Search the Community

I recently sent a JPG file to a friend of mine and he opened the file in Photoshop. The JPG was exported from AP v2.0.4 (Mac Ventura). When he opened the file in Photoshop, it automatically opened the file in Adobe Camera RAW instead of opening it normally, as if the file I sent him was a RAW file instead of a JPG. I tried it myself on another computer I own that has Photoshop installed and got the same result. It launches Adobe Camera RAW, with a lot of crazy slider settings in the Basic Tab. The original file was a RAW DNG file from my Canon DSLR. I processed the original RAW DNG file in AP v2.0.4 (Develop Persona) and I chose to import it into the Photo Persona with the RAW file (linked or embedded, I forget which). I wanted to retain the ability to go back and forth between AP and the Develop Persona so I could make adjustments in the Develop Persona. That all worked fine, as designed. When I exported the file from AP to JPG, I suspect AP must have written something in the metadata so the JPG looks like a RAW file, which is what caused Photoshop to launch Camera Raw. To me, JPG is an industry standard file format and should not look or open as a RAW file in any program (even AP). The original AfPhoto file format is a different matter, since you want to retain that active link to the original raw file (if linked). Is this a bug? If intended, should it be changed? I suspect so. I don't want my JPG files sent to others opening as RAW files. I exported the file from AP to JPG twice, and will attach both files. One has sRGB embedded and the other is Adobe RGB.

Hello. I would like to propose a feature that would allow the user to copy and paste raw adjustments to multuiple RAW files from develop persona. I believe currently this is not possible. This feature will make the applying adjustments much faster and easier for many kinds of workflow including timelapse. And additionally an option to export multiple selected RAW images at once. This two features will be a game changer for affinity as a whole. I believe this could be a great direction for the software. This could increase the interest of lot of people considering RAW editing is now considered a standard for most. I hope affinity will place this higher in the priority if possible. Thanks.

As you can see, I have Adobe Lightroom and Photoshop for iPadOS, so I'm fully covered. I'm just curious if Photo has anything similar. I'm familiar with LUTs etc - I'm only asking about built-in functionality in the RAW module Serif has pieced together from various components e.g. LensFun. I know all about RAW and what it is, and what camera profiles and LUTs are, so please just answer my primary question, please. 🙂 I have been looking in Affinity Photo for colour profiles when I open a RAW image. That is, colour profiles that roughly match the camera manufacturer's, or similarly provided colour profiles for Vivid, landscape, portrait, natural or neutral. It certainly does matter which ones you use. I am very happy that in Adobe and Capture One Pro, as well as DxO on my computer, I can use out of the box colour profiles that match the colour profiles I know from Nikon, Canon, Fuji and Olympus. So to the point, have I overlooked such profiles in Photo for iPadOS? Like these (Adobe Lightroom CC):

There's countless threads in this forum where people ask for a DAM. Serif confirms that there's some plans, but so far they didn't reveal what they are working on. Reading the requests brought up by users I see that they ask for very different things: Some want a straightforward viewer app, others even request complex database driven software with nifty filtering options to handle huge asset collections. The term DAM unfortunately isn't very clearly defined. Hence my question: Do you need a DAM-program by Serif? And what should it be like? [Edit: Unfortunately I can not do anything about the terrible Poll formatting. Maybe staff can add an empty line between the questions?]

First of all, thanks for these updates, excited to try out the tools! I do have some issues that I've found after an hour of trying to use this as an alternative to other photo editors that I'd hope to see addressed: 1. A way to save raw edits as XMP instead of requiring the saving of an .afphoto file, the idea of closing down in an ecosystem, particularly with the lack of a DAM, doesn't sound appealing. It sounds like that's kind of what the Embedded and Linked options do, however the Linked option did not actually add any files to my system (I kept watch on any files with the same file name as the photo), so I'm unsure what the difference between the two is. 2. Global presets for RAW edits, instead of one per page. It's a bit confusing as is. Also a way to edit existing presets and save it as such, instead of deleting a preset, remaking it from scratch and saving that. Also this is likely a bug, but when opening a new raw file to edit, the settings are set to Default, but the "selected" preset is the last used one, requiring switching to Default and back to the saved preset to actually change things, sometimes even doing it multiple times, the feature seems quite buggy. Also, ideally a Preset Manager would also be present, to be able to see exactly what each preset does, and potentially tweak from there. 3. Non-destructive cropping is a must. Honestly just something similar to the artboards, so if you crop an image you can adjust the crop later. I could just open the file in ADesigner, but that's an extra step that could be avoided. 3.1. Keep a strict ratio for cropping, but allow to rotate the crop based on mouse position when dragging the crop selection around (see how cropping operates in other apps like Lightroom and Capture One). 4. Split view of photo without edits, or just being able to toggle the raw edits on and off for preview purposes. 5. It's not clear enough that a photo is a RAW file, a button similar to the FX one would work wonders and make it much clearer what it does. 6. There's something about the Overlays panel that feels incomplete, I think it should be closer in look and feel to the Layers panel but then again, how is this better than just duplicating the layer, making the adjustments in that raw layer, and applying a mask to that? Even more powerful then because you can use images and the like. I might add more to the list once I spend more time on this, but so far I'm somewhat disappointed. Non destructive raw editing was a highlight of the announcement, so I thought it's finally a good standalone photo editor. It is clear however that the app development is still walking in the shadow of CameraRaw and while there have been some improvements and additions that are much welcome, I'm sad to say that I'll likely be sticking with Capture One, despite my wishes for that to not be the case, not because of the lack of a DAM (just making that clear), but because of the lack of a good, non destructive, open photo editing flow.

