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Found 516 results

  1. Hello, In Affinity Publisher 1.8.5.703 I have a problem exporting the correct colors to PDF. What worked for me until October 21, 2020 without problems, now makes mistakes with the same settings. I am sending an example in the attachment. Let's focus on the logo at the top right. Its correct colors are: orange 0-50-100-0 and gray: 0-0-0-60 This was fine in version 02 of my document. In version 03 of this document, as well as in all my other documents, the colors of the linked objects appear differently than the original. The problem is only with linked sources, because the bar in the graphics is the same color 0-50-100-0 and it is interpreted correctly. When I export from document 02 now, the colors always come out badly. I tried all the basic PDF export PRESETS. Please, give me an advice. Or I'll hope it's just a small update bug. version inz_210x148_zdstzdmv_03.pdf - wrong colours of linked objects orange. 0-52-93-0 and gray: 55-45-40-6) version inz_210x148_zdstzdmv_02.pdf - correct colours of linked objects (orange. 0-50-100-0 and gray: 0-0-0-60) Thank you fb-art_CMYK.psd logo_ctverec.ai inz_210x148_zdstzdmv_02.afpub inz_210x148_zdstzdmv_03.afpub inz_210x148_zdstzdmv_02.pdf inz_210x148_zdstzdmv_03.pdf
  2. I purchased Designer and Photo years ago but I just couldn't replace Illustrator & Photoshop because of a few missing features that are just workflow basics. I've moved to the Windows platform and just downloaded new trial versions of them to give them another chance, and these problems persist. Most of them relate to features that prevent the user from making critical, unprofessional mistakes like inconsistent color use across multiple documents. If you are deigning a flyer, a business card and a name badge, you can't have variations between them. These are a few [very] minor omissions that I am missing that risks me making amateurish mistakes: - Global swatches don't carry to another document when copy-n-pasting a logo from one document to another (same as in Publisher) - Swatches not carrying over to the new document also means that overprint setting are lost because overprint is defined in the swatch, not in the object. - I can't tell what color mode I'm working in. If my mode is RGB for a flyer, I need something to shout out at me, or at least give me a clue that my print job is going to be disaster. A simple RGB/CMYK icon would suffice. Even Photo displays its color mode in the document's header, but Designer [where it's more important] doesn't. - The colour picker only picks up RGB/CMYK values, not a global swatch. Even if I've pasted a logo into a new document and it's displaying a global color, the eyedropper doesn't read it as a global color so I can't even reliably copy colors from my source logo. - To duplicate an object by dragging it, I have to press the Alt key before I select the object, not during the drag. Most of the time, I need to be certain I have selected the correct object before I duplicate it, however, now I have to duplicate something and then find out if I selected correctly. I don't know how many times I have moved items I want to duplicate and duplicated items I didn't want to duplicate because of this. An application is not fast to work in if I'm constantly undoing my actions. - Changing the colors of margins & guides. If I design a blue brochure, my margins and guides disappear. I need to make them red or yellow or anything. I don't expect to be able to mix my own colors, but a dozen pre-mixed swatches to choose from would solve this problem. (apart from working in wireframe mode) - Connecting the selected transform corner in the transform palette to the free transform with the move tool. It's very strange that I can select a corner in the transform palette, but then I always rotate around the center. I have to manually type rotation values in degrees to get the rotation around a corner. Why the disconnect? This disconnect is similar to the disconnect I experience between the swatches, color mixer and eye dropper. - Previewing at export. Even in Photo, I can't see the effect of the level of JPEG compression being applied to my exported files (neither in Designer nor Photo). I have to export a file half a dozen times until I hit upon that sweet spot of small file size to barely noticable quality loss. Even the open source GIMP does this with a live preview at export. I can do awesome professional work, and then break it all with a poor export... and not even realise it. - Proofing colors. I really need to be able to see how my colors will separate before I save my PDF. If I've accidentally worked in RGB, this will reveal my mistake as I go to repro. Overprinting and knockout will also be a disaster if not picked up in time. (Who here hasn't experienced the dreaded white text set to overprint and wondered where all your text went?). This feature alone forces me to keep a professional, licensed copy of Adobe Acrobat around to preview color separations. In my final repro file, I have to know if my spot colors are still spots and if I'm printing fine black text as 100% black, or a full color breakdown that will turn my single color print job into a full color one. Previewing the separations (or channels in your photo editor) points out my potential errors. - Overprinting settings. The previous point leads straight into this one. Why is over printing set in the swatch and not the object? If I want some small paragraph text to over print, but large display text to