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  1. Dipping my toes into the muddy water of cloth shading, with lot of dodging, burning and smudging... Imagine a male in casual clothes and bright sunlight, lifting his arms for some unknown reason.
  2. This is a super annoying issue I already reported several times since AP V 1.x and it is still not solved in 2.0.4. Watch the video.
  3. So my good buddy calls me says I need a CD/album cover in like a few days. Apparently, as we artists are the last to learn there's been all sorts of contemplations that the designer is only privy to after significant procrastination. Then come to find out that a late night decision the release is to be under their newly independent label. This has no effect on my process. I've done many graphics for the band, and even played in a side band or two with em. So yes, of course I'm in. The title track is a Burt Bacharach cover, so the idea was to make the 'album' cover appear as a dusted out 70's LP, replete with the 'I've been sitting in Mom's basement' look. Here's the final. This is the first time I've used Affinity Suite exclusively for a project like this. Just wanted to share. The suite works well, glad to do a full project with it. Thanks.
  4. Bug in every app: Scrolling with mousewheel inside navigator does not respect position of the mouse inside navigator panel view, but it is using position of the mouse of the whole affinity publisher application. It should work either like manual zoom input > zooming in/out centered on actual view or zooming based on mouse location inside navigator panel.
  5. In the Assistant window is a overlap of the UI elements which disturbs the functionality, see attached screenshot from my iPad 8.
  6. I'm always amazed how much plasticity a simple Lighting filter can add to an otherwise rather flat image. I used the Paint Mixer Brush quite extensively, painting over a stock photo of a lily with a coarse bristle brush and adding some layer effects. This was just for fun and to unwind, nothing serious. 😌 I thought I'd share it anyway, maybe it inspires someone to try something similar. 😊 Cheers!
  7. I was delighted with how well AP v2 dealt with this image of Caravaggio's 'The Seven Works of Mercy' shot in the church of Pio Monte della Misericordia, Naples in 2005. The camera was a Canon PowerShot G3 that produced a CRW Raw file of just 3.9MB. I though that some members of the forum would be interested to see. The comparison image is a jpeg and I have included a tiff version of the edited file. Most of the editing was done directly in AP, with noise reduction courtesy of the Topaz photo AI plug in and some geometry correction on DxO PL6.5 (the Raw conversion was not possible in PL6 because the PowerShot G3 is not supported by the software. CRW_2052_DxO.tiff
  8. The final pictures have brick-like flaky holes within holes it after exporting. The export preview has the same. How can I fix this?
  9. Can anyone help here? I opened a file from psd with a mockup inside, but when opened the view of the mockup is messy. Any suggestions on what should I do?
  10. Trying out building some flip book text effect in APh v1, though it would be overall better to have some reusable macro/script for creating such text effect tasks. Also undoubtly it would be overall better to do the whole with plain vectors instead of pixels here. - BTW it's also one of those things where one is then sadly missing some blend tool for creating intermediate steps. For text not all letters/characters and fonts work & look well here, so using capitalized words in some heavy font is mostly recommended, as far as chars like an "J" or "L" aren't used, as those (as can be seen below) would produce unsightly effect gaps ...
  11. Hello, I have Affinity photo 1 in a IPad pro, It was working perfect but now I have a problem with affinity photo files or exportationes made from this program. They don´t be upload to I Cloud. I need the files on I Cloud to continue working in Mac. I can see the file in my IPad but they aren not upload to the I Cloud. the uloading are freeze . I wait for a long time, updating the Ipad, I reset my I pad, I save the files again but nothing. The files don´t upload to I cloud. It isn´t working. What can I fix this? I need it
  12. The face of a girl where a fairly large part of her skin is gone and you see the skull. Not realistic, there's no muscle tissue or blood or brain or anything but a skull might not be everybody's cup of tea. https://postimg.cc/BLRn1gcG
  13. Hey there, I am currently running into the problem of recording an affine transformation with changeable values in the negative range into a macro. It is possible to set negative values during recording and at any given time. However, if you change the recorded value, for example from the originally recorded -1% to -5%, it does not take. The originally recorded negative value is displayed as such, but as soon as you insert another negative value, it simply converts to 0 and the transformation therefore resets. Below is a test macro with a negative transformation. Please try to set the value to -20 (or any other negative value) while playing it. Try the same outside the macro using Filters → Distort → Affine. Is there a way to make this work? Am I using the filter incorrectly? Is there a better way to wrap this into a macro? Thanks!
  14. So I'm just trying to find an easy way to take a grayscale image and put it into one of the RGB channels of a different document. I figured out a method but it takes many steps for each channel and I'm assuming there is a much easier way that I'm missing. I was hoping that I could simply copy a grayscale image; go to a specific RGB channel and paste it into that channel but that just creates a whole new pixel layer. Any suggestions are appreciated! Cheers!