This has probably been suggested already, but I really wish Affinity Photo could add a method of saving RAW edits using a xmp sidecar file (or other non destructive way like how Adobe Camera Raw remembers edits to dng files) so that I can re-open edited raw files a later date. An option to reset edits back to original settings of the RAW file should be included too. The current method of having to bake edits after developing and to save as an .afphoto file is a pain, due to making another large file or having to re-edit the RAW again.

Hello, I am new to Affinity and a bit confused to how to save DNG edits in Affinity Photo. My workflow when I was using Photoshop was to first convert my raw Nikon images in Adobe DNG Converter, open the dng file into Adobe Camera Raw to edit, then open into Photoshop. If I was to close that photoshop file without saving, I could re-open the dng file (back into Camera Raw and my previous edits would be saved. So I have opened a dng file into Affinity Photo 2 on iMac, it opens up in develop persona and I make my edits. I then click develop (raw layer embedded) and if I close the file without saving, and re-open that dng file again, the edits aren't saved. Is this normal behaviour? Is there a way to save the dng edits without making an affinity save file? Lee.

I can not open RAW files from my Panasonic GH6 camera. See attached file. This is not due to any issues with memory cards, computers, operating systems, or the camera. Here is the reply from Panasonic. Will you be providing support for RAW photo files from the Panasonic GH6 camera soon? Thank you. Dear Mr. Steven Cleghorn, I hope this email finds you well. In regards to your query and following further investigation on your case, we would like to advise you that the reported issue is not a fault with the unit as the supplied/compatible software recommend by Panasonic works and that means that the unit is functioning within its specifications. That being said, you may contact the Adobe affinity team for support and help regarding this to confirm if the camera is compatible or not as we are not able to guarantee the functionality since it is a third party software. I trust that the above information will be of assistance to you, however, if you should have any further queries, please do not hesitate to contact us. Kind Regards, Eva Panasonic Customer Care Team

The last thing I do in the raw-conversion part of development (i.e. in Adobe Camera Raw or in AP's Develop module) is capture sharpening. My experience has been that the precise amount of capture sharpening within modest limits isn't critical to the final result. So I just eyeball the result, starting from some slider-values (my own pre-sets in ACR) that have worked in the past. But I'm a bit puzzled by AP's use of a percentage in the Radius slider of Detail Refinement. If this is a USM routine, I'd expect the value in "radius" to be the number of pixels surrounding detected edges where contrast will be increased (by the "amount"). What does a percentage radius measure? Percent of what? (Or am I wrong to assume that this is a USM routine? Is it, instead, some form of de-convolution?) Thank you.

Personally, I have been having a hard time accepting AP as a replacement for PS. There is a performance issue and quality issue. I have attached a side-by-side example of a NEF image taken with my D750, both zoomed too 100% . The image were processed similarly, or as best I could. You can PS did a much better job, especially in regards to sharpeness. Has anyone else done this comparison? If so, what were your results?

The choice in developer is grayed. Input files are from a canon EOS R5 .CR3 file. I used to work in HDR, for getting better results in backlight with pictures of birds in a bush. Worked fine for me in photo 1. I recently stopped doing that, to give the RAW embedded function a chance. I am an amateur photographer. I made some changes to the settings of Affinity Photo 1 using information provided. Something seems to have created a problem!

I'm using Affinity Photo v2 on W10 and I'm not able to open RAW gopro gpr file from HERO 10 camera. Both 'Open' option or 'Drag & Drop' don't allow to import the raw image. The camera is listed as supported at the following link:

It would be good if there were (maybe there is, but I can't find it) a way to close a whole bunch of images in one go. Further, this should apply to RAW mode as well as JPEG or other. Lastly, when restarting, it should be possible to open from a completely clear situation. Currently I'm using a fairly slow iMac machine (about 5-6 times slower than my i7 based MBP), and RAW is killing it. Also I thought it was a neat idea to have more than one file open, butnow this is coming back to bite me. On exit I am asked either to Develop or Cancel, and having to do that for each one is a pain if all I want to do is abort. I can abort AP by using Force Quit,but on restart the program still seems to want to reload some previous files. Am I missing something? Sometimes just doing one or two tests on RAW is sufficient to realise that JPEG is good enough, and then one should be able to abort one or more open files without suffering a big performance/time hit.

Hello! When working with the “Develop Persona” section, I was very surprised by the lack of elementary tools for working with mask layers! Namely, what is missing so far: There is no way to show, turn off, hide or fix a layer with a mask. I can't invert the layer mask. I can't copy the mask of one layer to another layer. There is no way to adjust the mask to select dark or light parts of the image for processing the RAW file. All data about layers and masks is deleted after I return back from the "Photo Persona" section to edit the raw file in the "Develop Persona" section. A huge request to developers is to implement in the next updates these elementary tools and functions that are available today in almost every raw editor and converter. Thanks! 😗👍

