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I feel a litte frustrated with the transparency support - or I am holding it wrong. I have an object with a drop shadow. I now remove the object with shadow through inpainting on a duplicate layer. Now I have: 1. one image with the object and shadow on the background 2. and one being just the background. Now I want the difference between the two images (or rather their luminosity) as transparency - as that should give me the drop shadow as transparency. I don't see how I could do this. Or is there another way? It seems like working on transparency isn't quite as straight forward. Any pointers?

I have done some thinking about what direction Affinity is heading relative to the competition. Adobe has been making a lot of strides, specifically with AI powered features. Even if Affinity 2.0 is a very good update, and 2.1 added some good improvements, I still feel that the general perception is that Affinity is stalling a bit. Serif took up a huge task for a small company putting out a very nice integrated suite of programs at a very good price. They took the fight to competition with 3 programs that could replace mre well known industry standard programs, at least to a high degree. By being so affordable, they provided a good entry point for small businesses, freelancers and enthousiasts. I truly appreciate what Serif created in this respect. Providing these apps also on iPad was quite visionary as well. Then the v.2 offered a universal language for all apps at a very good price, making an offer very hard to ignore. However it is a very big task to keep 3 apps on 3 platforms up to date, provide regular updates and not lose the users to the competition. The competetion in this field has become much more severe than it was even 10 years ago and I think this is why Serif really needs to ask the question where to go next. In my vision there is only one way that makes sense: fully integrate the 3 apps in one program! Affinity has been about the integration of the various parts from the start, and this has been its unique selling point. Publisher was the cherry on the pie in this regard. With the Universal License, Affinity made it clear that you get the best result when all apps are installed. Let's not kid ourselves into believe any one of these 3 apps is the best in class in terms of features (best bang for a buck though). It's strength lies in how well the different parts work together. There are 3 apps now, and though I understand they are meant for different use cases, but in real life as a designer, these do not always make sense. Having to jump over from designer to photo to use a filter on an illustration, or from photo to designer to round the corner of a shape is annoying, and it seems arbitrary. Publisher led the way in providing all elements of the suite in 1 program (albeit in reduced form) and I feel this is the only logical way to develop the suite. Making 1 app instead of 3 saves resources and makes it less prone to comparisons to similar programs. The persona approach which was in designer from the start provides a good base, but I would argue that the user should be provided with more options to customize they layout to its preferences. This is an area where Affinity is lacking a lot. I see this as the biggest chance for Affinity to keep their own unique place in the market, but I look forward to other ideas.

is possiblity drag from assets directily to use image as fill in vector shape/bitmap brush drawn shape? applies Affinity Photo and Affinity Designer in computer. i bet i get it working earlier. i tested with 2.2.1.

Is possible use asset in fill layer if now? in Affinity Photo.

I use the suite mostly for game development and in that there's often times where something like a PNG needs to be opened, very quickly edited and then saved in-place over the top. The whole process can often last <10 seconds with Photoshop and basically 99% of image editing tools over the last 30+ years. With Affinity Photo, this extremely quick process is doubled in duration or more due to having to export the image rather than just being able to click save without ANY thought. Because this process is something that can happen 1000's or more times during the production of a game, this extra red-tape becomes annoying VERY quickly to the point that this simple thing can (and does) force us to use other tools. Has V2.x fixed this issue or is there a workflow change workaround? PS. Again I would like to stress this extra step DOES make a huge difference to workflow and causes issues even if to someone who's use case does not need to make these small but extremely frequent changes can't perceive it.

[Photo] Once the brush selection tool（选取画笔工具）[Shortcut key: W] is opened, it will not respond and then crash. The stability of Affinity Photo has been far inferior to Photoshop since a very early age, which is completely different from when I first realized the software on the iPad. Is it because I use a Mac with an Intel chip? 鹤上幼儿园种植文化墙.afdesign

"On the Edge" Just having some fun with Affinity Photo. 🤪

Hello! This was my first attempt at a completely digital 'painting', which I ended up using stop-motion animation to turn into a short video. The artwork was created in Affinity Photo using the NB Master Watercolor brush set. Fox is actually the name of our pet Cockeral and Isla is my daughter. It was originally part of a larger piece which included a full portrait of Isla, but in the end, I decided to spin it out into a standalone piece. The portrait is ongoing. A higher-resolution version of the work can be viewed on my website at www.msibley.com. Thanks for looking 😊 Foxy 720p.mp4

I don't know if the creator of the video already reported the bug or is going to report it soon, but I saw it and did the test, and yes, the selection marquee does not work as it should in AD2.2 (nor in AF 2.2 or AP 2.2). Thanks!

My own photo of Bran Castle, the alleged residence of Count Dracula, in Transylvania, taken in 2016, formed the basis for this image. It was covered with the texture dragonshield by D.Wuestenhagen (included in Affinity Photo 1) and the decoration was done with the great Halloween assets by user @v_kyr . The font is a free TrueType font called Ghastly Panic Font by Chad Savage http://www.sinisterfonts.com All edited in Affinity Photo 2.2.1. German Text: Mein eigenes Foto der Burg Bran, der angebliche Wohnsitz von Graf Dracula, in Transsylvanien, aufgenommen 2016, bildete die Grundlage für dieses Bild. Es wurde mit der Texture dragonshield von D.Wuestenhagen (Beigabe von Affinity Photo 1) überzogen und die Ausschmückung erfolgte mit den tollen Halloween Assets vom User @v_kyr. Der Font ist ein freier TrueType Font namens Ghastly Panic Font von Chad Savage http://www.sinisterfonts.com Alles in Affinity Photo 2.2.1 bearbeitet.

