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  1. Hello again, all … Yes it's me and I'm back again for Round MMXXI(b) … Today's question is: Can we use Presets in Affinity Photo (or Designer / Publisher) as we would in Photoshop, Lightroom, ON1, etc? If the Majiqual Answer be-eth 'Yes,’ the follow-on query then becomes ‘How we do dat, hah?’ It's easy enough to install and use LUTs in Photo, but there seems to be no method to install or access the presets’ .xmp rider files. It seems that would be an easy trip down Code Road compared to other feats discussed in these pages. Please advise if there's a way to implement access and use of the
  2. Hello :) Not quite sure how to explain my problem, but here goes: I am working on a logo design and I used some curves and some type to make it. I would like to make it different colors, so I can present it to my client. The problem is, that I have to select all the curves and change the outline color for them, and then select the type (which I already converted to curves) and change the fill-colour. Is there any way that I can make the logo into a cohesive vector-file, so that I can select the whole thing and change the colour? This would also be helpful for exporting it, so the cli
  3. Hello, while working on a document with Publisher, I noticed that a rectangle had lost its previous fill. I can't understand why this happened. What the heck was I doing there? Now I can't fill it, even a colored border is impossible. I copied this rectangle to a new file - same problem. Below a rectangle I created new: I have attached the Publisher file here and am very curious if anyone can tell me what is wrong with this colorless rectangle. Thank you very much and regards, Felix (I think the English translated with DeepL is horrible, sorry!)
  4. 1.9.2 - To hide stroke - Stroke size must be set to 0pt ... it seems that stroke color none is not enough to hide the stroke in the attached document. 1.9.2-bug-stroke-color-none-has-to-be-set-to-0px-to-be-invisible.afdesign
  5. I make artworks in cmyk color setting and exported to PDF, The colors become Too bright. I don't know why this happens. Can anyone help me?
  6. Now I like Publisher so much that I only work with it even though I have InDesign and QuarkXpress. The only big problem is separation preview. At the moment I am creating print PDF in Publisher, then exporting PDF to InDesign and switching on the separation preview. I really miss the feature! Otherwise it would be a great tool!
  7. I have viewed the above thread and the video in it. This doesn;t help. My Issue: I need to fill a certain colour space in a complex image with a colour picked from another part of that [flat] image. I use the colour picker to select the colour I want to use, and that by default paints the whole layer, which I can undo. It's fiddly but.... there we go. My issue is that I can't transfer this chosen colour from my picker to my flood fill tool. I select flood fill and then try to select the picker colour in the top right corner - by clicking on the colour it ALWAYS colours the whole laye
  8. I'm having a problem; I think I mentioned it before; I'm just hoping that there's been an update or something since it seems like I'm missing something. I have white text on a black page that overflows (correct term?) into black text on a white page. When text is part of the same paragraph I can't seem to alter it without altering the entire paragraph. Ideally there'd be a way of having the text automatically change style when it becomes a part of that text frame. But even if that's not possible; can I not change the colour of the text if it's in the same paragraph? And
  9. This did not happen before, but now every time I finish drawing a line (black) with the Vector Pen Tool and my Tablet, I go to fill the new shape (Red). When I click the Vector Pen Tool, the stroke is now RED instead of black, forcing me to constantly switch back to black. This is the first time I've seen the color change based off of whatever color I used to fill a shape. Does anyone know how to keep the black as default and stop changing?
  10. Ok so when i apply a alpha and save as .png all the color channel data in the area with alpha 0 is lost, is there a way to keep the other color channels intact or unaffected by the alpha channel?
  11. Would be nice if you could implement Davinci Resolve style color adjustment. https://www.blackmagicdesign.com/products/davinciresolve/color
  12. I hate to complain but until Affinity "fixes" its absurdly weird colour system, the suite will remain second best compared to Adobe. The Bullet List maker is a total cock-up, too. They are both so irrational that I can't even explain what's wrong with them. Adobe has Aff beaten in this regard, hands down.
  13. Is it possible to access swatches from the context menu as shown below? Of course I mean document palettes should be listed here shouldn’t they, logically? If not, why not? Thanks
  14. Hello, if a nef-file is imported the colors shown are not the one in the file. Her is an example. The Capture NX is a NIKON Software. But also in othe Software like XnViewMP the colors are like in the Nikon Software. Only Affinity shows this colors.. Something wrong in the setting of then Program?
