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ianrb got a reaction from Lee_T in why does brush slow down?
I think have isolated the problem to the pen/table so it's likely worth a separate thread .
Don't mind if this one closed now Lee
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ianrb reacted to debraspicher in why does brush slow down?
=
I posted this before, but seems it was missed. I forgot a question mark so I'm sure that didn't help... this benchmark is specific to Photo and will let us know what should be realistic for your situation. (Edit: More accurate statement)
RAM usage can be found by pressing Ctrl+Alt+Del, clicking "Task Manager"... and it is under the Performance tab on the left:
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ianrb reacted to NotMyFault in Help with fence removal
Now I feel miserable 😩
Any reason to give such a comment? It really depends on the intentions of the OP (which you don’t know. Does he intend to preserve as much from the source, or tries to get a cleaner but somehow artificial result), and his level of experience what works best for him (which you don’t know, too). So nothing much to learn from your comment, except your personal preference (and we don’t know if they have anything technicality to do with the given question and posted possible solutions).
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ianrb reacted to JimmyJack in Help with fence removal
On a (slightly) more serious note. FWIW & IMHO I vote for water replacement.
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ianrb reacted to walt.farrell in No tone mapping panels -- ANSWERED thank you
Reset was probably overkill and not needed, but it would certainly have worked
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ianrb reacted to firstdefence in No tone mapping panels -- ANSWERED thank you
Have you hidden them? try pressing Tab on the keyboard.
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ianrb reacted to walt.farrell in Dodge and burn
The file in your post imports just fine in 1.10.4 for me, using the Import icon in the Macro panel.
From that error message, I would check the level of Affinity Photo that you're using, and also I might try downloading the file again, in case your download didn't work correctly.
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ianrb got a reaction from Richard Fillebrown in a few more that past through Affinity
nothing special. Lumix Fz300 --- have to love the versatility of that one even if the quality is not up to the Oly Em1
first 2 are from the backyard and the others from a local salty lake
Questions welcome. Mostly just fiddling around with the masking brush without using refine
Cheers
leaf and shadow
3 musketeers escaping
Lost ball --- there is a better photo of this waiting to be captured; if I can find it again
donkey bone
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ianrb got a reaction from Ron P. in Affinity photo very slow #2
Thanks Ron, not sure I want or need to uninstall again . Have tried to do just that quite a few times over the past months
My computer guru said we should not have to do all that after Revo uninstall . He deleted the empty folders and one took a long time to delete so he guessing that was 'the problem' . Even his Pro version of Revo wouldn't remove it
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ianrb got a reaction from NotMyFault in Colour / contrast reduced when flattening
Thank you #NotMyFault -- that was very helpful
BTW; if not your fault who do I blame 'cause it's Not My Fault :lol:
Wish I had thought of an online name like that
Keep safe
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ianrb got a reaction from Dan C in screen / panel locking
Thanks Dan, likely one of those little rattles in a car that never rattles when paying a mechanic to find it .
I did ask the same question on Olivio's Fb page with one saying it has happened to them.
I will do some more "watching" and get back to you
Would have an JPG from a DNG from an ORF . DNG because Lr5 doesn't read the newer raw ORF. I open DNG as a JPG in Affinity >save as a TIF/layers in windows as a backup ---- that is so much faster than saving the Tiff in Lr5 . I'm past the days of needing BIG files/images/photos --- it's all gone rather over kill in my older opinion .
Cheers
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ianrb reacted to Dan C in screen / panel locking
Hi @ianrb
I've tried replicating this issue here and I'm not seeing the same behaviour, does this occur in any file for you, or only certain ones?
Could you possibly please provide a screen recording showing the workflow you are taking when this issue occurs?
Do you have OpenCL Hardware Acceleration enabled under Edit > Preferences > Performance?
As Walt has confirmed, you can find the option here on the context toolbar -
I hope this helps!
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ianrb reacted to walt.farrell in screen / panel locking
One way: There's an option in the Context Toolbar.
I think the Help describes the others.