Bonjour, En parcourant votre forum, je remarque que plein de solution comme la bibliothèque ( gestion d'image ) sont en projet... Mais, je n'ai pas vu de news récentes... Du coup j'en profite pour poser mes questions ici : ( à savoir que je ne sais pas si cela existe comme fonction actuellement ) premièrement, A quand un vrai logiciel pour concurrencer Lightroom de chez Adobe ? Avec des options pour le traitement des RAWs beaucoup plus poussés comme une meilleure option de la correction automatique des objectifs en fonctions de la marque ou du modèle, ou encore des options TSL directement dans un personna ou module de développement RAW ? deuxième question, j'ai suivi évolution d'Affinity designer/Photo/Publisher et je trouve les logiciels super bien fait et notamment une option cloud qui a été rajouté avec iCloud ( je suis utilisateur MAC et iPad Pro depuis très longtemps ) mais je me demande a quand la synchronisation en direct entre les plateformes du style je modifie un fichier sur le Mac j'enregistre sur iCloud et boom je peut le rouvrir sans l'importé à nouveau sur l'iPad ? (peut être que cela existera avec un module bibliothèque sur Affinity photo ou sur un nouveau logiciel équivalent a lightroom ? ) Et enfin, ( après j'arrête de vous embêter ), à quand la possibilité d'utiliser des presets lightroom dans le develop persona ( afin que ceux que j'ai achetés ne sois pas gaspillés ^^ ) ? Voilà, pour finir je trouve que vous faite un excellent travail et que je serai prêt a tout résilier chez Adobe ( j'y suis uniquement pour lightrioom ) pour pouvoir tout passer chez vous ! Good job !

I like what was done in the Develop Persona in Affinity Photo. I use Affinity Photo in the last step of my processing. Today I had plenty of time to really test the output I could get from binging my RAW files into Affinity Photo after my first two steps of culling and adding IPTC and keyword data. So, instead of developing the RAW file in my regular editing software and sending a tiff to Affinity Photo I took the RAW file directly to Affinity Photo. What I found throughout the day was I was getting as good or much better final product with Affinity Photo, the result file size for the .afphoto was much smaller because it held the linked RAW file instead of a tiff file, and it had read and loaded the key words from the Xmp sidecar. I think if had a way to create presets that would let me populate several of the Metadata fields I could simply paste in the keywords for a photo and go straight to Affinity Photo from my culling of photos. I intend to keep working like this until I hit a snag that I didn’t encounter today. What I would like to see is: A way to click and have a larger area for the metadata fields so it would be easier to type in the data and paste in keywords. Something like an option button on the Metadata Panel. The current area and print is too small to work with for a long period. Anything to make entering that data would be good. Not having this now is not a problem that would prevent me from going from culling, to meta data entry in another app and all development. In short, the changes in the Develop Persona are going to give me a better or equal final product, save file storage space because of smaller afphoto sizes, and save me from having to maintain multiple RAW converters. Nice job by the folks who worked on this rewrite in any capacity. Thanks. Peace Marvin

I have edited a couple of DNG film scans from an Epson V700. Processing the raw and then developing as a Linked layer. After editing and saving the image I can no longer open it correctly. It either opens with a very low resolution image which disappears or Photo crashes. If Photo doesn't crash, if I try to open/edit the Raw layer Photo crashes. The files have not been moved and the DNG is still available in original place (same folder). This is a screen capture of after re-opening the file (without crashing)

First order of business: I love the updates, big thanks to Affinity and Serif for the hard work! Onto the suggestion: Currently, I can batch RAW files to .afphoto files, but they are embedded with huge file sizes and no option to make them linked instead. To convert RAW to .afphoto as linked files, I have to individually save each one. This is a problem for my workflow. Also, when merging for HDR or Stacks, I cannot use .afphoto files as the source. This requires me to batch out intermediate TIFFs first, which eventually get deleted and seem like a wasteful extra step. For context: I shoot a lot of bracketed photography, mainly for HDR but increasingly for focus stacking. Currently, for a 5-bracket shot, I have to manually open and save each of the 5 exposures. With larger photosets following multi-day trips, this is going to be extremely cumbersome. Bonus points: I would love to be able to add text to the end of a filename (e.g. "_Edit") when batching, but that's a much lower priority than the requests above.

Can Affinity Photo process multiple raw files as a group similar to what Adobe Camera Raw can do?

Hi The subject line says it all. I'm rather disappointed that a major upgrade for Photo doesn't include an ability to process Nikon "High efficiency" RAW files. Hopefully, a dot update is in the works?

I am unable to edit rw2 format photos they show up as a large grainy pink messes of nothing for me. i can view the thumbnail before opening but that is it. does affinity not support rw2 format? P1000342.RW2

I suggest Affinity Photo to support exporting High Dynamic Range HEIF (HDR PQ 10-bit) from RAW/DNG/ProRAW file. It could really be a killer feature in photo editing across any OS platforms. It is especially beneficial to users who are using some recent MacBook Pros supporting HDR10/Dolby Vision (e.g. iPad Pro 2021 with XDR display). For web publishing compatibility, HDR-PQ AVIF could also be supported. Please kindly support.

Hello - I would like to see the ability for Affinity Photo to sidecar the changes made to a raw file so that when tweaks are made, the user can return to develop persona and continue edits. Currently, once you switch from develop to pixel persona, you loose the ability for any further modifications (very DESTRUCTIVE). This feature would be huge for anyone editing raws, because there's always editing remourse after hitting "Develop" and the dread to reopen a blank raw file and start edits from scratch is a big time waster in a daily editing flow. I'm aware of the presets, however you can't create one preset for each overall edit, presets are only savable per tab (e.g. Lens, General, etc), so you end with 4+ individual saved presets to accomplish ONE edit. Not a good solution at all. Any implementation of this feature would be greatly appreciated.

