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  1. Screech Just sharing the latest crazy drawing! based on Inktober:09 All vector reconstruction of sketch started in Sketchbook Pro 8.5 last year Completed in AD using just vectors Size = 200 x 200 mm (300dpi)
  2. Hi, I was trying to create a shape by overlapping a circle shape with another circle shape (the 2nd circle was only the stroke and with no fill) when I tried to crop (subtract) the first circle with the 2nd circle the program cut the shape as if there 2nd circle had a fill and ignoring it was only the stroke (see attached). I had to convert the circle in to a donut to perform this. Thanks
  3. Hi, any plans to create a plugin to interact with Sketch? Thanks Paty
  4. I'm new to Designer and I'm probably not the best GD in this forum by a long shot, but I just wanted to share my first project in A.Designer because i'm really proud of myself!
  5. Hi, Quick question, I'm a newbie to the Affinity Designer Software. I want to create a text portrait (see image example below) but I am not seeing any tutorials on Youtube. Any tips? And can it be done on Designer or do I need to purchase Affinity Photo? Thanks!
  6. Hello to all— I just finished a Black Panther illustration, please let me know your thoughts. v/r ONSO
  7. I made this piece as a part of a presentation that I had to make recently to a potential client. It is based on a woodblock print by Kuniyoshi and the original name of the print is Princess Takiyasha summons a skeleton spectre to frighten Mitsukuni. I've never seen an original print of this that was in good shape and I thought it was a shame because it is a very nice print so I decided to make my own version (with a few changes here and there). I hope you enjoy. Hokusai
  8. Greyscale become multicoloured when printing from Affinity Designer. Obviously a conversion to/from color profiles happens inside Designer. How can I prevent this from happening? (This happens to all colours. It is just shown best with greyscale.) My printer expects data in the same colour profile as my AD files working profile. (ISO coated v2 (eci)) When exporting a PDF/X1a and printing with Adobe Acrobat everything is OK.
  9. Hi guys, I created a logo with Affinity Designer and then decided to improve it by adding some outer shadow effects to the layers and groups that are part of the logo. I exported the logo as svg file but when I uploaded it to my site the shadows were not displayed and on top of that part of it got blurred. I opened the svg file with Affinity Designer to check whether it was a problem related to my browser or not but it happened the same. Then I checked that by deselecting the outer shadow effects the problem disappeared. Do you guys know anything about it? Probably I am doing something wrong. I am relatively new on graphic design. Find attached some files for more information. Many thanks in advanced! logo-design.afdesign
  10. I love use Affinity suite in my work life and just try design concept for Affinity Trasition for motion graphic and tracking ... you can downlad open file i made it Affinity Suite.afdesign
  11. Das Auge habe ich in Affinity Designer erstellt. Um das Auge realistischer erscheinen zu lassen, habe ich es im Slider Revolution bearbeitet. Das Ergebnis kannst du auf meiner Webseite www.wobmann.com/auge anschauen.
  12. This is my second vector portrait. First I began creating the vector shapes in the face - eyes, eye brows, nose, mouth, shadows and hair (first image). The second image shows the various stages of building the vector shapes and a screenshot of the outline view. Third image shows how far I have progressed now; this was done by applying custom made brush strokes (I needed to create 10 so far and perhaps I will need more in the process). It is far from finished, but a more detailed update sequence can be seen in my portfolio blog: https://communicats.blogspot.nl/2018/03/marlon-brando-vector-portrait.html Also attached the afdesign-file so it becomes clear how the vector shapes were built for people that are interested. Building custom vector brushes is a trial and error process mostly, because AD does not have the dynamics settings of brushes like AP has, but fiddling with the options there are in AD, transparency, layer filters, with the direction of the nodes and pressure settings creates an almost similar effect. This portrait is more difficult to make than the previous one of Abe Lincoln, because Brando is younger in this photo and has less pronounced wrinkles in the face. I don't always stick to the facial features in the reference photo, because I want to enhance certain characteristics while decreasing the accent of others to try to bring out the essence of the person in the portrait. Marlon Brando vector portraitafdesign.afdesign
  13. Carbon filament bulb #madewithaffinitydesigner Keep on drawin' Norbert
  14. I know this has been repeatedly discussed in these forums but I have yet to find where there is an indication that the ability to edit and read metadata within the Affinity applications is coming in the near future -- I apologize if I've overlooked anything that addresses this but I'm a bit pressed for time on the matter. I work for an organization that tightly locks down what applications are allowed on our systems. We have approval for 16 Photo and 8 Designer licenses on our R&D network but I'm trying to get them approved for use with our much larger NMCI network so they are more widely available (i.e. I want to be able to use them at work instead of Illustrator and Photoshop). When discussing this with the person who administers software over in our graphic design group, I got this as part of their response: " It's been tough getting anyone to really try it though. ... Serif would have to add the metadata input and read capabilities before we could use it though. We're relying heavily on metadata searches to find files on the xsan." From what I've seen and heard over the years this capability is pretty much an expectation that is taken for granted among many graphics professionals so the response really didn't surprise me. I've forwarded them links to some of the related metadata topics in this forum that suggest workarounds but I hope that this capability is coming soon.
