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🇬🇧 Style exercise: I have had this watch for several years and I wanted to do an illustration of it. So, macro photographs, documentary research with the PDF file of the manufacturer's user manual, visuals gleaned from the web, dimensions taken directly from the watch (difficult and ineffective in the end), search for typographies (Eurostyle essentially)... I capitalized my time by focusing on the construction of the dial, hoping that the observer would not see the less “realistic” and refined parts: I did not want to spend too many hours on this project, so I adopted a production-optimization strategy (and also on the optical confusion caused by reflections on chrome surfaces…). So I took care of the construction, the symmetries, the few textures, the elimination of right angles (which do not exist in real reality) and the coherence of the lighting. I neglected the exterior of the dial. The leather is a hack based on several compiled and rasterized visuals. Note: I noticed slowdowns in the display of the illustration with the use of Live Filters Addition of grain and Blur (AD v2.4 - Mac Mini M1 16 GB - BenQ PD2700U 4K in HDMI). 🇫🇷 Exercice de style : je possède cette montre depuis quelques années et je voulais en faire une illustration. Donc, photographies en macro, recherche documentaire avec le fichier PDF de la notice d'utilisateur du constructeur, visuels glanés sur le web, prises de dimensions directement sur la montre (difficile et inefficace au final) recherche des typographies (Eurostyle essentiellement)… J'ai capitalisé mon temps en me focalisant sur la construction du cadran en espérant que l'observateur ne voit pas les parties moins “réalistes” et affinées : je ne voulais pas passer trop d'heures sur ce projet, donc j'ai adopté une stratégie de production-optimisation (et aussi sur la confusion optique que procure les reflets sur des surfaces chromées…). J'ai donc soigné la construction, les symétries, les quelques textures, la suppression des angles droits (qui n'existent pas dans la réalité vraie) et la cohérence de l'éclairage. J'ai négligé l'extérieur du cadran. Le cuir est une bidouille en partant de plusieurs visuels compilés et rastérisés. Nota : j'ai noté des ralentissements sur l'affichage de l'illustration avec l'utilisation des Live Filters Ajout de grain et Flou (AD v2.4 - Mac Mini M1 16 Go - BenQ PD2700U 4K en HDMI).

Hi: Mac Retina 4K, 21.5-inch, 2017 (Intel) Processor: 3.6 GHz Quad-Core Intel Core i7 Graphics: Radeon Pro 560 4 GB macOS: Ventura 13.6.5 Hardware acceleration: On Metal US - English Publisher 2 2.4.0 Designer 2 2.4.0 Photo 2 2.4.0 Problem App launch causes bouncing icons in dock and slow opening (hanging). From the console log error 09:46:04.962502-0400 taskgated-helper com.seriflabs.affinitydesigner2: Unsatisfied entitlements: com.apple.security.application-groups error 09:46:04.962532-0400 taskgated-helper Disallowing: com.seriflabs.affinitydesigner2 What Application are you using? [Designer/Photo/Publisher] This problem affects all apps but I am reporting it when opening Designer 2 since the attached logs are from Designer 2. Are you using the latest release version? See above Can you reproduce it? Yes, but it is totally random and intermittent. Does it happen for a new document? Not related to documents or new documents. If you cannot provide a sample document then please give an accurate description of the problem for example it should include most of the following: So today after booting the computer I opened Publisher 2 which caused the icons to bounce and app to hang. I then opened the console and started streaming messages. With the console logging, I opened Designer 2 which also caused the icons to bounce and app to hang. The console log included error messages being caused by Designer 2 at the 09:46:04.962502-0400 and 09:46:04.962532-0400 timestamp as shown above. The console log also contains other messages related to Designer 2. It would appear that these errors are causing the bouncing icon and slow opening (hanging). For comparison, I again used the console to log Designer 2 being opened normally. The Console 2 All.txt file contains these messages. Hope these logs can assist in resolving this problem since it is a major nuisance on some days. The attached console zip file contains the console log output in text files. Console All.txt is the complete output from the console when Designer 2 had a problem. Console Error.txt is the error messages only from the console when Designer 2 had a problem. Console Activities.txt is activities from the console when Designer 2 had a problem. Console 2 All.txt is is the complete output from the console when Designer 2 opened normally. Regards, Maury Console.zip

The Wall Affinity Designer | 1840 x 800mm 300dpi | Mixed raster and vector but mostly vector! Used Untamed: 'Planetary Toolkit' of for the Sky

