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Found 148 results

  1. I don't seem be able to export eps files without problems anymore. I now have to manually expand lines and convert AD shapes to curves. I have to find these workarounds by trial and error. These eps file are being imported into Apple's Keynote. There are no gradients or special effects applied to this file. Just lines and shapes. 1. When I export the whole document it is transparent, the pistons and cylinder show but the bounding box is HUUUUGE and there are many selection problems with many eps files on a page 2. If I export without the background the cylinders and pistons do not show, the whole engine is black 3. I have attached the AD file and an image of the eps as all black. The black image is how apple sees it in the finder and how keynote imports it 4. Is there a resource that explains all these back room rules? I've never had any issues whatsoever with AI and exporting eps files and I am not a programmer so I do not understand all the under-the-hood programming rules on how software is supposed to work. Sorry but I am a graphic designer and not an engineer. TIA GM-Winton 16-278A V-16.afdesign
  2. Hello there, the picture says it all, I guess, but just for clarity: there seems to be a hard coded Mitre limit in the Contour tool and there are situations where it needs to be adjusted. These are plain vertices, no funky extra ones underneath, yet the obtuse corner is behaving as expected but the acute angle leaves no choice but to either alter the geometry or switch to Illustrator’s Offset tool, where it can be adjusted. Please make AD even greater, thanks! Best regards, Matt
  3. Hello, I can’t enter anything above 50 px in the radius input box. The only way to successfully achieve a higher value is to grab an object’s handle (be it corner, or side, doesn’t really matter) and drag it left to decrease the value and right to increase it. Unfortunately there’s no cursor on my screenshot but that’s how I did it. Immediately after increasing the value via the input it resets to 50. The same for moving the pop-up slider. cheers Matt
  4. Is there any way to lock the brush size when changing brushes? There have been a few instances recently where I've created a drawing using curves, or imported an SVG from Blender, and then wanted to apply a brush to the curve(s) retrospectively. Selecting a new brush sets the stroke width to that set in the brush settings. Doing this with a group overrides any difference in the stroke widths within the group. This is especially frustrating when experimenting with different brush styles as each selection then requires and adjustment of the stroke width to something acceptable. Invariably all the brush sizes are too large for the designs I'm working on. Am I doing this wrong or is this just the way it works?
  5. I was just wondering does AD and AP need to run on a specific resolution? My PC is running 1920x1080 165Hz in a repeating pattern using Symbols I get white lines in my project, but when I export the project the white lines disappear. How do I fix this, so I'm not freaked out thinking I messed something up in my project? Inside Affinity Designer I see this.
  6. Hi, I have create this illustration with both vector and pixel layers. I want to add a black / white outline to it. So far I tried to look for a way I could offset the path but I could not find anything. I also tried to united/add all items but that options is not even available.
  7. Hi, I have create this brush in Pixel persona using a square brush and adding a texture that I have created using symbols in vector personal. I could not add an SVG as texture so I added an PNG. The problem is that is looks very pix-elated. Looks really bad. I tried to make the texture bigger, smaller, played with zoom but it still looks bad. Do you have any idea what I should to to make it look batter?
  8. Hi! Please, teach me how to create lot of lines that emphasize the perspective of the bridge, as in the main illustration for version Affinity Designer 1.8 (marked in red in my picture). In the Welcome window, there is a sample file with this image and even a mention for a tutorial, but I did not find such a lesson. Get sample file in AD: Help→ Welcome→View Samples→(Page2) Sunset Bridge Marianna Orsho Large preview from this artice.
  9. I’m intentionally seeking to learn from some of my favorite artists by attempting to emulate aspects of their styles. This particular exercise in admiration is based on the flowing ribbons and gradients of @serdarduran’s work. Created solely on Affinity Designer for iPad with Apple Pencil (including the sketch, which is a first for me).
  10. Independent commercial fishermen have lost a huge chunk of their market due to lockdowns around the world. Support local fishermen; eat seafood. This piece was inspired by Zutto. Found her amazing work through Affinity's Spotlight blog. (Yes, I’ve been mulling over her bubbly style for quite a while now; The date on that blog post is January 2019 😅) It was a little challenging to translate the more liquid style to something with very symmetrical, defined structure. It probably would have worked better if I hadn't done a head-on view of the crab so that the legs were overlapping. Ah well. Onwards and upwards. Drawn on iPad Pro with Apple Pencil.
  11. I read the Affinity help section online, but sill didn't get it completely. It says: when selected, objects in the exported file have relative positions for maximum editability. If this option is off, object positions are fixed to create a file which is optimized for viewing. Does this mean if the option is unchecked object position can't be edited? I tested exporting to EPS and I'm still able to edit the object position no matter whether it's selected or not. I guess I'm missing something somewhere! Can someone please enlighten me?