Here is the supported RAW camera list, as of 2.0.x retail builds using SerifLabs RAW engine: If you are looking for the list supported by Affinity Version 1 you will find it posted here Note: This list is for the native SerifLabs RAW engine only (this is the default when you open a raw file). On macOS and iOS there is an additional option to use the built in RAW image processing Apple (core image raw) engine please refer instead to these articles for their list of supported models: on macOS Ventura and iOS 16 on macOS Monterey and iOS 15 on macOS Big Sur on macOS Catalina Serif Labs Supported Cameras (based on libraw snapshot 0.21 with additional Canon CR3 code) ASUS: ZenPhone4 ZenPhone6 AVT: F-080C F-145C F-201C F-510C F-810C Adobe: Digital Negative (DNG) AgfaPhoto: DC-833m Alcatel: 5035D Apple: iPad Pro iPhone SE iPhone 6s iPhone 6 plus iPhone 7 iPhone 7 plus iPhone 8 iPhone 8 plus iPhone X iPhone 12 Pro iPhone 12 Pro Max iPhone 13 Pro QuickTake 100 QuickTake 150 QuickTake 200 AutelRobotics: XB015 XT705 (EVO II) BQ: Aquarius U Baumer: TXG14 BlackMagic: Cinema Camera Micro Cinema Camera Pocket Cinema Camera Production Camera 4k URSA URSA Mini 4k URSA Mini 4.6k URSA Mini Pro 4.6k CLAUSS: pix500 Canon: PowerShot 600 PowerShot A5 PowerShot A5 Zoom PowerShot A50 PowerShot A410 PowerShot A460 PowerShot A470 PowerShot A480 PowerShot A530 PowerShot A540 PowerShot A550 PowerShot A560 PowerShot A570 IS PowerShot A590 IS PowerShot A610 PowerShot A620 PowerShot A630 PowerShot A640 PowerShot A650 IS PowerShot A710 IS PowerShot A720 IS PowerShot A3300 IS PowerShot D10 PowerShot ELPH 130 IS / IXUS 140 / IXY 110F PowerShot ELPH 160 IS / IXUS 160 PowerShot Pro70 PowerShot Pro90 IS PowerShot Pro1 PowerShot G1 PowerShot G1 X PowerShot G1 X Mark II PowerShot G1 X Mark III PowerShot G2 PowerShot G3 PowerShot G3 X PowerShot G5 PowerShot G5 X PowerShot G5 X Mark II PowerShot G6 PowerShot G7 PowerShot G7 X PowerShot G7 X Mark II PowerShot G7 X Mark III PowerShot G9 PowerShot G9 X PowerShot G9 X Mark II PowerShot G10 PowerShot G11 PowerShot G12 PowerShot G15 PowerShot G16 PowerShot S2 IS PowerShot S3 IS PowerShot S5 IS PowerShot SD300 / IXUS 40 / IXY Digital 50 PowerShot SD750 / IXUS 75 / IXY Digital 90 PowerShot SD900 / IXUS 900Ti / IXY Digital 1000 PowerShot SD950 / Digital IXUS 960 IS / IXY Digital 2000 PowerShot SD1200 / Digital IXUS 95 IS / IXY Digital 1000 PowerShot S30 PowerShot S40 PowerShot S45 PowerShot S50 PowerShot S60 PowerShot S70 PowerShot S90 PowerShot S95 PowerShot S100 PowerShot S110 PowerShot S120 PowerShot SX1 IS PowerShot SX40 HS PowerShot SX50 HS PowerShot SX60 HS PowerShot SX70 HS PowerShot SX100 IS PowerShot SX110 IS PowerShot SX120 IS PowerShot SX130 IS PowerShot SX160 IS PowerShot SX220 HS PowerShot SX510 HS PowerShot SX710 HS PowerShot SX10 IS PowerShot SX20 IS PowerShot SX30 IS PowerShot IXUS 95 IS PowerShot IXUS 960 IS EOS 5DS EOS 5DS R EOS 5D EOS 5D Mark II EOS 5D Mark III EOS 5D Mark IV EOS 6D EOS 6D Mark II EOS 7D EOS 7D Mark II EOS 10D EOS 20D EOS 20Da EOS 30D EOS 40D EOS 50D EOS 60D EOS 60Da EOS 70D EOS 77D / 9000D EOS 80D EOS 90D EOS 100D / Rebel SL1 / Kiss X7 EOS 200D / Rebel SL2 / Kiss X9 EOS 250D / 200D II / Rebel SL3 / Kiss