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Posts posted by yeffdaley
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+1 As @cinemachine pointed out, Affinity apps are the outlier here. It would be nice to customize the modifiers to match AI, PS, Sketch, Figma, etc.
I'd also like a more consistent approach to constraining proportions. I shouldn't have to think about whether I'm grabbing a side or corner handle (and thus whether I have to shift-constrain or not); I just wanna grab whichever's closest. Consistency means I can work off muscle memory which means I can work faster.
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+1
Toggling quickly between layers is super helpful for documents with lots of overlapping layers. Please consider it.
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16 minutes ago, firstdefence said:
Try applying the stroke to a shape like a rounded rectangle or even an ellipse and then change the Align: to inside and outside to see the effect it gives and this will shed some light on the dashed lines behaviour when expanding.
I can understand (a little) if I try to think like a robot. But to me, a human, it's as simple as "what you see is what you (should) get."I never would have predicted AD's output in this case.
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5 minutes ago, firstdefence said:
You have it set to Align: Outside, set it to Align: Centre
(Facepalm emoji)
Seems like this shouldn't matter but I clearly have a different mental model than AD.
Thanks.
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1 hour ago, firstdefence said:
I have Illustrator CC 2018 and could convert it for you if it would help, maybe worth a try?
Incredibly generous offer, but I'm looking to be "taught how to fish" so I can handle this myself in the future.
Cheers though! -
19 minutes ago, firstdefence said:
Do you have an example document we could look at?
See attached for something I made quick in Sketch using the "union" function on two overlapping shapes.
19 minutes ago, firstdefence said:Also, have you tried exporting from Illy as PDF and using illustrator 8 as the compatibility option and importing into Affinity?
Unfortunately the illustration was supplied by the client and I no longer subscribe to AI.
Thanks,
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Why does AD import "complex" shapes like this, with a solid rectangle masked in a custom shape? And is there a way to mass-unmask?
My imported illustration (AI) has dozens of layers that imported like this (it would be insane to manually fix all of them) and it's preventing me from full-vector re-export.
Is there a workaround for this?
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When I have a layer selected I'd like to be able to click+drag to simultaneously select and move a different layer. Currently select and move have to be separate actions.
Thanks for considering it.
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This is happening to me as well, and find it unintuitive and tedious to work around. +1 for improvements to this function.
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I think command+clicking a compound shape should select the entire compound shape rather than an individual curve.
In other words, I think there should be a one-click solution to selecting a compound path that doesn't require the layer panel.
Thanks for considering it.
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3 hours ago, metajake said:
I think that Affinity is asking too much of their users to expect them to maintain awareness of which Tool they are toggled between.
Agree. I want my hotkey to function the same every time. Don't punish me for hitting V while unknowingly already on the Move tool.
Same with escaping the text tool. I just wanna hit "esc" once and be done with it. I don't wanna have to be aware of the text-selection status.
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Agree, this is a problem to be solved. The layer palette should be a last resort.
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I think the left and right studio panels should be scrollable, rather than adaptive to application height.
The current expand/collapse-panel behavior is jumpy and requires too much precision. When you expand a tool, another collapses, making it hard to predict where a tool will be based on context (or where it'll jump when you open it). Then to reopen the newly collapsed panel you have to find and click a tiny hit target.
It would be more efficient if panels stacked in a scrollable panel. Tools could remain expanded, exactly where you left them, at most a flick away. We've already lost far too many clicks!
This would also address my concerns here:Thanks for considering this!
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2 hours ago, owenr said:
Unfold the Compound in Layers panel to access and select its members.
Activate Node Tool if it's not already active - the nodes of all the selected members will be available to marquee select.
Nice! Thanks for the tip.
It would be great if we could speed up the "select layers" step. E.g., in Sketch, keying "enter" on a compound shape is the equivalent of selecting AD layers, but much faster.
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And to be clear, this is a 2-minute redesign that's pretty ill considered. Basically I just want to maximize my "studio" space.
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45 minutes ago, Alfred said:
Why don’t you simply collapse the sections (or close the drawers, in your terminology) that you don’t need, by clicking on the grey triangle against each one?
I do. I'm arguing that even the collapsed menus take up too much space.
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I would like to marquee-select nodes from all paths that comprise my compound shape. It seems I'm currently limited to the destructive "convert to curves" function if I want to achieve this.
Thanks for considering it. -
On 11/29/2017 at 3:35 PM, nwhit said:
And color swatches for many, many people should have a default of colors, not greys.
Agree. It's always two extra clicks to get to Document Swatches. -
+1 I don't find this function helpful.
Crop Tool improvements
in [ARCHIVE] 2.4, 2.3, 2.2 & 2.1 Features and Improvements
Posted · Edited by yeffdaley
quote already provided context
Here to second this. Pretty unfortunate bug.