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ianrb got a reaction from MmmMaarten in the little things that make up the big picture
We often look for the BIG picture -- that grand landscape or sea scape that few of us have close by . But inside every not so grand picture are 100s or even 1000s of little pictures that are just as good to practise photography and photo editing
Example -- the first two are under 3" / 75mm
From those raw files I was able to make this --
--1] twisted brain 2] ring of steel 3] moon abstract . Each name was thought of when taking the photo; 1] taken (all 3) on a block of land my son just bought ; 2] ring of steel is term often used in Australia to isolate covid19 ; 3] moon on the rusted incinerator . I find naming the subject when/before taking the photo (I never "shoot" a subject to make a "shot") give more reason for the actual photo
I find that collage far more rewarding than a BIG picture the same as 1000s others have photographed
How and why questions welcome
work in progress
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ianrb got a reaction from cyberian in the little things that make up the big picture
We often look for the BIG picture -- that grand landscape or sea scape that few of us have close by . But inside every not so grand picture are 100s or even 1000s of little pictures that are just as good to practise photography and photo editing
Example -- the first two are under 3" / 75mm
From those raw files I was able to make this --
--1] twisted brain 2] ring of steel 3] moon abstract . Each name was thought of when taking the photo; 1] taken (all 3) on a block of land my son just bought ; 2] ring of steel is term often used in Australia to isolate covid19 ; 3] moon on the rusted incinerator . I find naming the subject when/before taking the photo (I never "shoot" a subject to make a "shot") give more reason for the actual photo
I find that collage far more rewarding than a BIG picture the same as 1000s others have photographed
How and why questions welcome
work in progress
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ianrb got a reaction from Catshill in Im just starting out with Photo
Not sure a full coarse is need if you PS experience
Olivio has lots of easy to understand videos
https://www.facebook.com/groups/oliviotutorials.superfan/
TIP: Affinity is just like PS; however similar tools are often hiding in different places with different names -- now can be frustrating at times but it's worth it in the end
TIP: if you share a photo considering adding the original photo also
TIP: if you want to improve; always ask for honest comments (CC) and always give permission to re-work your photo --- a photo is worth a 1000 word (10000 to those who cannot read well :lol:
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ianrb reacted to Jazznow in Im just starting out with Photo
thanks so far everybody!
i already followed olivio Sarikas at youtube, but didnt get to watch many of his videos yet.
@Julia04 this is the course im doing right now i made use of the udemy sale. Thanks @Alfred for the hint on the sale! I grabbed another one from the same guy about compositing too.
@ianrbthe pic above is more or less the original. just developed the raw file (lifted the shadows, saturated and sharpened). no massive edits.
good to know. i was thinking that honest comments are the usual thing... why should i join a forum, if i dont want input to get better anyway, ill make sure to mention it in the future
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ianrb got a reaction from Jazznow in Im just starting out with Photo
Not sure a full coarse is need if you PS experience
Olivio has lots of easy to understand videos
https://www.facebook.com/groups/oliviotutorials.superfan/
TIP: Affinity is just like PS; however similar tools are often hiding in different places with different names -- now can be frustrating at times but it's worth it in the end
TIP: if you share a photo considering adding the original photo also
TIP: if you want to improve; always ask for honest comments (CC) and always give permission to re-work your photo --- a photo is worth a 1000 word (10000 to those who cannot read well :lol:
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ianrb got a reaction from Dan C in the little things that make up the big picture
We often look for the BIG picture -- that grand landscape or sea scape that few of us have close by . But inside every not so grand picture are 100s or even 1000s of little pictures that are just as good to practise photography and photo editing
Example -- the first two are under 3" / 75mm
From those raw files I was able to make this --
--1] twisted brain 2] ring of steel 3] moon abstract . Each name was thought of when taking the photo; 1] taken (all 3) on a block of land my son just bought ; 2] ring of steel is term often used in Australia to isolate covid19 ; 3] moon on the rusted incinerator . I find naming the subject when/before taking the photo (I never "shoot" a subject to make a "shot") give more reason for the actual photo