X10 EOS 300D / Digital Rebel / Kiss Digital EOS 350D / Digital Rebel XT / Kiss Digital N EOS 400D / Digital Rebel XTi / Kiss Digital X EOS 450D / Digital Rebel XSi / Kiss X2 EOS 500D / Rebel T1i / Kiss X3 EOS 550D / Rebel T2i / Kiss X4 EOS 600D / Rebel T3i / Kiss X5 EOS 650D / Rebel T4i / Kiss X6i EOS 700D / Rebel T5i / Kiss X7i EOS 750D / Rebel T6i / Kiss X8i EOS 760D / Rebel T6S / 8000D EOS 800D / Rebel T7i / Kiss X9i EOS 850D / Rebel T8i / Kiss X10i EOS 1000D / Digital Rebel XS / Kiss F EOS 1100D / Rebel T3 / Kiss X50 EOS 1200D / Kiss X70 / REBEL T5 / Hi EOS 1300D / Rebel T6 / Kiss X80 EOS 1500D / 2000D / Rebel T7 / Kiss X90 EOS 3000D / 4000D / Rebel T100 EOS C500 EOS D2000 EOS D30 EOS D60 EOS M EOS M2 EOS M3 EOS M5 EOS M6 EOS M6 Mark II EOS M10 EOS M50 / Kiss M EOS M50 Mark II EOS M100 EOS M200 EOS R EOS R3 (new) EOS R5 EOS R6 EOS R7 (new) EOS R10 (new) EOS RP EOS-1D C EOS-1D X EOS-1D X Mark II EOS-1D X Mark III (lossless compressed only) EOS-1D EOS-1D Mark II EOS-1D Mark II N EOS-1D Mark III EOS-1D Mark IV EOS-1Ds EOS-1Ds Mark II EOS-1Ds Mark III Casio: QV-2000UX QV-3000EX QV-3500EX QV-4000 QV-5700 QV-R41 QV-R51 QV-R61 EX-F1 EX-FC300S EX-FC400S EX-FH20 EX-FH25 EX-FH100 EX-S20 / M20 EX-S100 EX-Z4 EX-Z50 EX-Z500 EX-Z55 EX-Z60 EX-Z75 EX-Z750 EX-Z8 EX-Z850 EX-Z1050 EX-ZR100 EX-Z1080 EX-ZR700 EX-ZR710 EX-ZR750 EX-ZR800 EX-ZR850 EX-ZR1000 EX-ZR1100 EX-ZR1200 EX-ZR1300 EX-ZR1500 EX-ZR3000 EX-ZR3100 EX-ZR3200 EX-ZR3500 EX-ZR3600 EX-ZR3700 EX-ZR4000 EX-ZR4100 EX-ZR5000 EX-ZR5100 EX-100 EX-100F EX-100PRO EX-10 EX-P505 EX-P600 EX-P700 Contax: N Digital Creative: PC-CAM 600 DJI: 4384x3288 Mavic Air Mavic Air2 Mavic Air 2S Mavic Mini2 Mavic 3 (new) Osmo Action Pocket Phantom4 Pro/Pro+ Zenmuse X5 Zenmuse X5R DXO: One Digital Bolex: D16 D16M Epson: R-D1 R-D1s R-D1x Eyedeas: E1 Foculus: 531C FujiFilm: DBP for GX680 / DX-2000 E550 E900 F500EXR / F505EXR F550EXR F600EXR / F605EXR F700 F710 F770EXR / F775EXR F800EXR F810 F900EXR S2Pro S3Pro S5Pro S20Pro S1 S100FS S5000 S5100 / S5500 S5200 / S5600 S6000fd / S6500fd S7000 S9000 / S9500 S9100 / S9600 S200EXR / S205EXR SL1000 HS10/HS11 HS20EXR / HS22EXR HS30EXR / HS33EXR / HS35EXR HS50EXR GFX 50S GFX 50S II GFX 50R GFX 100 GFX 100S X-Pro1 X-Pro2 X-Pro3 X-S1 XQ1 XQ2 X100 X100F X100S X100T X100V X10 X20 X30 X70 X-A1 X-A2 X-A3 X-A5 X-A7 X-A10 X-A20 X-E1 X-E2 X-E2S X-E3 X-E4 X-M1 XF1 XF10 X-H1 X-H2S (new) X-S10 X-T1 X-T1 Graphite Silver X-T2 X-T3 X-T4 X-T10 X-T20 X-T30 X-T30 II (new) X-T100 X-T200 IS-1 GITUP: GIT2 GIT2P G3 DUO (16:9 mode only) Gione: E7 Google: Pixel Pixel XL Pixel 3a Pixel 4 XL Pixel 4a (5G) Pixel 5 GoPro: Fusion Hero5 Hero6 Hero7 Hero8 Hero9 Hero10 HTC: UltraPixel MyTouch 4G One (A9) One (M9) 10 U12 Hasselblad: H2D-22 H2D-39 H3DII-22 H3DII-31 H3DII-39 H3DII-50 H3D-22 H3D-31 H3D-39 H4D-60 H4D-50 H4D-40 H4D-31 H5D-60 H5D-50 H5D-50c H5D-40 H6D-100c A6D-100c CFV CFV-50 CFV II 50C CFH CF-22 CF-31 CF-39 V96C L1D-20c (DJI Mavic 2 Pro) Lusso Lunar True Zoom Stellar Stellar II HV X1D X1D II 50C Huawei: P8 Lite (PRA-LX1) P9 (EVA-L09/AL00) P10 (VTR-L09) P10+ (VKY-L09) P10 Lite (WAS-LX1A) P20 (EML-L09) P20 Pro (CLT-L29/L09) P30 Pro (VOG-L29) Honor6a Honor7a pro Honor8 (FRD-L09) Honor9 Honor10 Honor20 Honor