You see, I REALLY like the Color Chord feature. However it feels a bit inaccessible or that it has potential to be much more. What if we took the feature all together and made it its own panel? It could show a preview of the many color harmonies available from the currently selected color, as well as a live-preview that responds to us changing the color's hue. Could even take it a step further and maybe have a section that shows different light/saturated tones (like a Monochromatic or something of the likes option that would show it's respective tones to whatever color we want, selected or from a harmony). This would make designing a bit more dynamic if global colors generated from this feature could responded accordingly to the changes made to the original selected color (and not create a duplicate of the original color in the color palette which does become annoying).

The opactity changes when I click hold the Paintbucket tool in Affinity Photo 2.2.1, Windows 10.0.19045. If this is intentional, the changes are erratic, because the preview shows a change in fill opacity. Video 2023-10-27 13-37-12.mp4 Steps to reproduce 1. Create a new document 2. Add a pixel layer and make it white 3. Make a selection with a selection tool 4. Activate the Paintbucket tool, select another fill colour, click hold and drag the mouse sideways. 5. Notice the fill tolerance changing erratically and/ or the opacity in the Paintbucket tool changing.

An old habit from Photoshop, when I have a selection, I can move the selection with the selection tool active. When I want to move its contents, I either have to switch to the move tool or hold the shortcut for the move tool. But, it is easier to use a modifier key, such as Ctrl, because it isn't in use as of now. For reference, Shift constrains selection proportions and Alt removes from selections.

This one uses molded fragments drawing from at least half a dozen images, including the remains of torn-off posters from the plywood wall around a construction site and - believe it or not - a spider web,.

I've come up with a workflow that seems to work for me. I spend my mornings sketching abstract shapes. I draw them the old-school way with pencil and paper. I cut out the “good” ones and keep them in a folder for inspiration. I then take a digital picture of the one I want to work with and place it into Designer. After recreating the shape I start to see what I can come up with. I've posted the original sketch and the final product. I never know where these drawings are going to go, but that's what I like… the journey, and hopefully a decent destination.

This is the latest flier I have designed for our local Bowls club

I tried to develop a few shots with the Helios( manual) lens today. I noticed that I can no longer select a lens manually (in the Develop Persona). I have attached a short video. Affinity Photo 2.2.0.2005 MacOS Sonoma Bildschirmaufnahme 2023-10-02 um 17.54.49.mov

Developed in DxO PL7 and finish with Affinity Photo 2.2.1

Hey everyone! For some reason, every brush I'm using is set to »wet edges« when I select the eraser tool, and I can't find the option to disable it globally for this tool. I don't plan on setting each individual brush to »wet edges off,« as that's super impractical and bothersome. There's a dedicated button in the toolbar for the brush painting tool: But it's missing for the eraser tool, and according to its behaviour it must have turned on somehow at some point: Does anyone have any idea? Am I missing something? Greetings Dennis

How to crop an image on a selected layer - Affinity Photo v1.3.4? It seems the Crop Tool is a global function. How would I accurately crop an image in a selected layer?

affinity is crashing on me everytime i open the program and select allow… Something is happening!! I have to click on don’t to work on appfinity phonto 2.2 and now 2.2.1 I just update and it is still showing this window

Hello! I'm relatively new to this topic hence why I am looking for courses that can guide me through that, step by step. The problem is, that there aren't really helpful videos or Tutorials for designer or Photo like there are for Photoshop. I bought several courses, (all created, using PS or illustrator) and tried to follow along. But every time I'm failing because something is not working in photo/designer like it does on Photoshop or illustrator in the tutorials. That is just frustrating as you might know. Is there ANY good tutorial for drawing/painting digitally on Photo or designer ? It is important that it's the same software I use, because I have to know if something is just not working because it's functioning differently or if it's just me being stupid. Also there often brushes for newbies like me in one of those courses that sometimes do not work on Photo or designer. Thanks for your help! Damijan Ps. I worked on a few vector design projects like logos and magazines. So I'm not completely lost in the apps!

One selection later, with the output as a mask, then the color picker to match the background colour in the image for a rectangle under the image layer, then a white balance adjustment to get rid of almost all of that colour, then a levels adjustment to create a more defined image, then three pixel layers with varying opacity levels to provide some colour with some watercolour brushes, then a merge visible. Then off to a pastel plugin. Then back to Photo for another levels adjustment. Then a vibrance adjustment. The result: Morpeth Castle, "a Scheduled Ancient Monument and a Grade I listed building at Morpeth, Northumberland, England ... restored by the Landmark Trust and is now available as a holiday rental home." My source comes from the British Library, digitised image from page 82 of "The Local Historian's Table Book of remarkable occurrences, historical facts, traditions, legendary and descriptive ballads, connected with the Counties of Newcastle-upon-Tyne, Northumberland, and Durham.,," which is in the Public Domain.

Hey, ...and sorry if my post is duplicated, but I was unable to find on the forum the list of modifications and other changes made to this new version 2.2.1. So, where can we find the list of improvements and fixes for this new version?... Thanks. 😉

Color selection bug when selecting a color using controls with numeric text fields on Color Chooser. Turning OpenCl on and off has no effect. Win10 / Publisher/Designer/Photo V2 color chooser bug.mp4