Hi all, I thought I'd give myself a quick project to explore Affinity's Shape tools and make a series of images. I've made some fish like creatures, but other themes could easily used, like monsters, faces etc. I was thinking this idea could help new users learn about the Shape tools and generally have some creative fun. When I get a few spare moments, my intention is to further embellish each shape with colours, different fills, backgrounds, text etc Note: the bitmap fill is from The Shizzle Style and Brush Pack (Grizzle 1), the paper texture is from True Grit Texture Supply (Folio-Vellum) and additional line shading is from Artifex Forge's Vintage Engraved Patterns (Pattern 6). Yes, I have splashed out on the Spring Sale offers!

Learning the Affinity Designer Tools, I wanted to draw up a quick Superman sketch and ink/color in Affinity Designer. Pretty straightforward, draw, scan, pen tool, and color.

This design was created using Affinity Designer and Photo. Ehh the color and quality loss after uploading is painful and have had similar results on Pinterest. Anyway, Batman the Ride is one of the greatest coasters ever and had visited Six Flags over Texas and Great America last fall. There was no cool merch for the ride anywhere, so wanted to try and create something to do the ride justice. I created the outline using the pen tool in Designer with some vector fills to block in certain areas. I then imported the file into Affinity Photo and started coloring and adding detail with various brushes. I've had good results with the Nathan Brown brush packs. Thanks to Affinity for creating this great program, I will never go back to Adobe again. I WAS NOT commissioned by DC or Six flags to create this art.

Another video! When I lived on the Isle of Wight, we could hardly move without falling over a Morris Dancer. As a folksinger, I naturally met and made friends with a lot of dancers and musicians there. Some years ago, a lady name Helen Akitt wrote this funny song poking gentle fun at her Morris chums, a parody of the lovely song The Whitsun Dance, and I've been singing it ever since I discovered it. The assets in this still--the grass, trees and flowers--actually came from DrawPlus. I saved them as svg and imported them into AD. The unusual format with decorations down each side is because I made the 'pages' in A3 format with a view to printing them some time; YouTube resizes everything to 16:9, which would leave black bars at the sides. And now I'm going to have a rest . . .

🇬🇧 The current version (v2.4) of AD does not allow you to rename a selection of several layers: if you run the command, it is ONLY the first (at the top of the list in the Layers palette) which is renamed (?!). Too bad, it seems so obvious, this impossibility is very frustrating... but perhaps the extended function will be implemented in the future... In the case where you ONLY have curves to rename and you accept that after this manipulation they become only simple curves, select them all, launch the “Merge curves” command, rename the object of this merger , then run the “Separate curves” command. Each curve resulting from this last command will have the name given above. @GarryP: This is a workaround to rename multiple curve layers with the same properties under the same name. Disclaimer: This won't work with everything. 🇫🇷 La version actuelle (v2.4) d'AD ne permet pas de renommer une sélection de plusieurs calques : si l'on lance la commande, ce n'est QUE le premier (en haut de la liste dans la palette Calques) qui est renommé (?!). Dommage, cela paraît tellement évident, cette impossibilité est très frustrante… mais peut-être que la fonction étendue sera implémentée par la suite… Dans le cas où vous n'avez QUE des courbes à renommer et que vous acceptiez qu'elles deviennent après cette manip que de simples courbes, sélectionner-les toutes, lancer la commande “Fusionner les courbes”, renommez l'objet de cette fusion, puis lancer la commande “Séparer les courbes”. Chaque courbes résultant de cette dernière commande portera le nom donné plus haut. @GarryP : ceci est une Solution de contournement pour renommer plusieurs calques de courbes avec les mêmes propriétés sous le même nom ». Clause de non-responsabilité : cela ne fonctionnera pas avec tout.

