logo.afdesign
  12. In the absence of a line offset tool, I am trying to re-draw (by eye) line paths with an offset from the original. I am wondering if there is anyway of either matching/setting the angle of curvature of a path or being able to maintain an equal separation between paths. I am starting to find it frustrating having to modify each handle and/or eyeballing the desired line offset so there is not a variety of thickness. I have tried expand stroke , but its not giving me the editing functions I need in the final product. I quite often do mascot style logos and to finish off , sometimes give them a bit of an outline. Any thoughts?
  13. avo

    Girl with toad

    This girl loves her cute little pet toad so much she even lets it sit on her head! Affinity designer vector image.
  14. PasoPasi

    drawings

  15. avo

    The Hedgehog

    Another weird animal i've just drew. Its a hedgehog. With three eyes! AD is a joy to work with, if to talk about vectors.
  16. avo

    Black metal crow

    Yesterday i just doodled randomly in AD's pixel persona and came to this guy. I thought it is a pelican or something like this but i now think it's more of a crow. He likes it dark'n'heavy. Made a sticker with it...
  17. bodobe

    Fiat-500-Vintage-57

    Hello, this is my original AD file from my illustration of the Fiat-500-Vintage-57. Are you ready to pimp the car? He needs a new paint job and maybe a spoiler (automotive), because he wants to be a small sports car :). Help the little car and discover the world of vector graphics (with Affinity Designer) ... Fiat-500-Vintage-57.afdesign.zip Fiat 500 Vintage Vector (Affinity Designer): http://b-bertuleit.de/fiat-500-vintage/
  18. Hi everyone! I've been playing around with this brand which I work for since 2003 (yep, not a typo... I'm getting old). These 3 are different stages of the last iteration of the logo. We relaunched the brand late 2014, around the same time I switched to Designer. The (mildly) interesting thing is that they represent very well my daily dilemma working with Designer: Should we always go as far as the software allow us? What I mean is this: the 2015 version is, in my opinion, better as a logo than the most recent ones. What do I see in the 2018 version? That I had A LOT of fun with Designer that day. Have a great day!
  19. Illustrator have this feature when you have two open vectors you can make them one by joining their nodes.
  20. Is it possible to create a shape from an outline in Affinity Designer? For example if I have a straight line with a set stroke width of 12px which isn't a "closed shape" like it's needed for certain printing techniques: is there some way to create a closed shape from a line with stroke, in this simple case 2 points (line from A to B), to have a shape without outline, with 4 points and a width of 12px? Without doing that completely manually? Edit: Ok, forget it. Found the option in the layer settings via the upper menu. At first I looked in the context menu of the layer, which didn't help much.
  21. How would I easily clean up these highlighted little corners sticking out. These were made using the pen tool, and I tried fiddling with the nodes, and I can't get it looking good. I was going to try and use white rectangles around it to clean it up, but there has to be an easier way. Thanks!
  22. bodobe

    eyes vector

    A small compilation of the eyes from my work (vector graphic, Affinity Designer) http://b-bertuleit.de/augen-vector-graphics/ Thank you for feedback
  23. raymondemery

    Ice Blue Gem

    I'm always amazed with the things you can do with blend modes. This is just 4 circles, multiplied and repeated on a 9° rotation. So simple. So beautiful.
  24. Hi guys, I know Affinity doesn't have a Feather option, but is there anything similar? I need to apply something similar to Feather on a vector object, and I need it NOT to be rasterized in Photoshop. I tried the Gaussian Blur in Affinity, but that rasterizes the object on export. Anyone know a way or some workaround? Thank you, Chris
  25. I've created a vector mask, for a vector, to make the image look degraded. How do I then combine this mask/aged look effect, so I get one complete vector layer, so I can scale and resize with no loss? Am I missing something obvious? Edit: 'Distressed Look' Chapter in Affinity Workbook p.324 should help. Any more pointers though, do let me know.
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