  15. When developing CR2 RAW file, affinitty photo changes the hue of reds. So far, the problem is with reds, no other color is affected. I attach three files, the CR2, the aphoto native and the jpeg exported from affinitty photo. As you may see, the lips are red in the CR2 but oranges in the aphoto file and the jpeg exported. Can tech support tell me how to fix it ? Greetings REDS_CR2.CR2 REDS_APHOTO.afphoto
  16. Below is a snap to help explain what I'm saying. I want to change the green fade to a blue fade. In order to do this I must type in the four CYMK or the three RGB numbers since I cannot drag a color or use the swatches panel to change a color in an effect. One day I hope this can be worked out, I would really be happy if I could use the eye dropper tool to click on the blue adjoining the green fade and have that happen as I work in the color area of the effect panels. That would be a huge help rather than looking up the colors numbers and typing them in.
  17. Only two months into using Affinity Designer here. Starting at some point through the progress of my project, any time I create and type new Artistic Text, a purple highlight appears behind it. I don't remember messing with any settings to make it appear. I've tried to look very carefully at the color options on the Artistic Text object but I can't find anything. What am I missing? This hasn't happened to me during other projects until after the 1.9 update, so there's the possibility of a bug or new feature/setting that I'm not aware of yet. I also attached what the problem looks lik
  18. Whenever I edit a global colour value I have a chance the popup will move around the screen after the edit. See the attached video, it makes more sense when you actually see it. I can’t find a way to consistently trigger it, but it feels like the closer the popup is to the bottom edge of the screen, the more likely it is to happen. But it’s not a certainty as you can see. I feel this might have something with the physical screen size of my device? It’s a 9.7” iPad Pro and the screen is getting cramped by today’s standards, maybe the low amount of space is making the popup be “unsure” of w
  19. Hi there: I am not sure if this is a bug or not. I am having difficulty selecting a color for a design that I am working on and I am not sure if it is a bug or something else. I use a MacBook Pro 13" running MacOS 10.15.7 (Catalina). The difficulty that I have found relates to selecting different shades of orange - I have put a sample together - included below - which renders perfectly below which I also don't understand. On my machine whether it be the .afdesign file or a JPG/PNG/SVG, all of the colors are rendering as #FF0000. I am trying to figure out why this is happening
  20. I have a object that changes from grey to some greenish color cast when I apply a 3D fx. All colors within the 3D window have zero color, though I can visually correct by changing the light source color but that's less than accurate. Thoughts?
  21. Good morning everyone! I'm new to the forum, my name is Judith Vidal and I'm a concept artist. I've been using affinity photo for a few months for everything that is concept and illustration and this is one of the results of the experience, I hope you like it. You can see more work on my instagram: https://www.instagram.com/jvidaldraw/ Thanks J Vidal.
  22. Hello everyone, Lately I've been working on many grayscale line charts for a research paper and I'm finding one thing very frustrating. See my Screen capture >> When a line is selected their isn't any indication of what color it is? In this case I have the line selected and would like to find its grayscale level in the palette. Is this possible? Thanks
  23. Is there any plans to add CIE-LAB gradients for affinity? I've been playing around with them in Python and LAB-interpolated gradients look a lot better than RGB-interpolated gradients, especially for backgrounds and things like that. I looked through the SVG standard and SVG supports CIELAB interpolation, along with a few others. So is there any plans to add alternate gradient interpolations to Affinity designer? Or even a full LAB color space, like in Affinity Photo or photoshop? I added a photo for anyone that's interested (CIELAB on the left)
  24. Hi guys, I can't find a field for entering hex colour codes in Publisher. Same problem Affinity Photo and Designer. Someone can help?
  25. I searched the forum but did not find this addressed (maybe my search was bad, so please link to topic if I missed it). Opening eps files in different applications always comes with some surprises. This screen dump shows the same eps file opened in AD (1.8x) and Adobe Illustrator CC2018. And I notice a few things. I have converted the document color space to RGB/8 sRGB in both applications and files. As you can see on the screen dump RGB color is slightly different from AI to AD (AI is on the left, AD on the right). As you also can see, layer are better organized in AI than AD. Layers ar
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