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Mareck

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  1. Like
    Mareck got a reaction from SrPx in Introduce Yourself   
    Hi, I'm Mareck from France.
    I start to dig a bit more into Affinity Photo, I'm 3D artist focused in shading and lighting.
    I'm also interested in photography, color spaces and physic of light.
    This looks to be a good place.
  2. Like
    Mareck got a reaction from dkj in James Ritson and Technicolor   
    Like he said at the very beginning of the vidéo (18'), it's usually used for skin tones (portraits), like LUTs they are made for specific conditions.
    So you can apply an indoor color correction to an outdoor picture but it'll look weird, same here.
  3. Like
    Mareck got a reaction from dkj in James Ritson and Technicolor   
    Like he said at the very beginning of the vidéo (18'), it's usually used for skin tones (portraits), like LUTs they are made for specific conditions.
    So you can apply an indoor color correction to an outdoor picture but it'll look weird, same here.
  4. Like
    Mareck got a reaction from Ron_S in Is 32bits linear workflow well implemented in AP?   
    I'm not sure but I think yes. In fact I haven't found so much about ICC in affinity in the officials doc and tutorials.

    I tried with linear sRGB but it's not a close 1/1 export compare to sRGB view.

     
    You're right, the best I can have is by having an EOTF curve on top of my stack to counter the OETF's one from the ICC.
    So now I can work with 32 bit linear exr, but it looks a bit like a hack^^.

    So it answer my question, doesn't look like the 32 bit linear workflow is so well implemented here.
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