View 10 (BKL-L09) Honor View 20 (PCT-L29) Honor 20 Pro (YAL-L41) Mate8 (NXT-L29) Mate10 (BLA-L29) Mate20 Pro (LYA-L29) Mate20 Lite (SNE-LX1) ISG: 2020x1520 Ikonoskop: A-Cam dII Panchromatic A-Cam dII Imacon: Ixpress 96, 96C Ixpress 384, 384C (single shot only) Ixpress 132C Ixpress 528C (single shot only) JaiPulnix: BB-500CL BB-500GE Kinefinity: KineMINI KineRAW Mini KineRAW S35 Kodak: DC20 DC25 DC40 DC50 DC120 DCS 200 DCS 315C DCS 330C DCS 420 DCS 460 DCS 460M DCS 520C DCS 560C DCS 620C DCS 620X DCS 660C DCS 660M DCS 720X DCS 760C DCS 760M DCS Pro 14n DCS Pro 14nx DCS Pro SLR/c DCS Pro SLR/n EOS DCS 1 EOS DCS 3 NC2000 ProBack PB645C PB645H PB645M C330 C603 P850 P880 PIXPRO AZ901 PIXPRO S-1 Z980 Z981 Z990 Z1015 KAI-0340 Konica: KD-400Z KD-510Z LG: G3 G4 G5 (H850) G6 V20 (H910) V20 (F800K) VS995 Leaf: AFi 5 AFi 6 AFi 7 AFi-II 6 AFi-II 7 AFi-II 10 AFi-II 10R Aptus-II 5 Aptus-II 6 Aptus-II 7 Aptus-II 8 Aptus-II 10 Aptus-II 12 Aptus-II 12R Aptus 17 Aptus 22 Aptus 54S Aptus 65 Aptus 65S Aptus 75 Aptus 75S Cantare Cantare XY CatchLight CMost Credo 40 Credo 50 Credo 60 Credo 80 (low compression mode only) DCB-II Valeo 6 Valeo 11 Valeo 17 Valeo 17wi Valeo 22 Valeo 22wi Volare Leica: C (Typ 112) CL C-Lux / CAM-DC25 Digilux 2 Digilux 3 Digital-Modul-R D-LUX2 D-LUX3 D-LUX4 D-LUX5 D-LUX6 D-LUX7 D-Lux (Typ 109) M8 M8.2 M9 M10 M10-D M10-P M10-R M10 Monochrom M11 (new) M (Typ 240) M (Typ 262) Monochrom (Typ 240) Monochrom (Typ 246) M-D (Typ 262) M-E M-P R8 Q (Typ 116) Q-P Q2 Q2 Monochrom S S2 S3 S (Typ 007) SL (Typ 601) SL2 SL2-S T (Typ 701) TL TL2 X1 X (Typ 113) X2 X-E (Typ 102) X-U (Typ 113) V-LUX1 V-LUX2 V-LUX3 V-LUX4 V-LUX5 V-Lux (Typ 114) X VARIO (Typ 107) Lenovo: a820 Logitech: Fotoman Pixtura Mamiya: ZD Matrix: 4608x3288 Meizy: MX4 Micron: 2010 Minolta: RD175 / Agfa ActionCam DiMAGE 5 DiMAGE 7 DiMAGE 7i DiMAGE 7Hi DiMAGE A1 DiMAGE A2 DiMAGE A200 DiMAGE G400 DiMAGE G500 DiMAGE G530 DiMAGE G600 DiMAGE Z2 Alpha/Dynax/Maxxum 5D Alpha/Dynax/Maxxum 7D Motorola: PIXL Moto G (5S) Moto G7 Play Nikon: D1 D1H D1X D2H D2Hs D2X D2Xs D3 D3s D3X D4 D4s D40 D40X D5 D50 D6 D60 D70 D70s D80 D90 D100 D200 D300 D300s D500 D600 D610 D700 D750 D780 D800 D800E D810 D810A D850 D3000 D3100 D3200 D3300 D3400 D3500 D5000 D5100 D5200 D5300 D5500 D5600 D7000 D7100 D7200 D7500 Df Z 5 Z 6 Z 6 II Z 7 Z 7 II Z 9 (new) (standard compression formats only) Z 50 Z fc 1 AW1 1 J1 1 J2 1 J3 1 J4 1 J5 1 S1 1 S2 1 V1 1 V2 1 V3 Coolpix 700 Coolpix 800 Coolpix 880 Coolpix 900 Coolpix 950 Coolpix 990 Coolpix 995 Coolpix 2100 Coolpix 2500 Coolpix 3200 Coolpix 3700 Coolpix 4300 Coolpix 4500 Coolpix 5000 Coolpix 5400 Coolpix 5700 Coolpix 8400 Coolpix 8700 Coolpix 8800 Coolpix A Coolpix A1000 Coolpix B700 Coolpix P330 Coolpix P340 Coolpix P950 Coolpix P6000 Coolpix P1000 Coolpix P7000 Coolpix P7100 Coolpix P7700 Coolpix P7800 Coolpix S6 Coolscan NEF Nokia: 7 Plus 8.3 5G 9 N95 X2 1200x1600 Lumia 930 Lumia 950 XL Lumia 1020 Lumia 1520 Olympus: AIR A01 C-3030Z C-350Z C-5050Z C-5060WZ C-7070WZ C-70Z C-7000Z C-740UZ C-770UZ C-8080WZ D-560Z E-1 E-3 E-5 E-10 E-20 / E-20N / E-20P E-30 E-300 E-330 E-400 E-410 E-420 E-450 E-500 E-510 E-520 E-600 E-620 E-P1 E-P2 E-P3 E-P5 E-P7 E-PL1 E-PL1s E-PL2 E-PL3 E-PL5 E-PL6 