I find that collage far more rewarding than a BIG picture the same as 1000s others have photographed
How and why questions welcome
work in progress
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ianrb got a reaction from Wosven in the little things that make up the big picture
We often look for the BIG picture -- that grand landscape or sea scape that few of us have close by . But inside every not so grand picture are 100s or even 1000s of little pictures that are just as good to practise photography and photo editing
Example -- the first two are under 3" / 75mm
From those raw files I was able to make this --
--1] twisted brain 2] ring of steel 3] moon abstract . Each name was thought of when taking the photo; 1] taken (all 3) on a block of land my son just bought ; 2] ring of steel is term often used in Australia to isolate covid19 ; 3] moon on the rusted incinerator . I find naming the subject when/before taking the photo (I never "shoot" a subject to make a "shot") give more reason for the actual photo
I find that collage far more rewarding than a BIG picture the same as 1000s others have photographed
How and why questions welcome
work in progress
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ianrb got a reaction from Vaz in the little things that make up the big picture
We often look for the BIG picture -- that grand landscape or sea scape that few of us have close by . But inside every not so grand picture are 100s or even 1000s of little pictures that are just as good to practise photography and photo editing
Example -- the first two are under 3" / 75mm
From those raw files I was able to make this --
--1] twisted brain 2] ring of steel 3] moon abstract . Each name was thought of when taking the photo; 1] taken (all 3) on a block of land my son just bought ; 2] ring of steel is term often used in Australia to isolate covid19 ; 3] moon on the rusted incinerator . I find naming the subject when/before taking the photo (I never "shoot" a subject to make a "shot") give more reason for the actual photo
I find that collage far more rewarding than a BIG picture the same as 1000s others have photographed
How and why questions welcome
work in progress
-
ianrb got a reaction from Julia04 in the little things that make up the big picture
We often look for the BIG picture -- that grand landscape or sea scape that few of us have close by . But inside every not so grand picture are 100s or even 1000s of little pictures that are just as good to practise photography and photo editing
Example -- the first two are under 3" / 75mm
From those raw files I was able to make this --
--1] twisted brain 2] ring of steel 3] moon abstract . Each name was thought of when taking the photo; 1] taken (all 3) on a block of land my son just bought ; 2] ring of steel is term often used in Australia to isolate covid19 ; 3] moon on the rusted incinerator . I find naming the subject when/before taking the photo (I never "shoot" a subject to make a "shot") give more reason for the actual photo
I find that collage far more rewarding than a BIG picture the same as 1000s others have photographed
How and why questions welcome
work in progress
-
ianrb got a reaction from StuartRc in the little things that make up the big picture
We often look for the BIG picture -- that grand landscape or sea scape that few of us have close by . But inside every not so grand picture are 100s or even 1000s of little pictures that are just as good to practise photography and photo editing
Example -- the first two are under 3" / 75mm
From those raw files I was able to make this --
--1] twisted brain 2] ring of steel 3] moon abstract . Each name was thought of when taking the photo; 1] taken (all 3) on a block of land my son just bought ; 2] ring of steel is term often used in Australia to isolate covid19 ; 3] moon on the rusted incinerator . I find naming the subject when/before taking the photo (I never "shoot" a subject to make a "shot") give more reason for the actual photo
I find that collage far more rewarding than a BIG picture the same as 1000s others have photographed
How and why questions welcome
work in progress
-
ianrb got a reaction from AdamStanislav in the little things that make up the big picture
We often look for the BIG picture -- that grand landscape or sea scape that few of us have close by . But inside every not so grand picture are 100s or even 1000s of little pictures that are just as good to practise photography and photo editing
Example -- the first two are under 3" / 75mm
From those raw files I was able to make this --
--1] twisted brain 2] ring of steel 3] moon abstract . Each name was thought of when taking the photo; 1] taken (all 3) on a block of land my son just bought ; 2] ring of steel is term often used in Australia to isolate covid19 ; 3] moon on the rusted incinerator . I find naming the subject when/before taking the photo (I never "shoot" a subject to make a "shot") give more reason for the actual photo
I find that collage far more rewarding than a BIG picture the same as 1000s others have photographed
How and why questions welcome
work in progress