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  1. Hi there, I do have a problem with masking. Samples see attached: What is the problem? I have a pic. (original.jpg) and I've done a selection with the selection brush. After this is I did "refine edges" to fine tune the selection. After this I safed it as a new layer with mask. The result was ok (see: with mask.jpg). BUT Once I disable the mask or I edit the mask I get horrible artefacts (see: mask disabled.jpg)... What is the problem? What is my thinking mistake? Thanks for your input and help.... Best Thomas
  2. Hi! After 3 years I finally decided to open up Affinity Photo and start to practice (I mainly use Designer and Publisher). There are a couple of road bumps that I cant seem to find the answer too. I am familiar with the brush tool and the basics such as keeping the colours black and white when you are blending to remove or add. My issues come when I am trying to add artificial light or highlights using the brush tool. In the example below, I have a Mech in a forest with the city in the back. I was able to blend them in, but I am having troubles adding the highlights from the city onto the edges of the mech and trees. It allows me to paint with any colour but they seem to be very dark. I have no control over the vibrance of the highlight or the contrast. I only have control over colour and opacity. Could it because whatever i am paining on a mech that already has adjustment? I usually add highlights at the end in Photoshop! Q1: If I wanted to add a very thin or thick glow / highlight on the mech from the city, how would I do that? Q2: Recolouring seems to have this obvious separation where the blends happened. How to fix? (blue shows through red) Q3: When I am changing the exposure, shadows or light on the mech it selects the entire project even though I specifically click the single masked mech. I then have to copy the adjustment and paste to group only the mech. Is there a fast way of only selecting mech and not the forest? Hope someone has an answer! Also, great community and great software. I've been more than satisfied for the last 3 years and I rarely have to come on here to look for solutions. :)
  3. How can I place an black/white image as a mask onto a group. Masking is some confusing compared to what I'm used to doing in Photoshop. In this case i drug the black and white pixel layer ontop of the group thumbnail and it appears to apply it as a mask but doesn't do anything? The workflow appears very unpredictable at times like this where I spend 30 minutes trying to figure out something so trivial. I'm going to guess the solution is not as straight forward as this.... In this sample I should be seeing a red background however I'm still seeing the black background that's part of the original image which should be masked out. Any help please?
  4. I don't have time to search entire forums or the interwebs to see if someone else has ever suggested this feedback before. So I offer my apologies if my suggestions have already been covered. 1) Please can you provide a feedback function WITHIN the application it self. It's incredibly frustrating to have to use out dated methods of signing up to god-awful web-forums which just leads to nonconstructive replies of un-thought out opinions and arguments. It also allows you to correctly link feedback (and abuse) to the software license of the user and even categorise the feedback so you can easily see which areas are causing most concern to the user base. 2) Please can you fix the mouse icon when painting in masks in the develop mode. The standard OS mouse icon does not feel accurate to paint with. Also a nice to improve if possible: Painting often feels sluggish to see the red tint forming. If there is a way to make this feel more responsive without upgrading an existing 32GB RAM I7 processor machine, that would be lovely please. 3) Cropping in Develop mode is missing an "ok" or "finished" button. It's frustrating to be sitting back with my tablet, controlling everything then having reach over to the keyboard which I moved to one side, just to hit <enter>. I don't want to map the enter key to my tablet device as it's never used for anything else! if you simply put a button in the UI it will mean I can just move the mouse there and click! perhaps I've missed a trick that does what I want, but then that would mean it's not obvious and intuitive to the user. 4) Please update the flash function for uploading files on this forum. Who runs flash in 2017? Browsers auto block flash from running by default because it's nasty. 5) More of a question then a suggestion, but is there a way to rename the overlays in the Overlays tab in Develop mode? I have 3 gradient overlays, all with the same name! that's very confusing to simple minds like myself. 6) Although I generally hope you spend more time fine tuning what you have already developed, instead of just rushing out new features, it would be nice if there was an in-application function for browsing image files, with a nice big preview of the image and EXIF data, which you can then double click to open it in the develop mode. I don't think anyone wants all this "importing" and cataloguing rubbish which is very slow. But browsing files within Affinity with a UI that suits photographers that windows/macOS don't offer, would be a great win. Thanks for your time.
  5. Hi all, Sorry if this has already been covered somewhere, but I was not able to find anything. Basically I have a layer with a mask applied to it. I want to transform the layer using the perspective tool, and I want that transformation to apply to the mask as well. I can scale/rotate the layer, and the mask follows, but for the perspective tool this does not seem to work. Can this be done?
  6. When using my self-created brushes on mask layers, each intensity brush image dab (or whatever the proper technical term is) is surrounded by a square shape. The attached image is an example of my problem. This does not occur with any of the default intensity (I assume) brushes that came with the application, only custom/downloaded brushes. I followed the instructions for custom brush creation found in the help files. Then I followed all of the recommendations I discovered here in the forums and on YouTube: square image, PNG file type, 300dpi, both black on white and transparent backgrounds. Each attempt resulted in block-surrounded image dabs. Affinity Photo has shown iPad Pro users the way forward, as well as the way around the Company of the Big Red "A". Hopefully we have returned the favor via the App Store. It's time to help us further by updating the documentation and tutorial videos concerning the creation and use of custom brushes. Thanks!
