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  1. Maybe covered elsewhere in the dungeon of this forum? Are there plans do add plugin-support for Designer? I would love to see the plugin for my Mimaki CG-60SR III cutting plotter working with Designer.
  2. 1. Make a new CMYK document. 2. Import a PDF containing a gradient built with spot colours. Result: Gradient is converted to CMYK.
  3. The bug is still present in Publisher. Especially if you want to place images taken from smartphones which are shot portrait, they will be placed landscape. I assume, that Publisher reads first the EXIF data and if no EXIF data is present it computes the orientation from the dimension of the image. Other orientations than Top left seem to be not valid e.g. Right Top. Attached EXIF data from a smartphone image (SM-G930F).
  4. I just did some simple stuff to check how the new version performs: Created a new document Set up a new, simple master for a double spread: Header, footer, main text area Filled the main frame on page 1 with filler text. Added 2 pages Placed a few lines from a .TXT file on page 2 Placed a long text from another .TXT file below this Shift Right-Clicked on the arrow on page 3 for autoflow AP added new pages and showed the flowed text in the main area. Blank pages (no text visible) were added to the thumbnails on the left. AP then froze up completely
  5. 1. Create a symbol, do not rename it. 2. Drag the symbol into the layout. 3. Rename the symbol and drag it into the layout. Result: Now we have two symbols in the Layer panel, one with the orginal name, one with the changed name. Should not all instances of the symbol renamed as well?
  6. First of all I have all three applications installed. There is a placed image in Publisher, select it and hit the Edit Image button. What I want to do is clear: I want to edit the image. The Persona stays on Publisher instead of switching to Photo Persona. Another thing I want to repeat what I have said is, that when in Photo Persona the layers the images has (not being in edit mode), are not shown. And that is a pity. Simple example: There is an image with some coloured cables and some extra layers where the colour of cables is changed. How nice it would be to show / hide the layers in t
  7. After upgrading to Affinity Photo on Windows 10 laptop, the layer thumbnails no longer get updated. See image;
  8. Preliminary: This just a best practice if the workflow is totally controlled by you, means if you want to switch from Indesign to APublisher you should have a copy of Indesign and / or all the original images. I am talking here about cropped / trimmed / rotated images in the original layout. State-as-is Replace Image: Replacing the image could be quite easy, but often (in my case) when I want to replace an embedded image in the document with the original image the position, orientation or the clipping is wrong. Best practice Replace Image: If you want to ensure, that position, orient
  9. Maybe this is covered elsewhere and I am too stupid to find it, maybe I am doing something wrong or maybe this is a bug? 1. Place an image. 2. Add an Outer Shadow effect -> Multiply 25 25 10 0 315° C0M0Y0K100 not scaling with object (or scaling with object makes no difference). 3. Add this style from selection. 4. Add another image and apply the style from step 3 to it. Which values would you expect for the outer shadow for the image from step 4? Same as in step 2? This was my inital thought, but it is not. The values differ and in this case a Style panel makes no s
  10. I would not call it a bug and I guess there is a setting I forgot. Sometimes adding a soft hyphen makes an already autmatically hyphenated word act like I defined a No Break for this word. In the attached image (lower image) I would like to add a soft hyphen inside the word Luftschlitze right after the t (I know that this word would never be hyphenated there, just for giving an example). After adding the soft hyphen the complete word Luftschlitze moves to the next line as if there was never an automatic hyphenation after Luft. Is there something I can do to prevent this? I use the Hyphena
  11. ... leads to strange results. 1. Create a picture frame and place an image inside. Increase the image inside the picture frame a bit, so that the image is bigger than the picture frame. 2. Switch to Photo Persona. 3. Add a Live Filter to the image inside the picture frame. 4. Add a Live Filter to the picture frame itself. Result: Rest of the image that should be cut off by the picture frame is visible. Try to zoom in and zoom out. Parts of the complete image are shown and vanish. Windows 10 Pro, Intel UHD Graphics 630. 2-live-filters.afpub
  12. Setup like this: 1. Type a one-liner in a text frame 2. Set top margin inset to 2 mm 3. Set height of text frame to 1,9 mm - overflow visible or not makes no difference Correction: Overflow has to be visible Result 1: No overflow warning 4. Click the top or bottom centered handle of text frame. Normally used to fit the frame to adapt to the height of the text Result 2: The text frame jumps to the upper left corner of the page, every single character (except spaces) is aligned vertically, all values for this text frame in the Transform panel have the value 0 (chang
  13. In the current round of the contest of who will be the next Master Chef layout application the jury sent Affinity Publisher into the infamous Pressure Test. Ingredients: - 432 pages PDF, Greyscale, 6 merged manuals all made in Indesign - about 240 embedded images inside the PDF - ca. 100 tables - ca. 1.200 vector graphics, some of them from a time when Windows 3.1 was the top notch operating system - 12 used fonts Aim: - Making a Master Chef worthy manual Observations from the jury: + Import lasted about 5 minutes, about same time for first saving - Rearranging p
  14. When using the Paint Brush Tool, the Stabilizer section of Context Toolbar has a box labeled Window. The tooltip for that box is incorrect, reading "Choose the flow of the brush", which is the same as the tooltip for the Flow box. It should say something about choosing the window size for the stabilizer. Also, the tooltip for the window-mode stabilizer button has an error: It should say "Produces a smooth, flowing output" rather than input.
