Jump to content


  • Content count

  • Joined

  • Last visited

About dkj

  • Rank

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. When I create a path using the Affinity Designer pen tool, some of the nodes are square, and some are round; some nodes include dots, and some are empty. I haven't been able to find an explanation of this in the help files.
  2. What is the purpose of the Edit-Matte selection on the Affinity Photo menu? I've been using Edit-Fill to do non-destructive burning and dodging (thanks to James Ritson). What are some uses of the Edit-Matte feature?
  3. I'm trying to figure out how the channel mixer adjustment works. Could someone point me towards some tutorials that deal with this specifically? I've tried playing around with it on various images, but remain puzzled by how it produces the effects I've seen.
  4. I added a Curves adjustment layer to the top of the layer stack and set it to CMYK (also suggested in the video). Then by playing around with the M curve I was able to correct the image somewhat. But Mareck's answer tells me what I needed to know. I'd love to see a tutorial about using Affinity Photo to mimic different types of vintage colour film.
  5. I've followed James Ritson's video tutorial on replicating the technicolor effect in Affinity Photo. https://player.vimeo.com/video/155520871/ I've followed the steps carefully, and checked to make sure that all recolour values were set as stated in the video (R=180, G=300, B=60). But I get yellows transformed into a shade of pink. Can anyone suggest what I might be doing wrong? I'd really like to learn how to use this technique to emulate different types of colour film.
  6. I want to create a macro that will add a border to my images. To do that, I need to add a fill layer, and then move it below the image layer. But the macro editor won't record moving the layer. Is there another way to use a macro to add a border?
  7. What is the best resampling algorithm to use when enlarging images for printing? Typically, I would be enlarging no more than 200%.
  8. I'm trying to write a macro to produce pseudo-grey images, using the Apply Image filter. How can I get the macro to pick the right source layer before applying the filter?
  9. Thanks for this. So is this why live filter layers are nested by default: i.e. to keep them from having to compute what any other filter or adjustment layers have done to the original image?
  10. Yes, I should have said "adjustment and filter layers" in my original question.
  11. What is the basic difference between a filter and an adjustment? I notice that Shadows/Highlights is available as both.
  12. How do the Clarity, Unsharp Mask, and High Pass filters differ from one another? And how do they differ from the Detail Refinement adjustments in the Develop persona? I'd like to find out how the different algorithms work.
  13. This is exactly what I was looking for. Thanks!
  14. I've noticed that the B&W adjustment layer (with default parameters) can produce very different results than setting the Saturation adjustment to minus 100%. What algorithms do these different adjustments use?
  15. (My apologies if this same procedure has been posted previously.) Suppose you have two adjustment/filter layers called "SourceLayer" and "DestinationLayer". Suppose you've created a mask on SourceLayer, so that it affects only part of your image. Suppose you want DestinationLayer to affect only that same part of your image. 1. Select SourceLayer. 2. On the Channels tab, right-click SourceLayer Alpha. 3. Choose Create Spare Channel from the menu. 4. [Optional] Rename "Spare Channel" to "SourceLayer Mask". 5. Select DestinationLayer. 6. On the Channels tab, right-click the icon of SourceLayer Mask.* 7. Choose Load to DestinationLayer Alpha from the menu. DestinationLayer will now affect the same part of your image as SourceLayer. *If you don't click the icon, you won't see the "Load to..." menu selection. This is a (minor) bug in Affinity Photo.