🇬🇧 Hi, in 1970 Bob Moog and Bill Hemsath introduced the Mini Moog Model D, a sound revolutionary at the time and still today. Little tribute to this wonderful machine with these illustrations. I had to “slightly” modify the height proportions so that the whole thing fits in a 5120 x 2880 px format!… 🇫🇷 Bonjour, en 1970 Bob Moog et Bill Hemsath présentèrent le Mini Moog Modèle D, un son révolutionnaire à l'époque et encore aujourd'hui. Petit hommage à cette machine merveilleuse avec ces illustrations. J'ai dû “légèrement” modifier les proportions en hauteur afin que l'ensemble tienne dans un format 5120 x 2880 px !…

My latest picture quiz round. Tv set created in designer. 20 placeholders inside the TV image for the images. All images converted to B&W and a levels adjustment on the majority of images. I created masks to obliterate the backgrounds in the images to take away the fussy details. in APhoto. designed on an A4 will be enlarged to A3 one per team on the night. Comments on the creation and final (almost) presentation as always are welcome. have fun with identifying the faces. As always I look forward to @William Overington blistering observations which are 2nd to none

🇫🇷 Hi, below the three keyboards of the brand apple all in vector. Can be practical for tutorials with each independent key. The following typofaces were used: Avenir, SF Compact and SF Pro Display. These typofaces are free of rights. Screen prints are made with characters. To view the many characters (more than 5,000!…) of the SF Pro Display font, the Symbol SF (free) application is very practical, but the Codepoint utility (€9.99) is perhaps more effective with more than 70,000 items!… 🇫🇷 Bonjour, ce dessous les trois claviers de la marque pommée tout en vectoriel. Peut être pratique pour les tutoriels avec chaque touches indépendantes. Les typographies suivantes ont été utilisées : Avenir, SF Compact et SF Pro Display. Ces typos sont libres de droits. Les sérigraphies sont faites avec des caractères. Pour visualiser les très nombreux caractères (plus de 5.000 !…) de la police SF Pro Display, l'application Symbol SF (gratuite) est très pratique, mais l'utilitaire Codepoint (9,99 €) est peut-être plus efficace avec plus de 70.000 items !… MAGIC KEYBOARDS Apple.zip

I have created a phone mockup, and placed it into my file. I now want multiple duplicates of my mockup in my file, but change them up a little. Is there a way to duplicated this embedded file without all duplicates referring to the same embedded file? I cannot unembed it because I use it to replace the screen of the mockup. I cannot place it again because I made changes to the mockup for it to better fit in the context of my file. How can I duplicate it without it pointing to the same "embedded file"? Many thanks in advance!

I did a bunch of edits on dozens of layers, which I then exported as a pdf and also individual images through export persona. During the process, I also made a copy of the affinity file, then continued editing, saved the original project (File > Save), then opened the forked one, edited that, saved it (I was saving the project several times in between my edits, via menu.) Today I wanted to continue working on it, but all my yesterdays edits are gone. I cannot imagine how that could happen, as the time of the files having been modified is the late night time from yesterday, the time after I made those edits. How could they all disappear from both affinity files? I believe that the last edits disappeared only after I finally closed Affinity Designer app, because I switched between the two projects I worked on a few times - I saved one, closed it, opened the other, and the edits were indeed there. They however disappeared - all and on both projects - over night, that is, after I closed the app, apparently. Steps I took: I opened previously saved affinity project A I did some edits on it and saved it by going to the menu > File > Save project I made its copy in Finder under the name B I continued editing project A I exported its layers into a pdf I closed A and opened project B I made some edits, exported the layers to individual png images and saved the project I closed Affinity (there was no warning about unsaved edits, I made sure I saved the project before closing it) This morning I open A and it looks exactly as I left it BEFORE yesterday's edits - all I did yesterday is lost. Same for project B. System: macOS Ventura 13.6.4 RAM 16 GB Processor 3,1 GHz Dual-Core Intel Core i5 Affinity Designer 2.4.0

Saw this from a video from the affinity YouTube channel and wanted to know how this was done, since had asked and someone told me it was brushes maybe but they weren't 100% sure. So I wanted to know if someone knows how to do so and if you could show a small tutorial if possible since I wanted to test this on a project in affinity designer v2 and in affinity photo. Hopefully I put this in the area of the forums to ask for help.

Hi everyone, I recorded this quick tutorial on how to draw the Celtic Knot in Affinity Designer. I hope you guys find it interesting.