  15. There is a "bug" in the German help section. Posted this already in an other forum. The German help says Leinwand zuschneiden or Leinwandzuschnitt aufheben, whereas the menu items say Leinwand begrenzen und Leinwandbegrenzung aufheben.
  16. As part of my workflow over the years I place elements outside the spreads (what is the correct wording: workspace?) and quite fond of the fact, that this space is big not to say HUGE in Affinity Publisher. I wonder why it is so huge? But this is not the point here. If I place an element outside of the spread and I zoom into this element at about a zoom factor of 210% the scrollbar moves to its end on the right side and I am not able to scroll to the end of the element anymore. If I want to get to the end of this element I have to zoom out/in or use the pan tool or use the Navigator panel.
  17. My eyes are not the best anymore, but could it be, that there is some kind of halo when attaching gradients to an element? See attached image. I see this halo also in radial, elliptical etc. gradients. Second question: What is the opacity slider for? In my case I cannot move the slider. halogradient.afpub
  18. I've a series of diagrams I have produced in a single Designer file, on separate artboards. The diagrams are related in a series, so it is easier to produce them in sequence. I am however having difficulties adding them to a Publisher document using the picture insert tool. I've attached one of the designer files and corresponding svg files in the hope someone has an idea what is going wrong. If I save a Designer file for each individual diagram, the diagrams are on the whole as I would expect, except I am experiencing an issue with items outside the artboard being visible. If I exp
  19. The title is only half true, of course the curves have a colour, but it is not so obvious. 1. Write some black text (black should be defined in the Swatches panel), irrelevant if Artistic Text or Frame Text. Have Panel Swatches with fill visible. 2. Convert the text to curves. Result: The curves seem to have no fill colour anymore, as the selection of black vanishes from the Swatches panel. 3. Ungroup the curves. Result: Black is selected back again in the Swatches panel. I do know, that it could not be displayed in the Swatches panel, when there are different col
  20. 1. Place an image. 2. Crop it a little bit, with the Crop Tool. 3. Convert to Picture Frame. Expected: Image stays in place. Result: Image is moved and the Picture Frame contains a Constraints Group. I tried many things with the Constraints, but I never managed to have the image stay at place.
  21. 1. Set up a CMYK document with a spot colour. 2. Export as EPS. Export option makes no difference. 3. Place PDF in Publisher and check the spot colour. This colour is now converted to CMYK. First thought, that upon placing the colour might get converted, but I cross-checked by opening the PDF with Adobe Acrobat DC Pro. From Indesign CS6 I am able to export an EPS including spot colours. The weak support for spot colours in the Affinity applications gives me some headaches, since the company's CI colour is HKS 7. I am really hoping for a massively improved colour handling in the
  22. When your document preference for images is Prefer Linked and you replace an embedded image in your document. Which type of placement should be used here? Linked? Embedded? Personally I prefer the preference-method over the keep-it-as-is-method. In fact the image remains embedded although the preference is linked. More or less an academic question, because both sides could be right.
  23. Now and then I am too lazy to convert a coloured image into a "real" greyscale file, so using the Black & White Adjustment in Publisher would be a nice tool. But this Adjustment seems to have severe problems with blue and red. I attached three images to see the effect in a) Publisher and b) the Black & White Adjustment directly used in APhoto.
  24. Originally I wanted to praise the developers for adding such nice things like filler text randomly starting with other parts of the filler text, when filler text is added, but in the end I got a crash I have to report here. Perhaps not so easy to replicate. 1. I am using a custom filler text. 2. Make a new document A4 with a Master page. Not saving it. 3. Going to the Master Page and add a text frame. 4. Going back to page 1, double-click the text frame from master and insert filler text. 5. Adding a new text frame and linking it with the frame from master. 6. Goi
  25. Maybe I missed a few things over the years. A TIFF could have a bleed? Where to set this up? Or does this option moved unintentionally to the "More" section for export?
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