  12. As I’m coming from Adobe Fireworks I’m sometimes still struggling with muscle memory (or memory in general). In FW it is simple to draw a rectangle marquee over an image, for example, and then copy and paste this selection into a new raster object, or, to drag a marquee, switch to the transform tool, and be able to transform that selection (e. g. stretch a part of the image) right there. How would something like this be done in AD? In AD, I’ve been able to extract part of an image with the workaround of duplicating the image, using the vector crop tool and rasterizing the result. But now, if I resize the object it is adding semi-transparency to the edges; in Fireworks I was also used to being able to resize/stretch such an object while keeping hard edges. What am I missing here? Or am I thinking this from the wrong side?
  13. During setting up and altering a FX Gradient overlay settings AD crashes under OSX El Capitan, see the supplied video for the taken steps ... screencast.mp4
  14. Hi, I know the question of importing Rhino created Ai files into AD has been asked a few times already. The main goal is: Importing a vector export format (eg: AI, DWG, DXF, etc) which contains all layer information into AD. (PDF alas does not meet this goal) I figure, since we're on Rhino 6.21 and AD 1.7.3, there might be some added support between these two. So has there been any improvements on this particular part? If not, has anyone had any success on importing DWG with layer information into AD? I noticed this format is not supported on AD, is there a reason why?
  15. Hello! I have had a few issues recently that seems to be performance related (serious lag and erratic behaviour of node tool and move tool) I have attached a video of a work session (sorry if it's long and tedious, it's a realistic snippet of how I, and probably many others, have to work) I don't know how to put subtitles on a video so I will put a list below with the issues I found. Now, I must say, as it have been pointed out multiple times a smooth and/or simplify option on path and nodes would be greatly appreciated. I know that I will receive comments on the fact that I should learn to be proficient with a pen tool before trying to smooth paths, because that what I have been reading a lot on these forum. I get that most people who answer here are "creators", but I suspect a lot of us Designer users are what we call "artworkers". Meaning we have to work on files given to us by others (who don't care if their files make sense or not - they don't give a crap, they couldn't be bothered, don't even try to talk to them ) The case I am presenting here is a 146 kb .eps file provided by the studio in charge of digitizing the assets from Schultz estate. They provide those files (take it or leave it) to those who buy the licensing rights. My work here is to smooth out the jagged lines, because the scan was probably done, digitized via livetrace (and converted to .eps) from a small/damaged/blurry line drawing. So if you have the patience to go through the video, you'll see that the file has 81 layers (which I tried to organise a bit prior to recording the video). You'll see that I really lack the availability to use a smooth tool or a simplify option. I tried to use the "smooth" function in the contextual menu, but it makes little difference to the end result. so the list of issues with the timecode are below: 0.06: trying to use the space key to pan the canvas, it's either slow or simply not working (it sometimes does) have to use the navigator instead 0.14: Same with using the zoom (Space bar + CTRL) 0.38: Trying to select a shape with the node tool (it sometimes works) end up using the layer panel (wading through 81 layers) 1.24: The node tool now has a mind of its own. At the particular moment I am not even touching the tablet with the pen. I am just hovering over the drawing after clicking the node and the node tool has now picked up the node and travels with it. I get the same behaviour with a mouse. (but who would use a mouse?). Again, I am not clicking, nor click/draging the node. I have to do a number of CTRL+Z to restore state. 3.10: Happens again. As I said, the original file is 810 KB. It's 146 kb when saved as an afdesigner file. Beyond the lag/performance issue, I would like to plea for artworkers workflow to be taken into account in the development of the software. When I do an inventory of all the features I'd like to add (select similar for example) I can see that these are features aimed at modifying shapes and paths as opposite as creating new ones. It seems to me that the project managers had "creators" in mind and not artworkers (simplifying here), meaning that if you are working on a generic .eps or .ai file created by someone else, it's infinitely easier do it in Adobe Illustrator (because those feautres exist in .ai), whereas I have no trouble using all the - very well - thought-out tools of Affinity designer if I want to create a design from scratch (I am someone who is naturally very neat with her layer stack, and I always name and group my layers, it's even a breeze if someone has to work on my files ). But if you decide that your software isn't aimed primarily at artworkers, then I think you're losing out (particularly given the price and licencing model, artworkers are AD natural customers. Apologies for the Sundays ramblings.... Hope everything makes sense... record_000001.avi
  16. Since the upgrade to version 1.7.1 one of my keyboard shortcuts isn’t working anymore; it shows a yellow triangle (that indicates to me that there is a conflict with another option) and the tooltip “move inside” when hovering over the field with the pointer. I have several problems now: It doesn’t tell/show me with which option it is conflicting, and there is no way to search for the option(s) where keyboard shortcuts are used. What does that cryptic message “move inside” mean? Nothing is happening when I click the field.
  17. Hello, I think I have a problem with the field panel. What I am trying to do is to insert some section name in the master page, so I am creating a new text frame at the bottom of the page, and open the field panel and double click on the "section name" area. Now the insert text cursor appear correctly, but when I double click on the section name nothing happens (no grey tone changes, no acknowledgment of my clicking) Note that I am able to insert a page number (see screenshot) via the text>insert>field>page number, but I can't insert a page number by using the panel.