I was going to say that I am fairly new to the Affinity Suite but thinking back, I guess that I started in 2019. I have used all three extensively since I found them. I am another one who moved away from Adobe after many years, which I started when it was creative suite 3 and I upgraded and subscribed all the way along. I use Affinity just for fun now, since I have retired, but I still find much joy in being creative. I typically use Affinity to create images and whatnot for use in my 3D projects, as image wraps, and the like. I'll share two projects that share some assets. The first is my sardine can. I created this after I spent time drawing a clip art fish as a challenge to myself. I did borrow two assets from Pixaby - the tomatoes and the sailing ship. The second is my three fishes pub sign, also created in Affinity Designer. I sure am glad that I happened across the Affinity products. BTW, I am just posting to share my work and sort of introduce myself. I am not looking for critiques.

we are a company from Sri Lanka doing designing and developing. I'm personally loving affinity because of the how simple and easy to use this is my latest work check out

I want the Space Bar to invoke the Move Tool and to never invoke the Colour Picker, how to I disable the Colour Picker from appearing when I am using Space Bar to move? I have tried to search the settings and keybinds but Colour Picker is set to the key "i" for India and I am unable to find other setting related to this. Problem: I am experiencing an annoying bug or feature (I am not sure which) where when I use the Space Bar to use the Move Tool it sometimes brings up the Colour Picker instead. This is unpredictable, seemingly random, and totally disrupts my workflow, sometimes inadvertently causing me to change colours. As you might imagine, this can cause major problems on a complex design if the mistake is not caught. EDIT - FIXED: Error was caused by Alt key mousedrag, which is an alternate Colour Picker shortcut that I was accidentally catching on this particular keyboard.

I create most of the Quizzes for my local bowls club and I always l try to make the half time break quiz a bit different. Most of the time I just hash a picture quiz together with no shape of form but I thought of this design for the latest picture quiz. the 16 Box layout and numbers created in Designer. The rest of the work in Photo. I usually just pick images at random but sometimes with a theme. This one has a theme which once guessed makes the quiz even easier.

A5 flier, all done in Designer and Photo apart from the 5 star logo and Chef along with Gary's image. Colour laser printed (20 A5's for double sided Perspex table flier holders)(3 A4's for notice boards) (1 A5 emailed as an attachment to the membership)

Hi have a couple of issues around my workflow for creating repeating patterns. For this I need to align objects to specific points or rotate translate objects around specific points. 1. For vector fill tool, is there any way to set the tolerance? I can't find any in the settings and even a tiny pixel level gap results in the tool refusing to fill the shapes. Yes I can workaround this by constructing lines that go beyond and overlap but that will also mess up the repeating pattern.. 2. For snapping, is there any setting where I can limit myself to snapping to only the nodes? i.e I want to snap one line to the end of another line, but with 'Snap to object' enabled, I could snap to the line itself (which is great in some cases) rather than the end point. Is there a toggle available where I can only snap to node/vertex? 3. My eyesight is not great as used to be, is there any settings where I can change the colours or the thickness of the helper lines that appear when I click and drag to align objects? This is the setting I am using for snapping

Currently when resizing a selection, the selection resamples the nearest neighbor outside the selection. The result is that a resized image that has edged that have been feathered or blended into a gradient due to the algorithm used to resample when stretching the image. I'd like to suggest that the move tool gains an option to select the type of sampling algorithm used, with one option be none, to permit the creation of variegated flood filled rectangle based upon selection without the feathering/blending effect or utilizing a different sampling algorithm. This feature would be applicable to Photo or Design where pixel selections can be selected and transformed. The need for this feature goes as far back as early V1 days - I've found numerous reports of this problem with no suitable solution implemented.

I made this for a french festival using mix of vector & pixels with few time to do it. (Using affinity suite since V1, I will never come back to Adobe suite. Evreything is quicker, easier and fits my needs perfectly : focusing on creativity and not struggling and wasting time to make things work as it should.)

I like jaguars, they appear in my dreams. This is a work in progress. 100% vector, no pixels, no vector brushes (which aren't vectors). Most recent stage on top, vector outline view in the middle and jaguar in a virtual 3D frame at the bottom. After this, I will add hair texture with my Huion 620 Pro drawing tablet (not looking forward to that), which will make the vector outline of objects / layers difficult to distinguish. In my portfolio blog the various stages are included - https://communicats.blogspot.com/2024/03/vector-painting-of-jaguar.html In the bottom section of this blog entry you will also find tips on how to make working in drawings that contain a plethora of objects / layers less difficult and time consuming.

Hello designers, In this video i start from scratch using a pencil and pen, then take a photo of it and import it into affinity designer so we can make a vector version. You will learn how to trace an image with the pen tool and then create a background from all of the outlines and much much more. https://youtu.be/EYsoWbceM4w