  7. Masked shape is not completely overflow main object. Using square as masked object produces 1px outline from mask background. 1) create mask with red background 2) use a square with darker color square as a symbol masked by object above (Curve) 2) observe outline of 1px, this is background from mask (Curves), better is visible on dark canvas But it should be filled up by one color.
  8. I am using ver 1.10.4 on a Mac, this is my first attempt to create a mask and do some layer adjustments. I was looking through all the videos and couldn't find one that discussed working on backgrounds - that seemed to relate to this image. I'm just trying to clean up the background so it isn't too distracting and can be used for white space. I was able to use the selection to to cut out the couple. I am attaching the afphoto version. Any suggestions? I am coming from years of using photoshop. Really am loving Affinity's interface, just having a hard time finding everything I need! DL-shoot-4199.afphoto
  9. Hi everyone, I still wish there were destructive filters (instead of only live ones). But the reason to this post is to find an efficient way to alter a mask layer using filters. Indeed, a trick I often used to do on Photoshop (but also Krita) is to sharpen a mask layer using brightness/contrast or curve filters. As a mask layer is a greyscale pixel matrix, this should be totally possible. A sample of what a curve on a mask layer could produce : I tried to add a filter under a mask layer - it is possible but nothing happens. However, I've just been trying a dynamic filter (blur, sharpen) and it works on a mask layer ! But unfortunately we can't merge the filter it, so we couldn't re-edit the mask layer afterwards with a pencil. It looks like basic filters on mask layer is a feature not implemented, I wish it was ! Especially as it goes along with the dynamic filter working.
  10. Hi, I imported an image, cropped it. Then applied curves adjustment with a mask to apply the adjustment on a specific area. I re-cropped the photograph to include more area. The adjustment layer is incorrectly applied on the newly accommodated area, because it was never included in the mask. So when I'm cropping out, the adjustment is automatically getting applied to the accomodated area. Steps to reproduce: Step 1 : Import image Step 2: Crop the image Step 3: Create an adjustment layer with a mask Step 4: Edit the adjustment layer Step 5: Re-crop to include more area Step 6: Check if the adjustment layer is not applied on the additional area included in Step 5 I want the mask to remain the same and not allow the adjustment layer in the newly accommodated area. Any help or directions in this regard is appreciated. Edit: If I select the mask and paint black over the unapplied area, the adjustment layers vanishes from that region. But are there any other ways to do this automatically when we expand the crop? Regards Gokul
  11. You might want to use a pixel layer as mask layer, but still be able to edit this layer and see the impact of your edits live. This is easily possible: Start with at least a background layer and a second pixel layer intended for masking add the live procedural text filter with this formula A=R, R=1, G=1, B=1 (or download preset "grey to alpha" below) Clip this live filter to the pixel layer to be used for masking Clip "pixel mask layer to be used for marking" to the background layer where you want to use it. The procedural text filter will become invisible in the layer stack, but still working. Modify the "pixel mask" layer with any pixel tool you like: brush, dodge and burn, sharpen, any adjustment or any filter At least give a "heart" or "thanks" to my post. Bonus material: If you have a mask you want to transform into a pixel layer, you can simply use the procedural text filter "alpha to gray" (see attached file). Video Tutorial: The recording did not capture the live procedural text filter. please use the settings from the picture below: Have fun Timo alpha to gray.aftoolpresets grey to alpha.aftoolpresets
  12. I want to design the pick guard of this guitar. It sits on the body, surrounds the pickups and is under the strings. Is there anyway I can break this image apart, edit the pickguard (re-colour) and then re-assemble?
  13. iPad and Desktop. Easier and more flexible masking | Affinity Photo Tutorial Power tools 32. This tutorial uses erase blend mode, gradient, & fill layer. There are two versions of this tutorial. IDesktop version: https://youtu.be/sA5T4ysswfY iPad version: https://youtu.be/YTx0S1BucYg
  14. I have designed myself into a corner that I can't figure out how to escape. I made a candle shape with thick lines that overlap in such a way that they obscure underlying shapes. It looks great with a white background, but I actually want the white lines to be transparent in the final export. I have tried expand stroke, but that just separates the white lines from the underlying shapes and using those as "cookie cutters" still doesn't yield what I want. Conceptually, a "flatten all to new curve" would do what I want (assuming I could specify to ignore white). I tried some fx masking, but still couldn't get there. Any thoughts on how to leave only the visible blue shapes in a new object?
