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  1. Hi there, I played with some macro photography I shot a few days ago. Working with the brushes in Affinity Photo is a nice experience (the luminosity jitter it's really interesting). Below, a few samples of the photographs and the compositing. Best, Piero Macro #01 no PP: Bitmap painting #01: 100% view #01: Macro #02 no PP: Bitmap painting #02: 100% view #02: Macro #03 no PP: Bitmap painting + 3D #03: 100% view #03:
  2. I mean, when one moves the cursor or draws, all image drawn (lines, etc) become pixelated, and goes back to normal when nothing is moving. The result is a kind of slight flashing for the change of aliasing or simply going to a more pixelated version (is hard to explain, but many of us know what it is) during the seconds the cursor is moving. It is sort of very distracting. It happens to both tools, but have noticed more in Photo. I am planning to buy both, but for me (maybe for others, too) the use if this is fixed will be much more than a converter and print file preparation utility (function that accomplishes mostly quite well, already). That is, I'd love to actually paint with it (as i do with Krita, CPS and etc). I would totally understand if is not implemented, as is probably how the graphic engine works. It'd be great if there was an option, not even default, that one could trigger on, even with a warning sentence of going to lower performance, as for some of us, this trembling/glitch matter is quite important.
  3. I've gotta say I bought Paolo Limoncelli's DAUB brushes, and they were worth it. Love them to bits, love AP too, though it still feels sluggish with large images on a 16 GB Macbook pro, which isn't that awesome. But nevertheless, pretty cool ! Somehow though I feel as if AD's pixel persona is better at digital painting than AP's. Probably because AP has no eyedropper tool. Also, the alt-click colorpicker doesn't feel great at all... needs some polishing. Anyways, bickering aside, here's what I managed to create. :) It's not really great, but I did learn some stuff doing it, since I didn't skip the initial "construction" phase of drawing lines and marking proportions. I'm trying to learn digital paiting for some time now, and somehow I've got problems because I always end up comparing myself with people who've been at it for years. It's stupid, but It's the only way I know how to scale, and because I think it helps me get better faster. The downside is that I always feel bad about what I do.
  4. Hey all, here's a redo experiment of an illustration project I had a few years ago for an article about how "Successful People" manage their thoughts... The goal here was to revisit this illustration and try to only create it using a "pixel painting inside vector shapes" workflow in Designer for a new look. I'm really happy with the process and the outcome and plan to adopt it to a few more ideas I have on the drawing board. Trying to keep the process as simple as possible, I used only one brush for consistency and didn't employ any effects or multiply/screen layers for shading or highlighting. It's all painting. It was a lot of fun and surprisingly pretty quick. I like the background, but I also like it without.... Hope you like. Cheers, Kevin
  5. Hi, I don't know if this question has already been addressed in this forum. If it has, please let me know where. I am looking for techniques that you might know, using adjustment layers and filters within Affinity, that can be used to create painterly effects, like the ones you might achieve with dedicated software such as "Impression" or "Snap Art". I know that at some point Affinity Photo may include creative filters in its program but in the meantime I would love to know some work arounds that can achieve similar effects. Thanks!
  6. I'm considering retiring Photoshop CS4 in favour of Affinity Photo when it's released for Windows, hence why I'm here, but am curious how far Affinity Photo's tools stretch for digital drawing/painting too? Although I'm not new to image editing, one thing that has recently started to peak my interest is digital drawing/painting. However, as it's something that I haven't paid much attention to before, I am a complete newbie when it comes to that. As an example, here's a video of an artist who used Photoshop for a long time, but recently started using Manga Studio (now called Clip Studio Paint) for drawing due to it's better drawing brushes, etc.. The brushes he seems to use most often are pencils for sketching (5:15 & 10:35), G-pen for inking (12:00) and transparent watercolour for blending/shading (15:42). Here they are in real-life use (Note: Link may or may not be safe for work depending what country you live in). I assume Affinity Photo contains brushes that are capable of producing good results for sketching and blending. However the Manga Studio brushes also seem to have brush stabilisation and the G-pen seems to have a mode to use it as a vector brush. Do the Affinity Photo brushes have stabilisation and a vector brush tool (or are there any plans to introduce them)? A quick search brought up the following posts, which seem to suggest no? https://forum.affinity.serif.com/index.php?/topic/7617-stabilise-brush-strokes-and-faulty-brush-settings/ https://forum.affinity.serif.com/index.php?/topic/10152-brush-stabilizer/
  7. Here is my latest concept art for a client's top-down game. I was also using the DAUB brushes. They work great! All work done with Affinity Photo. You can see more of these and some of my process on my Artstation profile.
  8. To be honest, I've never tried Affinity Photo for digital painting. I usually work in PS or Manga Studio. But today I was testing some brush settings of Photo and came up with this quick portrait. I've always tried to emulate the traditional mediums when painting digital, so I tend to work my digital paintings with that natural a la prima feel... working in one layer and mixing pencils and 'gouache'. Here's the result: I think I'll use Photo for more digital painting. It runs pretty smooth and fluid. It is pretty fun to create brushes too, very fewer settings compared with other painting software, but at the same time those boundaries makes you create some nice brushes more quickly. Hope you all dig it!
  9. Hey there! My name is Benjamin, and I just started to use the marvelous piece of software by Serif today (even though AD is a world for itself). Never did serious stuff in Photoshop, so it's kind of a double debut. I started arts 2 years ago and I still suck, so I'd love some critique. I will also use this thread to keep on publishing my work. Cheers!