  18. Hello, I am starting to re-learn Designer with the arrival of 1.7, and there are a few things that I didn't undertsand first time, with no improvement on understanding with the new version First one is a biggie: What on earth is OpencolorIO. Mind you, I don't work in animated movies and rarely handle LUTs (although it may happen). I checked the help files (didn't help), checked the OpenIO website (Very obscure language), and also this very forum (with a link in one thread refering to explanatory videos - link is broken on Vimeo) I am generally fairly familiar with colour management, but fail to get the concept of OpencolorIO... It's probably that they don't use the same jargon as I am. Can anyone either point me to simpler language references or maybe attempt at explaining themselves? (you can even use puppet socks if all fails ) Thanks so much in advance!
  19. Hello, As I gradually wade into the new features one by one, I noticed a few odd things. 1- I can get the point transform tool by pressing "F" but I can't see that particular tool as an icon in the tools panels. Also, is the point transform tool supposed to accept the power duplicate function? I tried, and it's not working. 2- When I try to use the transform node function (see screenshots) it seems I'm not able to see the transform box. I think I have deselected "hide box when dragging", just in case, but none of the transform handles are showing, and I can't use the transform panel either. It seems that I don't undestand how it works (the Help file id quite obscure) I have no doubts that I will fins a few other things I don't understand Thanks!
  20. In Affinity 1.6.7 and previous versions both the align and magnetic tools where in the top bar, now in 1.7 I cannot find it anywhere, I did find the align tool but sadly not as easily accessable as in the previous version where are my tools :( ?
  21. In Affinity Designer, how do you convert a vector brush stroke to a curve. Yes, the stroke itself is a curve, but with the brush applied it has texture (width, scratches, drop-outs, etc.) in the stroke. I'd like to take the "rendered" vector stroke and convert it to an outline curve (kind of like converting a text letter to a curve). How is this done?
  22. Hi, I recently switched from Adobe Illustrator to AD and so far loving it. However, I need to export a design/file with gradient letters for printing, vector quality. Thing is that if I export it with gradient, the result gets blurry and no longer vector. If I do not use gradient all goes well and its vector sharp. I suppose as a newby to AD I have some settings for export wrong. What can I do to export to pdf for professional print and keep the gradient and keep the vector quality please? Thanks, Annie
  23. I’m using Affinity Designer for iPad version 1.6.4.45, iPad Pro 2018 12.9, iOS 12.1.4. I use a mirrored symbol to create auto-symmetry when creating artwork. I want to copy the artwork from one file to another inside AD, but there is a documented bug - and it is not possible to copy symbols between files inside AD on iPad - app crashes every time. I was trying to get around this bug by exporting the file, containing the symbol, as PDF and reimporting it back to AD to convert all symbols, and be able to copy artwork between the files inside AD. But it seems there is another bug - if I do a PDF export of a file containing a symbol that has a nested curves (or nested layers), after I reimport the resulting PDF into AD, it looks OK, but if I go out of the file and open this file again the nested curve gets corrupted. See the attached images illustrating the problem. I can recreate this bug and this happens every time. Very frustrating. Is there a workaround in AD on iPad for copying symbols between files, and is there a workaround for PDF export bug? I need to be able to supply a source vector file of my artwork and thought that I will be able to do so with the PDF export. Thanks.
  24. Dear Affinity-Community, hopefully one of you knows something : My client needs a file (pdf) that requires some lines (strokes) to be RGB-red and have a width of exactly 0.001pt. This hairlines will later define the cutting lines for caoutchouc, so I guess some kind of laser cutting. When i set the stroke width to 0.001point it jumps to zero!?! What do I do? Any work-arounds or solutions? Thank you so much.
  25. I have some kind of zoom/redraw bug in both Affinity Designer 1.6.5.123 and Affinity Photo 1.6.5.123. In Designer, I can create a new document A4, 300ppi. Draw a rectangle shape filled with black, and stretch it in all directions so that it snaps to the document bounds. Now if I zoom in and out with the scroll wheel, at various zoom levels the rectangle appears as if it does not quite meet the document bounds on random edges. For example the top and left sides appear to have a 1 pixel gap and are white or show the transparancy grid beneath. If I change the zoom level the edges with the 'gap' will sometimes be on the bottom or right and back to top and left. I have tried toggleing snap and pixel alignment on/off but it makes no difference. Also when I dragged the edges of the rectangle to snap to the document bounds, the green//red lines appeared, indicating that it was snapping to the document edges. A very similar problem exists in Affinity Photo - this time with a new blank canvas, choose File > Place. Select a relatively high resolution photo and drop it in the middle of the canvas. Now drag the edges and snap them to the document bounds. When I zoom in and out the "1 pixel" white/transparant edge randomly appears on various edges of the canvas at various zoom levels. Even at 100%. It makes it difficult to know if there is actually a 'gap' or not. In the screenshot below (Designer) you should be able to see the white 1 pixel 'gap' i am talking about. In the one below that (Photo) you can see the transparancy grid along the top edge. If I zoom in the gap is not there, but might be on the left edge instead. I have tried turning off the graphics card as the default renderer in Preferences > Performance. The only other option is WARP but it has the same problem.
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