  15. Been playing with the texture paint brushes again...and sharing the result! Mostly Pixel Persona! Original size 300 x 300mm (300dpi)
  16. Hi. I am struggling in something that whenever I try to make something, I don't get to use the smartness of Affinity Designer. It doesn't show me the automated height, length and angle thing. Like in the below screenshot, I am trying make something with the pen tool but then affinity designer is not showing the right height I should make so that it matches the previously drawn side on the other half (or I say follow the symmetry). How do I make a symmetrical vectors? Screenshot: P.S.: I am trying to learn things and if you think there is some video which could help me out too (any tutorial)? Please care to share with me. Any help is always appreciated. Thanks.
  17. Hi, I'm trying to join two objects into one but i have a little bit free space between them. How can I resolve this trouble? Thank you!
  18. Hello! I designed a little scene in AD, and put everything on its own layer(as you would in AI when importing to AE): Each element is separated out, for example: To my knowledge, the current way to get separated layers into AE, is to use .PDF, which seems to work perfectly(also note that with "Karma" selected in AE, it highlights exactly what I want): However, which I convert the layer into Shape Layers using "Create Shape Layers from Vector Layer," the "Karma" text completely goes away and it adds vectors from I don't know where along with a grey background: Karma is no where to be found in the Shape Layers groups and it added layers from somewhere else. It appears that "Facts & Trivia" and those 5 images get put on every layer that I break apart. Any ideas what I'm doing wrong here?
  19. Bei meinen ersten Arbeiten in Affinity Designer habe ich die Logos der Swiss National League vektorisiert und einen 3D-Effekt verliehen. Die einzelnen Ebenen lassen sich leicht exportieren und zum Beispiel als Slider in Revolution Slieder einsetzen. Einige Beispiele findest du auf meiner Webseite www.wobmann.com Logo ZSC-Lions: http://www.wobmann.com/nl-logos/#jp-carousel-846 Parallax-Effekt: http://www.wobmann.com/zsc-lions/
  20. The robot who was once destroyed and sometime after re-animated by the evil will of technomancer. This guy is like a zombie but made of steel. Used new for me method of inking - vector brushes without any pressure sensitivity at all. You just create the shape you need and make a brush out of it. Having some brushes made in this manner results in nice and natural looking inks. The reason for using them is actually better predictability of strokes and much higher speed. The brush engine just does not spend time calculating size and opacity variability and you get much faster inks. For many inking tasks this is more than enough. Have you been using this method? How you feel about it?
  21. I have recently become aware of the ability to animate SVG (Affinity Designer) for the web. There are applications coming out that make it really easy, however, the file size is a serious problem if you intend to have your work in a web page as Affinity does not offer the reduction of file size. Here is a youtube video I made on 09/03/2018. It is impressive what one can achieve. This is a concept for a web homepage. If you look closely there is some really subtle animation. The balloon has a flame which gets turned on and off to make it rise, the balloon also changes size in that as it moves away into the air it gets smaller. The clouds in places are semi-transparent. Also, the sun has a haze around it which disperses as the sun bets higher in the sky. All these really subtle changes make for huge file sizes. One online SVG animator which is still in beta is svgator.com which is free but limited. I have included a file of a puppy wagging its tail and turning its head which I animated in svgator. Just drag the (1A 76 questioning puppy.svg) file onto a web browser and it will automatically play and is on infinite loop. You have to export the files as an SVG from Affinity Designer and then upload that file into the svgator system. The head, body and tail have to be different and separate files to be able to animate them: i.e. the head would be nested in affinity designer the body would be nested and so would the tail. Exported as SVG and then imported to your animator of choice and there are many out there some free. 1A 76 questioning puppy.svg
  22. Hello, designers. I was wondering if it could ease the process of exporting assets for an Android project. After delving into it, I wrote an article. Exporting assets for Android using Affinity Designer
  23. Created this from scratch in Affinity Designer. Zero pixels, all vector. Not finished yet, but progressing nicely. Used a lot of swatches, transparency, blurring on areas and custom vector brushes. This is my first attempt at a realistic vector portrait. Original drawing 40 x 50 cm. Progress sequence will be posted in my portfolio blog once completed.
  24. Messing around again... Not that anyone will be interested but I'm still posting it. I was wondering if you can draw something with just one object and its gradient fills. So these are just squares with a gradient fill then a fx colour overlay and a fx gradient overlay. The gradient overlays were conical with a blend mode of glow, the colour overlay was grey with blend mode of reflect. Then the main gradient was linear, normal, and that made the shape as depending on the colour it also varies the width. I tried the storm trooper a couple of times, still failed. So the the answer is you sort of can and if you spent more time perfecting the best way of doing it then they might look quite good.
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