E-PL7 E-PL8 E-PL9 E-PL10 E-PM1 E-PM2 E-M1 E-M1 Mark II E-M1 Mark III E-M1X E-M10 E-M10 Mark II E-M10 Mark III E-M10 Mark IV E-M5 E-M5 Mark II E-M5 Mark III Pen-F SP-310 SP-320 SP-350 SP-500UZ SP-510UZ SP-550UZ SP-560UZ SP-565UZ SP-570UZ Stylus 1 Stylus 1s SH-2 SH-3 TG-4 TG-5 TG-6 X200 XZ-1 XZ-2 XZ-10 OmniVision: 4688 OV5647 OV5648 OV8850 13860 OM System: OM-1 (new) OnePlus: 6 (A6003) 6T 7 Pro (GM1913) 8 Pro (IN2023) One A3303 A5000 PARROT: Anafi Bebop 2 Bebop Drone Panasonic: DMC-CM1 DMC-FZ8 DMC-FZ18 DMC-FZ28 DMC-FZ30 DMC-FZ35 / FZ38 DMC-FZ40 / FZ42 / FZ45 DMC-FZ50 DMC-FZ70 / FZ72 DC-FZ80 / FZ81 / FZ82 / FZ83 / FZ85 DMC-FZ100 DMC-FZ150 DMC-FZ200 DMC-FZ300 / FZ330 DMC-FZ1000 DC-FZ1000 II / FZ1000M2 / DC-FZ10002 DMC-FZ2000 / FZ2500 / FZH1 DMC-FX150 / FX180 DMC-G1 DMC-G10 DMC-G2 DMC-G3 DMC-G5 DMC-G6 DMC-G7 / G70 DMC-G8 / G80 / G81 / G85 DC-G9 DC-G90 / G95 / G91 / G99 DC-G100 / G110 DMC-GF1 DMC-GF2 DMC-GF3 DMC-GF5 DMC-GF6 DMC-GF7 DC-GF10 / GF90 DMC-GH1 DMC-GH2 DMC-GH3 DMC-GH4 AG-GH4 DC-GH5 DC-GH5S DC-GH5 Mark II DMC-GM1 DMC-GM1s DMC-GM5 DMC-GX1 DMC-GX7 DMC-GX8 DC-GX9 / GX7mkIII DMC-GX80 / GX85, DMC-GX7mkII DC-GX800 / GX850, DC-GF9 DMC-L1 DMC-L10 DMC-LC1 DMC-LF1 DMC-LX1 DMC-LX2 DMC-LX3 DMC-LX5 DMC-LX7 DMC-LX9 / LX10 / LX15 DMC-LX100 DC-LX100M2 DC-S1 DC-S1H DC-S1R DC-S5 DMC-ZS40, DMC-TZ60 / TZ61 DMC-ZS50, DMC-TZ70 / TZ71 DMC-ZS60, DMC-TZ80 / TZ81 / TZ82 / TZ85 DC-ZS70, DC-TZ90 / TZ91 / TZ92 / TZ93 DC-ZS80, DC-TZ95 / TZ96 / TZ97 DMC-ZS100 / ZS110, DMC-TZ100 / TZ101 / TZ110, DMC-TX1 DC-ZS200 / ZS220, DC-TZ200 / TZ202 / TZ220, DC-TX2 Pentax: *ist D *ist DL *ist DL2 *ist DS *ist DS2 K10D K20D K100D K100D Super K110D K200D K2000/K-m KP K-x K-r K-01 K-1 K-1 Mark II K-3 K-3 Mark II K3 Mark III K-30 K-5 K-5 II K-5 IIs K-50 K-500 K-7 K-70 K-S1 K-S2 MX-1 Q Q7 Q10 QS-1 Optio S Optio S4 Optio 33WR Optio 750Z 645D 645Z PhaseOne: IQ140 IQ150 IQ160 IQ180 IQ180 IR IQ250 IQ260 IQ260 Achromatic IQ280 IQ3 50MP IQ3 60MP IQ3 80MP IQ3 100MP IQ3 100MP Trichromatic IQ4 150MP LightPhase Achromatic+ H 10 H 20 H 25 P 20 P 20+ P 21 P 25 P 25+ P 30 P 30+ P 40+ P 45 P 45+ P 65 P 65+ Photron: BC2-HD Pixelink: A782 PtGrey: GRAS-50S5C RaspberryPi: Camera Camera V2 Realme: 3 Pro Ricoh: GR GR II GR III GR IIIx GR Digital GR Digital II GR Digital III GR Digital IV Caplio GX100 Caplio GX200 GXR Mount A12 GXR GR Lens A12 50mm F2.5 Macro GXR GR Lens A12 28mm F2.5 GXR Ricoh Lens A16 24-85mm F3.5-5.5 GXR Ricoh Lens S10 24-72mm F2.5-4.4 VC GXR Ricoh Lens P10 28-300 mm F3.5-5.6 VC Rollei: d530flex RoverShot: 3320af SMaL: Ultra-Pocket 3 Ultra-Pocket 4 Ultra-Pocket 5 STV: 680 VGA SVS: SVS625CL Samsung: EX1 / TL500 EX2F GX-1L GX-1S GX10 GX20 Galaxy Nexus Galaxy Note 9 Galaxy NX (EK-GN120) Galaxy S3 Galaxy S6 (SM-G920F) Galaxy S7 Galaxy S7 Edge Galaxy S8 (SM-G950U) Galaxy S9 (SM-G960F) Galaxy S9+ (SM-G965U / 965F) Galaxy S10 (SM-G973F) Galaxy S10+ (SM-G975U) NX1 NX5 NX10 NX11 NX100 NX1000 NX1100 NX20 NX200 NX210 NX2000 NX30 NX300 NX300M NX3000 NX500 NX mini / NXF1 Pro815 WB550 / WB560 / HZ15W WB2000 / TL350 WB5000 / HZ25W S85 (hacked) S850 (hacked) Sarnoff: 4096x5440 Seitz: 6x17 Roundshot D3 Roundshot D2X Roundshot D2Xs Sigma: fp SD9 (raw decode only) SD10 (raw decode only) SD14 (raw decode