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Mareck got a reaction from InigoRotaetxe in Is 32bits linear workflow well implemented in AP?
@troy_s Like James said in the other thread, it wasn't planned for exporting to 8/16bit format, what surpise me but it explain why it don't works.
Do you think it's feasible to create a neutral ICC profil (no transfer curve and no color convertion)?
If so I could learn to make one and add it to affinity, that way I can choose it at export time and the problem is solved.
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Mareck got a reaction from SrPx in Introduce Yourself
Hi, I'm Mareck from France.
I start to dig a bit more into Affinity Photo, I'm 3D artist focused in shading and lighting.
I'm also interested in photography, color spaces and physic of light.
This looks to be a good place.
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Mareck got a reaction from Alfred in James Ritson and Technicolor
Like he said at the very beginning of the vidéo (18'), it's usually used for skin tones (portraits), like LUTs they are made for specific conditions.
So you can apply an indoor color correction to an outdoor picture but it'll look weird, same here.
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Mareck got a reaction from dkj in James Ritson and Technicolor
Like he said at the very beginning of the vidéo (18'), it's usually used for skin tones (portraits), like LUTs they are made for specific conditions.
So you can apply an indoor color correction to an outdoor picture but it'll look weird, same here.
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Mareck got a reaction from Ron_S in Is 32bits linear workflow well implemented in AP?
I'm not sure but I think yes. In fact I haven't found so much about ICC in affinity in the officials doc and tutorials.
I tried with linear sRGB but it's not a close 1/1 export compare to sRGB view.
You're right, the best I can have is by having an EOTF curve on top of my stack to counter the OETF's one from the ICC.
So now I can work with 32 bit linear exr, but it looks a bit like a hack^^.
So it answer my question, doesn't look like the 32 bit linear workflow is so well implemented here.
