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  1. I have an old press image taken in the 80s and it is best described as dot-formed black and white. I just want to know if there is any way that Affinity Photo can create a normal b&w photo from it?
  2. Is it possible to take multiple photos of a large vertical area (like a building elevation or a large mural)and stitch them together in Affinity photo to create one large image?
  3. I used some macros from James Ritson.
  4. Hey, I'm currently on the trial versions to try the Affinity programs and I consider buying the programs, but there's one thing I can't solve and it's the Masking. When i try to paint with the Black color to hide parts of the image the result i get is some sort of greyish color and the mask is not compleatly transparent. I've watched several tutorials and none of them helped me, so I decided to ask the community. The White color seems to work just fine, but the Black turns to Grey color and i don't know why... Probably it will be simple fix but i dont know how to solve it. Thanks, Filip
  5. I did this in 2016 just after Affinity photo was released. the original was taken on my wife's iPhone on a damp and dismal day. I was rather pleased to see how it finally turned out. Program goes from strength to strength.
  6. Can someone please help me with how to disable the Mesh in Liquify Persona on the iPad ?
  7. Another try at drawing in Photo in the iPad and I think it's going better. Thanks to the staff I was able to get the blur brush working again and though subtle is did help with some blending issues. This is definitely a case where not good photo can make a much more interesting illustration. Isolating the marcher form everyone else made for a much better composition.
  8. Do I make wrong way, or really cant handle Photoshop artboards any affinity product in 2023??? When I open a very simpe PSD file (it has 5 artobard and one-one image in it) only put the 5 images one huge artobard. Photo and Designer too.
  9. I have V2 and just realized that there are no typefaces installed. I read on the forums that there is a Publication Typeface Collection. I'm looking for something like what I get in MS Word. I assume this is waht I want. How do I get the Publication Typeface Collection?
  10. Schönes aus Samen Schönheit aus Samen Damit ich auch mal zeige was ich so statt habe Damit ich euch zeigen kann, was ich mache Alles eigene Arbeit, selbst fotografiert und auch in AF Photo erstellt! All own work, photographed and also created in AF Photo!
  11. I played just a little bit with the picture.
  12. Who's in dribbble so i can follow you? My accounts: https://www.instagram.com/heavyblazenight/ https://dribbble.com/heavyblazenight https://www.behance.net/heavyblazenight
  13. I cannot figure this out? When I right click or CMD click on the mask on the Procedural Texture layer, I can only delete the entire filter/layer or refine the mask. How to do I delete the mask? I tried dragged it off and away from the filter layer.
  14. The slices to export are 1500 x 1875. The exported jpgs result in 750 x 938. I have no clue why. Is there a hidden setting somewhere or is it a bug? For your convenience, I attached the .afphoto Version 2.1.1 for Mac Eine Band-L1010100-20230815-172257-Insta-C.afphoto
  15. I would like to have the Local Contrast from the tonal value persona as a live filter in the Photo persona. The transition into the tonal value persona breaks the nondestructive workflow.
  16. Is it possible for a bitmap to follow a path? For example, I have a vector of a 2D string and I need a repeat logo to follow it as a path. I'm not sure how I can do this without manually editing the perspective of each logo, which I don't have time for. I'm really hoping this is can be done via bitmaps, but any suggestion is welcome!
  17. Hey everyone, I'm in the middle of a project and I've hit a snag. I'm trying to remove the background from a person's image. For the smooth parts of the silhouette, like the general body and clothes, I'm using vector shapes, and for the more intricate details like strands of hair, I'm using pixel-based masks. (That's how I've always done it.) I thought I could use the compound mask option to combine these two masking techniques into one neat mask. However, that doesn't seem to be possible right now. I want the vector shape to stay vector at all costs for better editability. In the past, for projects like this, I've rasterized the vector shape as the last step, but I'd like to avoid that now. I thought the compound mask would be the perfect option for the task. Has anyone else come across this issue? (Sorry if I missed the thread; if there's one, feel free to point me in that direction.) Maybe this is something that the devs are already working on? I'd love to hear your thoughts or any solutions you might have! Cheers! Dennis *I've attached the masks as a file for testing purposes. Masks.afphoto
  18. Just playing with the perspective option.
  19. Hello, I would like to test the plugins from Retouch4me (retouch4.me). The plugins are designed for Photoshop. I have installed the software but not sure how I can active the plugin in Affinity Photo. Any idea ? Thanks Philippe
  20. I have tried the next step to completing my composite image by trying to hide the original stuffed animal from the original image. Here is what I have with just taking the original image, and used the inpainting of the fill option in the Edit Menu Then I masked in what parts I wanted visible.
  21. Hey im wondering why it isn't possible to include the following features in Macro: Record Layer ordering/movement Apply a Tonemapping Persona Preset Is this a hard thing for developers to include? Thanks Phil
  22. Hey, recently I transferred to a new workflow that includes using a different Display Transform (AgX) for my images. Since AgX is compatible with OpenColorIO, I tried setting a destination for an .ocio profile (in the Colour preferences settings) both in Photo and Designer, then restarted the programs to apply the new settings, but **nothing seemed to change**. Later, I tried to do the same with Filmic's ocio, ACES' ocio, different ocio configs (v1.0 & v2.0)... No luck, still no change, all ocio setting are still greyed out. To be more specific, both the OCIO Adjustment layer and the 32-bit Preview windows have all the associated settings greyed out (shown in screenshots), as if there was no ocio config set. I looked around forums looking for a solution, but after hours of research, I have not found a solution, nor haven't encountered someone else having this specific issue. (This is the exact config I am trying to import: https://github.com/sobotka/AgX-S2O3) Any ideas where could be the problem? Thank you!
  23. Chessington Surrey UK this morning. Samsung Galaxy S21 Ultra. f1.8, 1/122, ISO 50. Just played around with a bit adjusting the intensity of the clouds in APver2
  24. 22 minutes total from 4 and 6 second exposures Loosely followed processing method from https://www.youtube.com/@AstroFarsography titled "Astrophotography Editing Tutorial With Affinity Photo" exported and processed with "AstroSharp by Deep Sky Detail" (AI shrpining) opened in Afffinity Photo for another curve adjustment and also applied "Shadow Stretch" and 60% "Enhance Structure" from James Ritson's "JR - Astrophotography V15 (16-bit)" free macro package. bortle 6, fair seeing equipment: C8 > IRc ut > Ds10c/imx294 Exos II PMC-8 mount
  25. Pictures were taken by phone. Duplicated layer, added Screen or Multiply blend, adjusted opacity between 25 and 80%, then added Enhance Red, Enhance Yellow, Subtle Enhance Blue/ Yellow macros by James Ritson, adjusted opacity between 40 and 70%. Location is Groot Ammers Gelkens, Wilenweg, Sat 5th August, 6 ; 30 am
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