  15. I was working with the new version and wanted to mask some objects from layer, but nothing is happening. I could only work with the gum.. This is happening in Photo. This was shit, I see that Alpha protect was set on..... hmmm then its not working ofcourse.... So dismiss this error report. ((fixet) 1481508784_photo.exe2021_08.25-14_43_16_01.mp4
  16. A simple glow - photo manipulation for beginners. Affinity Photo tutorial. This is for those just starting out in Affinity Photo. I kept the video short and there is so much more to improve the look of the photo, but I just wanted to give you a start. It uses layer fill, HSL, masks and blending modes. https://youtu.be/lsX9UW_rMps
  17. Hi there, I'm getting stuck with masking and the paintbrush tool (in Affinity Designer)... - Pixel Persona - Have a photo I want to mask - When I select a part of the photo with any of the selection tools and create a mask from that selection, things are fine. I get a proper black and white mask layer. - Now I want to REFINE my mask, by selecting the mask layer, selecting the brush tool, setting the brush color to BLACK and then painting black inside the mask over parts I want to hide. The problem is... I can never make the brush tool to paint in COMPLETELY BLACK color! The color setting in the color panel is set to completely black (#000000), but the actually painted color on the mask is always dark gray. Never completely black. Thus there are always semi-transparent parts of the image visible. I can never mask them completely. Any ideas how I can make the brush color to be 100% black? Thanks!
  18. Hello, often I am using the same layer, e.g. a Text, in multiple instances in the project. I may use it as a mask multiple times for layering effects on it and use have the original as a base as well. Currently I make multiple copies of that layer. But if I want to then edit that layer, e.g. change font, I have to do it in every copy of it separately. That is time-consuming for Text layers, and borderline unusable for pixel layers. I wonder how others deal with this workflow. Is there something like Linked layers or Instances or Symbols that we find in Affinity Designer? Can we create a live instance of a layer to use as a mask alongside the original?
  19. With metal hardware acceleration activated on an Apple Silicon Mac with Retina display, using a masked gradation curve inside a layer containing transparent areas, the transparency seems to be reduced on parts of that layer, even if the gradation curves mask doesn't should alter anything in that area. This problem only appears, if an image is present in the background. Without having a background image, the wrong transparency alteration does not happen. This seems to be a bug in metal hardware acceleration, because deactivating it solves the problem.
  20. I have used clipping mask function in past but I up-dated to v. and now the clipped image is not visible. If I place it on the layer below--hanging out from behind--I see the image but as soon as I clip it, it vanishes. I repeated a butterfly wing around a circle and in the hole in the center, I want to clip a face (I tried it in PS CS 6 and it worked. The portrait was a smart object and I rasterized it. ) The portrait is of my daughter and is copyrighted to my grandson Will Ross. I drag the portrait icon up to the wings group icon and get the blue line and it is inset as a child layer.
  21. Hi guys, I am missing permanently a slider based/non destructive possibility to blur masks. E.g. by "Gaussian Blur" of "Effects" tab. Please don't get it wrong I have some emotional moments in the video, that's only because I'd like to prefer AP over Ps, but due to things of that, I can currently not do a full switch to AP. Video (unlisted) should explain
  22. Hi all, I'm playing around with doing some various exposure HDR with AP and am in the Tone Mapping Persona. I have a spot (the moon actually) in an image and have outlined it with an elliptical mask....the trouble is, it is marked the mask like a typical quick mask with red...I cannot see under that red to be able to see what the adjustments are doing there. I've tried hitting the "m" button to see if that would turn the mask highlighting on/off....didn't work. Any suggestions out there as that I can't find much in the way of documentation or YT videos showing use of the mask on the Tone Mapping Persona.... Thank you in advance, cayenne
  23. I'm a bit rusty with any design app, and I've never gotten completely up to speed with Designer. I'm trying to do something which I think is fairly simple, but I don't seem to be able to get it right. Simply, I have two shapes, and I want one to cut out of the other. Right now I have a group of shapes and I put it on top of the shape I want it to cut from, and I say to mask below, and it makes the bottom shape into the shape of the group above. What I want is in fact the bottom shape minus the group above (so it is transparent where the group was). How do I do this? Thank you.
  24. Hi, The linked resources are a great feature in Affinity, but there is any way how I can use that linked resource as a mask for another layer/group? Or link that B&W image in my file (somewhere), and then link(as layer linking) its luminosity to another layer - as a mask or something? I am just trying to move my render composition workflow to Affinity, and linked resources are great, but I have rendered alpha masks and z-depth channels. And would be nice to have them linked and working. Thanks in advance of any suggestion, cheers!
  25. How do I use a pixel layer containing a greyscale image as a layer mask so that white pixels show the current layer and black pixels hide the current layer, and grey shades in between represent partial transparancy? In the screenshot (attached) I want to use the black and white picture of the skull to mask the green square so that I end up with a green skull where the white is, and the black are would be transparent. any grey pixels would be different levels of transparancy. I really need step by step instructions as I just don't understand how to do this in AP as I am so used to doing it in Adobe Photoshop. Thanks
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