knockout, I have to make 2 identical black swatches to do this. Why can't I specify this on an object-by-object basis? I guess "Multiply" does the same thing and works as a work-around, but you're targeting print designers, and use the term overprint yourselves so why the strange and risky implementation. - Snapping to "round" values. When manually selecting a color in CMYK, we are inevitably creating a color using round number values from a color chart. It's slow and frustrating trying to select exactly 50% in a slider as it hops from 49 to 51 and back again while we search for that perfect pixel placement. How about snapping to increments of 5% by holding down the shift key? Your snapping features are awesomely powerful, but only in the document. Why not extend this into the sliders and the rest of the application? (Admittedly, I don't know any other application that does this, but it makes sense and would be welcome.) Basic features that are even in open source software seem to be missing. We waited for years to get arrow heads. You claimed it was because you wanted to get it awesome, but they are no more powerful/different to anything else out there on the market. I suspect we only got them when Publisher was released. Did we have to wait for a whole new app to be leased to get arrow heads? Now we sit with other missing basic, common features like: - Blend/Interpolate - Stroke drawing tools like a grid tool and a straight line tool. These are enormous time savers. - Tabs. (I understand you want to protect Publisher by keeping high end text features like hyphenation, drop-caps and text wrap out of Designer, but this feels like a very basic feature compared to your range of kerning, alignment and Opentype features already here from day one) I understand that everyone's needs are different and you can't satisfy everyone, but you are targeting print designers as well and illustrators and web designers, and these are all features every professional expects and is surprising that they're not here. You give us features that most professionals just leave on the defaults because few of us even understand them (like color profiles and LUTs), but then drop the ball by not pasting a global swatch from one document to another. It's confusing and just doesn't make me feel confident in the files I send to print. Please can you look at these issues before adding new features. I understand that new features are needed to sell products, but a lot of us early adopters are just wondering where the small tweaks and refinements are. It seems that your development team needs to consult with an old school designer or printer to get these fundamentals right. It feels like you've only got young designers who have grown up with an RGB workflow and have never had to bang out 6 flyers in an afternoon and send them to print with the job being rejected.
  3. Can any one please let me know once I have finish tracing my image in Affinity Designer, can I apply pre defined color combinations from the color panel for my image like in Ai? Please refer attached example of the same in Ai
  4. I have no idea what the affinity programs do in the background ... 😞 I have a christmas cap as .EPS. Colored. Open in AD - all in grayscale... (?) Affinity Feature? I tried to convert the file or profile... nothing. Open in Gravit-Designer - looks like it should look like. Preview in Finder - correct. And the help pages in Affinity with the 7pct font are too tiring to read. Close and open the software - no effect But I have found nothing either Any ideas...?
  5. Hi guys, I'm currently having strange color shifts when exporting from Affinity Publisher into PDF. The color of the imported RGB .jpg image is strongly shifted close to grayscale when the document is being exported, even if the used gradiation curve layer (for matching the target color space) is only slightly affecting the overall colors of the image. When exporting the pages as .jpg with CMYK format this color shift is not visible. For better understand of the effect, I attached three images: 1st image: screenshot of page within Affinity Publisher without softproof 2nd image: screenshot of page within Affinity Publisher with softproof 3rd image: screenshot of the exported pdf opened in Acrobat Reader DC (but I get the same behavior also in other PDF readers and even when reopening the pdf in Publisher) I'm exporting into ISO coated v2 300% (ECI) color space. In publisher I'm using the corresponding preflight for softproof and disabling the softproof layer before export. The behavior seems not to be dependent on the selected PDF compatibly version (I'm using PDF/X-3:2003). I'm using Publisher 1.8.4 under Catalina 10.15.7. Many thanks for your help!
  6. Don't know if any one has run into this, but when going back and forth between two canvases I would use the colour picker tool, grab a colour to use, but upon going to my second canvas to use said colour the swatches swaps out to a different colour. Is there a way to stop this from happening so that I can keep the selected colours and swatches as I use them across the different canvases?
  7. Hey everyone! The background color is bright even though the normal UI is set to dark. This isn't great to work with. I am using iPad mini 5, iOS 13.4.1, Designer 1.7.1. Best wishes, Shu
  8. I took a color from a picture and used it for text on that page. Now I need to find that color and use it elsewhere. When I select the colored text, I cannot tell what color swatch is assigned to it. Does it show up somewhere? Thank you.
