William Overington
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affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
I had not heard of that before in English. I know that in German there is a difference over the word Wachstube, which can either be Wachs tube or Wach stube, https://tex.stackexchange.com/questions/430349/provoke-or-avoid-ligatures-in-micro-typography William -
affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
Well I can't find it. I am still running version 1.9.0.932, is what you refer to in a later version? I have not updated because I read reports of people having problems and I alsp I have had not used Affinity Publisher for a while. Also, it might be somethimg not set up as an option somewhere. I was actually wondering whether Affinity Publisher has a Find and Replace feature like PagePlus as I could not find it and then found that it is off by default! So could ypu possible detail it explicitly please as I simply cannot find it. William -
affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
No, I just added a hexadecimal 200B ZERO WIDTH SPACE after each swash 'e' that was not at the end of a line, so each 'e' was no longer at the end of a word as far as the software was concerned. Red spelling mistake underlining in the display in Affinity Publisher, but no matter. William -
affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
Although the font has fifteen long s ligatures it does not have ligature glyphs for a long s followed by any of 'a', 'c', 'e', 'o', and 'u'. However, I am hoping to be able to use kerning within Affinity Publisher so as to improve the look of such sequences, some of which appear in the image. Yet I need to work out how much kerning to use, perhaps using the long s i ligature as a guide. As the font is SIL licensed it may be possible to produce a derivate font adding those extra ligatures. I wonder if, and if so, how, one could produce a long s swash 'e' glyph that gets used at the end of a word or at the end of a line. William -
affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
I hope that the following will explain and also be of interest. A song that features an eye rhyme Incidentally reading through those song lyrics I noticed that it is structurally very similar to the structure of the following song which I first learned about a few days ago, quite by chance, it popped up in a sequence of videos, namely in having verses each of six lines with lines three and four being repeated as lines five and six. https://www.youtube.com/watch?v=wVJDKlhM78U I found the lyrics in German on the web and then got a translation from Google Translate. I then watched the video again and noted how the images have been chosen to match the lyrics in some places. Thank you. William -
affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
Looking through the font using the FontCreator program, I found that not only does the font support the long s character, it also includes fifteen long s ligatures. Five of them are used in this poem. William -
Affinity in Deutschland
William Overington replied to blackstone's topic in Feedback for Affinity Publisher V1 on Desktop
Please note that that was not what I said myself, I simply posted the Google translate version of the English translation of the original German post. William -
affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
I can't find anything about final forms. William -
affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
How exactly please? I can't find it. William -
affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
https://fonts.google.com/specimen/EB+Garamond?query=EB+Garamond William -
affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
I used a hexadecimal 200B ZERO WIDTH SPACE after each 'e' that ended a non-end-of-line word. Each such word then became flagged as a spelling error, so the 'e' at the end of the word was regarded as being in a word. First I had to find, using the FontCreator program, that the font did actually include a ZERO WIDTH SPACE character. Getting the hexadecimal 200B character onto the clip board was a bit of a problem. I resolved it by going into FontCreator, selecting that character, and using the preview facility then copying from the text box. William -
affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
The combined application of a beautiful font and the wonderfully featured Affinity Publisher. William -
affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
I found a way to do it. Would you like to try to work it out before I say? I did not alter the font. William -
affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
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affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
Here is a version without the -s ligatures, there were quite a lot of them. The way to remove them is to make the vowel before the 's' to have no ligatures by using the Text Ligatures features of Affinity Publisher. Interestingly I go an ss ligature when I removed the es ligature from the word 'processing' and in some cases an st ligature became added. I have, alas, not been able to remove the swash 'e' that occurs at the end of each word at this time. William -
affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
Some time ago I looked through Google fonts - I was looking for a Venetian-style font, but did not find one - but I did find EB Garamond. I previously used it on a design for a grretimgs card, which I have at home, framed. I like the font, so I tried it with this poem and I thought it looked good. William -
affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
There is a discussion about the poem in a thread, starting at the following post. https://community.serif.com/discussion/113998/localizable-sentences-the-second-novel?page=47#reply384679 William -
affinity publisher Recycling poem
William Overington replied to William Overington's topic in Share your work
This poem first appeared in the following publication. http://www.users.globalnet.co.uk/~ngo/localizable_sentences_the_second_novel_chapter_024.pdf In that publication the poem is typeset in the Goudita SF font, the program used was Serif PagePlus X7. The presentation in the previous post, produced today, uses a direct copy of the poem from the PagePlus .ppp source file. The text was then pasted into an A4 size document in Affinity Publisher and then the text converted to use the EB Garamond italic font at 18 point, with the use all ligatures option set in Affinity Publisher. William -
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Affinity in Deutschland
William Overington replied to blackstone's topic in Feedback for Affinity Publisher V1 on Desktop
Google translate gives the following. ---- I would like to say something about how the Affinity Suite is perceived in Germany. Most public articles and posts from blogs and software reviews praise the suite beyond measure. In my opinion, however, far too little is reported about the publisher and designer. I can't say what about Affinity Photo because I'm less concerned with it. There are some online courses and many YouTube videos about how to use the software, but for me there are no reports in the relevant specialist magazines. I remember once it was said that the German market is the third largest for Serif. I am of the opinion that Serif itself, as well as us users, should do a lot more to spread the word. I personally see many users on Facebook who are happy every time when the software is "given away" with the help of a special offer. In my opinion, that's not good for the Affinity Suite! With my MAGAZIN62 project, I am trying to do something to spread the Affinity Suite, because I am more than convinced that strong applications here deserve greater awareness. Software that is offered far too cheaply at regular intervals is quickly dismissed on the market as a "toy". Dear friends of Serif - why don't you offer the Affinity Suite at our media schools at a reasonable price? Maybe you can also provide learning material ... it's just an idea. ---- William -
This morning I tried going back to the afdesign file that I had been using before I made an afdesign file that I had saved from opening a previously exported jpg file and saving that as an afdesign file. I wondered if switching to pixel persona and then exporting would give the desired 1500 pixel by 2100 pixel jpg file. It did not. Yet I then found the Layers Rasterise... command, but the dot dot dot bit did not seem to need anything doing. But if I highlighted the selected part it showed 1500 2100 when selecting the Selection with background option. Still learning but it appears that I now have a way to export a 1500 2100 jpg without having to first make a 1571 2171 jpg and then open that jpg separately. I did these tests on a copy of my original afdesign file of the poem so that I would not alter the original flle. William
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Thank you for looking into this. I have just tried opening the jpg that I used to order the greetings card, saved as a .afdesign file then tried the masking. The masking seems to work alright but the exporting still has the same problem, it still shops 1571 by 2171. Is Microsoft Paint the only way to get the result that I need? William