  15. Hi, this Affinity Photo tutorial is all about enhancing the sky. The subject is complex because there are different types of sky. Pale blue, completely overcast or bulky clouds. So I show 8 ways to improve skies using 3 different photos. I wish you fun and inspiration. Ciao Jack
  16. Hi everybody, I've been using Affinity Photo for years but v1 has two huge problems with Macro: - I can't use it to resize images with different sizes to a particular size: for example. I have 2 images, one is 400x300 and 72dpi, the second is 600x600 and 144dpi. I want that macro (such as Photoshop's actions do) resizes both the images to 300b (the height changes consequentially and automatically) and 72dpi. To better understand, for a magazine, I have to work tens of images of different sizes and dpi to images of 10cm and 300dpi. Not just one, but 2/300 hundreds... - I can't use it to export the image. With v1 these actions are not possible (with Photoshop's actions these are normal) and it's a problem for my work. Do you know if there are possible with v2? Thank you! Daniele
  17. Hi Guys, Just wanted to know is this possible in Affinity Photo ? So I have a bunch of Photos which are taken in the Sun and with glasses on, so the Glare and Reflection on the Glass is spoiling the show. It is one hell of a Tedious Task to remove the reflection and glare from the glasses from one photo, let alone other hundreds of Pictures that I have. is it possible that,using the In-Painting Brush and Clone Brush Tool the changes that I have made by adding a new empty pixel layer in the project can that be saved and then can be applied directly applied to other photos as an adjustment. is such a thing possible ? If not, please advise on on what be the other quick time saving and best option in this ? Thanks
  18. Today I used linked images (other aphoto files) for the first time in Affinity Photo 2, and I noticed that the linked files are displayed (and also exported!) in a very low resolution. The part on the left of the red line is an linked aphoto image which is actually scaled down in the current document (right side), and one immediately sees the pixelated structure. I'd be somewhat fine if the exported version (in this example: JPEG 100% quality, no resize) would look good, but take a look at this: One clearly can see the blurred and even pixelated-and-then-bilinear-filtered nature of the linked file; it's also missing all its grain. When I use the Resource Manager to change the linked file to an embedded one, however, the result immediately (well, that is wrong - after a zoom operation of the viewport) looks nice: Exporting the file doesn't change anything here, it's also all good. Now I'd understand that for performance reasons Affinity might decide to display a reduced-resolution image when I work with the file, but when rasterizing the layer, or even exporting I expect the software to use the actual full resolution of the resources. (And an option to switch to high quality linked files would also be nice...) Any help would be appreciated, thanks, Markus
  19. I am currently a V1 user of Publisher and my 30-day trial expired for V2 suite of Affinity apps after the month of release date. Unless I overlooked or missed something, has there been an addition of customization for output (exported) files? It has been a longtime pet-peeve of mine that I absolutely abhor underscores (_) in filenames and usernames on the internet. Normally an underscore is used in the Affinity suite of apps for preexisting string names in the file nomenclature to prevent unwanted overriding. Is output naming customization a planned feature or internally discussed topic to be included in a later point-release update of V2?
  20. I have drawn some black lines, on a separate layer, but have now decided the lines need to be a different color. They took me quite awhile to get exactly how I wanted them, so I really don't want to try to redraw them; especially since I would like to have two versions of the lines, and that would require redrawing them absolutely perfectly(not possible for me) twice. I need to retain the feathering, so the flood fill won't work, since it makes them look thicker and chunky. I followed the instructions for the Color Replacement brush, but the only color that is changing is the very lightest of the feathered pixels along the edge of the line, but even they are not changing to the correct color, but a somewhat grayish hue of the replacement color I chose. I did see another discussion, when I searched the Color Replacement brush, about the color not changing correctly. That person finally resolved his problem by using "Protect Alpha", but I can't find "Protect Alpha" in my program. I did try changing the color using an adjustment layer and recoloring it, but I can't get the color I want.
  21. Only a standard mask is working, no compound mask selectable anymore. PS: In menu all options available only the mask icon shows the failure ... Bildschirmaufnahme 2023-04-11 um 09.52.10.mov
  22. Hi, in this Affinity Photo tutorial I show many small steps how to enhance each color individually. Ciao Jack
  23. Currently to create a new document using the contents of the clipboard, one has to press CTRL+Alt+Shift+N. While this shortcut is functional, it is quite long and can be cumbersome to use. Additionally changing this shortcut may result in overriding another important function. I would like to propose a more convenient method for creating new documents from the clipboard. I suggest that when no documents are currently active, pressing CTRL+V should directly create a new document using the clipboard contents. This would make the process more intuitive and easier to perform. Example Copy image to clipboard. Open Affinity Designer/Publisher/Photo. Press CTRL+V.
  24. Hi, I congratulate the work that has been done in afinity, I am a user since version 1, I like it a lot, in the last months I have been testing the use of the ipad version, and I have found a couple of things that I think could be improved, here I share some images. quick deselect button paste inside, front and back less clicks preview circle for gradient and transparency preference to turn off rename layers more quickly
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