  9. Hey there- I'm new to Affinity products. I'm working on a mock-up for a mobile app. In Designer, I've grabbed some of the glyphs from the asset manager for the navigation bar at the bottom of the phone display. I needed an image that wasn't in the asset manager so I found something that worked for me from elsewhere. The image file is a png. Now, I'm trying to figure out how to make it function like the included glyphs do. For instance, while trying out different color schemes - with the glyphs - I just have to select the glyph and then choose a color. That's not working with the png file. Is there a way to convert the png to the same file type as the glyph so it will behave like one? Thanks
  10. I am also a newbie although I have used Adobe photoshop for years without a problem with text. I want to print one line of text in white on a coloured sheet and have selected Lucida Bright at 26pt and with the white colour font. Whenever it prints out it is colourless with a thin black edge to define the letter. What could I have done to make this happen?
  11. I'm a complete newbie to Affinity and Designer and vector drawing. I've been working with simple shapes and lines and text while exploring Designer. Once GarryP helped me get started, things were going well until yesterday when my plain and/or italic text turned bright bold magenta. I did not change the color that was the default in the text-color box. I do not know what I did to make this happen, whether creating new text, or moving previously created text. I cannot get rid of this color, or the bold. New text is bold magenta, despite the color box's being black. Moving previously-created text turns that text magenta. Close that document and create a new document—the new text is magenta. Opening Designer preferences, resetting text styles to factory, still magenta. Clearly I have inadvertently changed some basic setting, but what? Where should I look now? Thanks.
  12. Hi guys, I'm at a loss. To confirm I run Spyder to colour manage my display and I have read the display calibration spotlight before writing this. However, when I export images from Affinity the colours come out wrong. See the attachement. I have included my export settings.
  13. Hello, I was messing around with Affinity Photo the other night and accidentally found a feature that I cannot find now. I was in the Color window and I believe I double clicked on the selected color and a window popped up PREVIEWING color chords. It could have just been showing me near shades to the selected color, but i definitely remember seeing "+1" and "+2" labeling corresponding shades with the actual color displayed. I was able to replicate popping this window up a couple of times before I shut down for the night, but since then have not been able to get this to happen again. I have no problem making color chords the normal way, populating in the swatch panel, but Id rather being able to see the colors before committing swatch space. So did I stumble across a little know feature, or did I fall into the matrix somehow? Thank you for your time, Dustin
  14. Hey y'all, I have inserted embedded documents into my file (layers with images) so that I can duplicate them and change them all simultaneously. I am having difficulty changing the color. Usually, if I place an image, I can select it and then go to the color wheel to change the tone of the image to whatever color I please. In this instance, when I try to change the color of an embedded document it either a) doesn't work or b) changes the whole layer to the selected color and the image is no longer visible. Any tips on how to fix this?
  15. Greetings I just created a few new cool pixel brushes for Affinity Designer. However when i tried them out I can't change the color. if i create a brush with a black .png it only brushes in black. If i load a whited .png it only paints white. Can someone educate me on what i am doing wrong? Thanks Dave
  16. I am exploring the use of ICC profiles in photo processing and printing. I have had some success, but am not sure that I fully understand why. Here is what I understand (or think I do); perhaps some more experiences users will provide me with some insight. I understand that ICC profiles describe the color space that individual devices are capable of reproducing and are applied so that one device may match another. If so, then in my system there are three devices; 1) the camera/lens. 2) the display and 3) the printer. My lack of understanding is where these should be applied to a photo file. It is possible to assign a profile to a raw file prior to development. This option asks for the "output" profile. Should this be the printer profile? That is the eventual output device, but applying it here before development has not produced a good result. I suspect that output profile means output from the development process, so at this point would apply the "camera/lens" profile. Then when printing, apply the "printer" profile as the "output" profile. The "display" profile only effects the display, how the camera/lens profile is represented on the screen and does not change the file. BUT - as a printer, wouldn't I want the screen to represent how the file will print so the printer characteristics can be accommodated while editing the file? Using the above procedure gives very good matching results, but it does not display the image as it will be printed. I hope I have adequately described my question. Anyone have some insight on this issue? Thanks & Best Regards to All - DK
  17. Hi, When exporting a file the other day and sending it to someone else they saw different colors on the file. I took a picture of both my PC (left) and the other. I hope the difference is clear. The orange fill of the flowers is more blue. The letters don't have the same bright orange color. I noticed that the color wheels on both laptops look totally different. Can someone explain how this comes and what I can do about it? Thank you! Nils