only) SD15 (raw decode only) SD1 SD1 Merrill DP1 DP1 Merrill DP1S DP1X DP2 DP2 Merrill DP2S DP2X DP3 Merrill dp0 Quattro dp1 Quattro dp2 Quattro dp3 Quattro sd Quattro sd Quattro H Sinar: eMotion 22 eMotion 54 eSpirit 65 eMotion 75 eVolution 75 3072x2048 (Sinarback 23) 4080x4080 (Sinarback 44) 4080x5440 STI format Sinarback 54 Sony: ILCE-1 (A1) ILCE-7 (A7) ILCE-7M2 (A7 II) ILCE-7M3 (A7 III) ILCE-7M4 (A7-IV) (new) ILCE-7C (A7C) ILCE-7R (A7R) ILCE-7RM2 (A7R II) ILCE-7RM3 (A7R III) ILCE-7RM3A (A7R IIIA) ILCE-7RM4 (A7R IV) ILCE-7RM4A (A7R IVA) ILCE-7S (A7S) ILCE-7SM2 (A7S II) ILCE-7SM3 (A7S III) ILCE-9 (A9) ILCE-9M2 (A9 II) ILCA-68 (A68) ILCA-77M2 (A77-II) ILCA-99M2 (A99-II) ILCE-3000 / 3500 ILCE-5000 ILCE-5100 ILCE-6000 ILCE-6100 ILCE-6300 ILCE-6400 ILCE-6500 ILCE-6600 ILCE-QX1 DSC-F828 DSC-HX95 DSC-HX99 DSC-R1 DSC-RX0 DSC-RX0 II DSC-RX1 DSC-RX1R DSC-RX1R II DSC-RX10 DSC-RX10 II DSC-RX10 III DSC-RX10 IV DSC-RX100 DSC-RX100 II DSC-RX100 III DSC-RX100 IV DSC-RX100 V DSC-RX100 VA DSC-RX100 VI DSC-RX100 VII DSC-V3 DSLR-A100 DSLR-A200 DSLR-A230 DSLR-A290 DSLR-A300 DSLR-A330 DSLR-A350 DSLR-A380 / A390 DSLR-A450 DSLR-A500 DSLR-A550 DSLR-A560 DSLR-A580 DSLR-A700 DSLR-A850 DSLR-A900 NEX-3 NEX-3N NEX-5 NEX-5N NEX-5R NEX-5T NEX-6 NEX-7 NEX-C3 NEX-F3 NEX-VG20 NEX-VG30 NEX-VG900 SLT-A33 SLT-A35 SLT-A37 SLT-A55(V) SLT-A57 SLT-A58 SLT-A65(V) SLT-A77(V) SLT-A99(V) XCD-SX910CR IMX135-mipi 13mp IMX135-QCOM IMX072-mipi IMX214 IMX219 IMX230 IMX298-mipi 16mp IMX219-mipi 8mp Xperia 5 II (XQ-AS52) Xperia L ZV-1 (DCZV1/B) ZV-E10 Vivo: X51 5G (V2006) Xiaomi: MI 3 MI 8 MI 9 Lite MI MAX RedMi Note3 Pro RedMi Note7 FIMI X8SE Xiaoyi: YIAC3 (YI 4k) YUNEEC: CGO3 CGO3P CGO4 Yi: M1 Zeiss: ZX1 Zenit: M * (new) means added since Affinity 1.10.5 which was based on libraw 202110

dear affinity management, i tried the affinity photo for 90 days.. it is a very good product.. kinda 9 on 10... id love to purchase it BUT.. everytime one makes changes on to a raw photo, adobe photoshop saves the changes into an xmp file ( simple <40kb notepad file ). this is not the case with affinity when dealing with raw files. we have to re-edit the raw pics again and again and again!!!!! if i hit "develop" and save-its massive 150 mb plus file size against xmp which is <50kb AND when i export the pic in .png we dont get the slider(quality and file size) like in jpeg... the png files are huge and have to use another software to reduce its size.. PLEASE do something about it.. the .xmp feature is the reason keeping most newbie photographers like me to not buy your superb product! Even free softwares like darktable does this somehow.. why not in AFFINITY PHOTO??? i see many people have been requesting it for quite sometime now.. atleast give an announcement regarding any update on it.. if its gonna be implemented or not in the upcoming version... on the whole, AFFINITY PHOTO is an awesome software.. no doubt about it! In a nutshell, the request to mgmt and devs is "xmp sidecar feature" to save the changes made onto a raw photo like Adobe PS does or darktable does asap and improve .png export (add file size/quality slider as in jpeg export) Appreciate the AFFINITY TEAM in making this product! Thanks you..