  10. Hi Everybody, I've imported my custom brushes from Photoshop, but they lag a lot when using them in Affinity Photo. It takes a good 5-7 seconds before my mark appears, even just a single click. I'm not using a tablet, just a mouse. My brushes tend to be large (2000px), but nothing that PS couldn't handle. Any ideas? I thought about turning off the brush preview, but I need it to see where I'm laying down my marks. Thanks!
  11. This is my try in Affinity Photo I must write here that this is made by me in Ipad Pro with Apple Pencil
  12. Portrait, oil painting, photographed, edited with Affinity Photo. http://b-bertuleit.de/portrait/
  13. Hi all, i'm Gabriele and i'm new of this software. I've start to use and try to find a way to get the best of my photo. I've a first question. When i had use CS6 i used often the oil painting filter to give a "Van Gogh" sensation to my photo. There's something for Affinity? Thanks a lot for your answer :)
  14. I'm trying to create a low-poly picture in AP, and can't figure out how to draw my polygon mesh, fill it with the colors I want, and then make the mesh itself disappear. I've been sampling from the layer below that contains the actual image, and then using that color to fill in the polygon of the layer above. My problem is, that when I do this I can't separate the fill color from my drawn polygons, but without the drawn polygons I can't fill. Any tips would be appreciated on this.
  15. I started with an all-brown drawing and used very low transparency brushes to overlay color
  16. I tried to use as many of the brushes as I could. Starting with a black background saved me a lot of work. Keeping foreground, mid ground, and background in separate layers also helped a lot. The texture brushes are a blast to use.
  17. I tried to keep the total time below 2 hours and 1 Brush. This is based on a photo of the waterfall that run through the center of Camden Maine. I am liking the speed and responsiveness of the brushes, and the program in general. Fast and so far no crashes or problems. Very good.
  18. Hello Affinity, I'm so glad to see an app like this in the marketplace. However, I can't use it for digital painting and illustration yet because of one MAJOR missing feature: Tablet pressure controlled opacity with the paint brush. As it stands you can set pressure on brush size and flow (among other things) but for digital painters opacity is the most important pressure control you can have. I'd say it's pretty darn important for retouchers as well. Please add this feature soon, because as of now Affinity Photo is unusable for me. Thanks!
  19. Messing around a bit with watercolours and some blenders. I recently repainted this picture from scratch using the new Watercolour Set, using much more refined tools. Now textures are subtle but perceivable and the final result is more credible. Affinity's engine has been growing a lot since 2015!
  20. I use Corel Painter, but often for sketching first before I consider doing any painting. I do this because I want to have a digital copy of my sketches and I don't want to have to scan everything in all the time from a paper+pencil pad. When I do use the sketch pad, I will often scan that sketch and drop it into Painter to play with. Clean it up, rework it, etc. Sometimes I take that sketch further and play with painting it using Painters transparent page feature to sketch and paint over another image as well. Can your software incorporate more of the Corel Painter like qualities. Tools that can incorporate pressure of digital pens/paint brushes, etc. Perhaps giving people an opportunity to use their Stylis pad more with your software. Yes, I do understand that your software is for Vector art, but incorporating something like this feature with Vector art opens up a lot of options. Drawings that start as a sketch then evolves into clean vector art like comic books, architectural renderings, and other various Graphic Art styles. Having pencils, pens, and paint brushes that accomodate pressure, style, and skill beyond just click click click offer a great deal more.
  21. It seems that whenever I draw lines using the Affinity Designer, the program automatically smoothes/straightens/corrects them. I'd love for this feature to be able to be toggled on and off, because sketching would be a lot easier. Even though the feature is helpful in some ways, users should be able to draw the lines to their preference without having the software automatically correct it- which oftentimes results in the line looking like nothing I had drawn in the first place. I thought it was a problem with my pen settings (I use an Intuos 4 by Wacom) at first, but after experimenting with the settings I wasn't able to find anything that would toggle this automatic response on/off. While looking around, I also thought that it would be quite useful to see some more settings to adjust pen pressure and other pen qualities as well. I'm new to this software, and this happened to be one of the first things I noticed as I played around with the pen and paintbrush tool.
  22. Hi everybody, at first i have to say that i´m deeply impressed of the Affinity products. Beautiful UI, beautiful features, good job. Personally i´m interested in digital painting and concept art. I try to use AP for these things. My problem is that i don´t know how to blend my shadows well. So which techniques and brushes could you recommend? Maybe you can give me some examples. greetings from Germany.
  23. I have been exploring colour popping in AP using the paint brush, and run into a problem. It is easier to do this using at least 2 brushes, one at 5 px or less to define the edges and then one or 2 larger ones to fill in the rest. However, if you change size by clicking on the brush size window at the top left, when you go back to the edit the new brush paints over the earlier application, and the "join" shows as a more intense shade (which ruins the effect). Is this a bug or is there another way to change brush size? (I don't have this problem in Pixelmator so it is not a generic issue to using painting for colour popping).
  24. Not 100% done, but this is a portion of a new art piece done by commission for an upcoming card game. All painting done in Affinity Photo Beta. So far it's been fantastic with few hiccups. The new beta does seem a bit friendlier to my Wacom as well. :) More updates will pop up at SteamCourt.com soon!
  25. Self portrait done in Affinity Photo, with default drawing brushes, a bit of Daub's gouache brushes, and a smattering of fine texture on top. Currently using AP for a big client illustration project—it's been a joy to use.
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