  18. Affinity Photo doesn't recognize the full set of icc profiles in the standard Library/ColorSync/Profiles folder on the Mac (I'm using macOS Mojave 10.14.6). I have a set of icc profiles that are color variant profiles of existing color spaces such as AdobeRGB1998. I have attached two such icc profiles here. Affinity Photo simply doesn't recognize their existence when I go to convert or assign icc profiles. For comparison, Adobe Photoshop (which I'm using less and less, thanks to Affinity) has no problem seeing these at all. Thanks for looking into this! AdRGB98 +04.icc dRGB98 +08.icc
  19. Hi, I've been trying to use the XRITE Color Checker Passport and I'd like to ask for help. I'm not sure if I'm doing this correctly. I saw in another message in this forum the steps to generate the ICC file. So, to verify if the ICC was correct, in my understanding, I can use it in the original picture and I would expect NO changes in the color or anything. It actually squeezed the colors towards the black and the image became darker. The original image, only with WB corrected is the Pic 1 Then, after the ICC was succesfully generated and loaded in Affinity from that image, when I apply the profile, see the Histogram: Pic 2 If I develop the picture, it will be darker. BUT... if I load the image, after the WB correction, and develop the picture, from Document -> Assign ICC profile, the picture is corrected, but the contrast decreases and it looks washed (picture Pic 3). So, is it a bug with Affinity? How could I verify the colors are truly corrected? Can I use the RGB values in Info panel to double check the color palete values? The ICC profile I generated I called it TODELETE. Thanks! Sergio PIC 1: PIC 2: PIC 3:
  20. I stumbled upon an issue with ICC profiles. Not exactly a nasty bug, but an annoying condition that can lead to a frozen app and should be caught. In C:\Program Files\Affinity\Publisher\Resources\icc I had created a subfolder named "other" for all ICC profiles that I don't use. Opening a document that was created using one of those profiles causes two problems: color will look like the neon of the 80ies calling "Document Setup" from the menu will freeze Publisher I falsely attributed such an app lock to a recent OS update. But really, after putting back all ICC profiles into their original place, colors went back to normal and calling Document Setup worked as expected. My proposal would be to somehow detect documents that want to use a non-present color profile and let users decide what to do.
  21. Hi! I love Affinity Designer, BUT this problem is a HUGE headache to me I set a color that looks great in the workspace (within Affinity Designer) to my text, objects, etc. I export it and ALL THE COLORS are extremely OVERSATURATED, a moderate yellow looks like a highlighter yellow, Please fix this issue and help me QUICK! The image on the right is the one after export opened in windows photos, left is affinity designer
  22. Hello , any one knows how can i do this color harmony ? I want to know how can i creat this , i saw a vedio on youtube but it was with photoshop , so anyone knows how to do this with affinity photo or designer ? Thanks Vedio link :
  23. I'm new to Affinity Photo|Designer and also new into the community, so Hiiii everyone! nice to meet you all! ahahahah My little problem is this: my color picker (in both designer and photo) only give-me Blue-ish colors to pick, the images attached shows how it look like. What I did so far: around 2 hours of google search, changed options, uninstalled both Designer and Photo and reinstalled them. Any photo I open stay in this blueish, my color palette only show tons of blue/pick. Guys, please help, I dunno what more I can do to fix this...
  24. Hi guys, I find the Selective Color Adjustment extremely useful with its possibility to adjust not only selected hues, but also tones. What seems weird in it though, is that regardless of the current document color mode, it operates in CMYK primaries. Surely, this works, but wouldn't it be more intuitive to have RGB sliders as an option? How about a more general selective color tool, that would allow hue range selection like in HSL Adjustment, but also with similar tone selection for shadows, midtones and highlights? It could offer a choice whether you want to adjust the selection in HSL, HSV, Lab, CMYK or RGB. Wouldn't such a tool be more straight forward than variety of different tools for the same purpose, that can only be applied one on top of another, distorting the input color for every next one? Think of it: HSL, Selective Color, Color Balance, Split Toning and Shadows / Highlights are all essentially selective color tools, but for some reason each of them lacks some functionality that others offer. I understand that they are important to make transition from Photoshop easier, but Photoshop is a very old software with legacy of limitations and concepts changing over time. Affinity Photo, being a new application designed from scratch, can be more streamlined and logical, while also supporting older Photoshop approaches for those who need them. Why can't we have one adjustment layer where all the tuning based on hue and luminance can be made in one place using same consistent logic? If you care about a possibility to separate adjustments into steps, you could just apply this tool several times, and each instance would adjust different things, but using same simple idea. P.S.: speaking of HSL, I think it should use Lightness slider instead of Luminosity, because Lightness is what L stands for in HSL.
  25. Hi, So my cat walked on my keyboard, and now I can only go for a black grey or white color. Can someone help me to get the colors back ? thank
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