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Pedro Soares

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Posts posted by Pedro Soares

  1. 1 hour ago, AndyQ said:

    very nice, but I'd be hitting my 3D MAX or Blender and modelling the things, ready for when the client says "I love it, but can you rotate it a half degree then we're good to go.."

    That's a good point but the idea was to explore what we can achieve in Affinity Designer working only with vectors.
    Nevertheless I can give you the AirPods in any color you want 😁

    Air Pods Final Red.jpg

  2. You're welcome briandrum.

    Seems you're doing everything right. My other suggestion is that you play with the Strength value to see if you can minimize the problem.
    As an extra you can also use FX effects to get some more realism (I normally use Colour Overlay and Bevel/Emboss).

    Nevertheless and as stokerg mention, something is not working as it should. We don't have consistency using the Displace Filter.

    Hope you can get the results you need.

  3. Hi everyone,

     

    I recently wrote a post on my blog covering my workflow regarding the steps I follow when I'm editing a portrait. I also made available a PDF file with the same checklist I use so you can download it.

    The post is available both is Portuguese and English.

     

    [PT]

    http://blog.pedrosoares.photo/lista-de-tarefas-edicao-de-retrato/

     

    [EN]

    http://blog.pedrosoares.photo/portrait-retouching-checklist/?lang=en

     

    There are also other articles talking about Affinity and other free resources.
    Let me know if it was useful.

    Cheers

  4. Hi Vasto7,

     

    I'm really glad that my tutorial could help you in some way. Thanks for the feedback.
    I invite you to keep an eye on my Youtube channel and Blog because new posts and tutorials are coming...

    And by the way, my last blog post was about a quick tip both for Affinity Photo and Capture One regarding retouching and has another two Macros you can download :)

     

    Cheers

  5. Pedro, fantastic! There is an amazing amount of training in various effects in this 29 min video. Additionally, I really enjoyed the 9 min of pre-work in AD then moving into AP for the remainder. Seeing how AD & AP can work together on a project like this made me think where it might be effective in some of my own works. Also, the many uses of Adjustment Layers and the duplicating, stacking and grouping of them was extremely helpful. And the result is beautiful. Tons of stuff in this one video - THANKS!

     

    Hi jer,

     

    I'm glad you like it and found it useful for your work.

    Its also important to me to understand if the tutorials I'm making are being helpful and built in the proper way, so thanks for the feedback.

    More will come very soon.

     

    Cheers,

    Pedro 

  6. Hi Hson278,

     

    To achieve a real (and good) Long Exposure image you need an ND filter as MBd mention. At least a 10stop maybe more depending of the light conditions. If you just work in shadow, like in a forest capturing waterfalls and river streams you can go with a lower ND filter (2 to 5 stops).

    It's not impossible to do it in post-processing but it's not the same thing and you're going to face many challenges (opinions may differ). 

     

    Regarding the tutorial to edit this kind of images, its on my list :)

     

    I also share one of my images using this technique with clouds. Same method (as water) but different approach since there are other kind of requirements to take in account.

     

    Cheers,

    Pedro

     

    post-6864-0-40991800-1490289266_thumb.jpg

  7. You're welcome peanutLion, I'm glad I could help.

     

    I forgot to mention that I also use Nik Plugins (a lot) and as rmar said, they are an excellent option for your needs. I specially like and use Silver Efex Pro 2 for many of my black and white work. Check below the Histogram and you'll find the Zone System. You can choose the zone you want and then correct your image with U-Points to place a specific area of the image inside that zone.

     

    Cheers,

    Pedro

  8. Thank you for being so generous sharing your techniques.

     

     

    Hi gdenby,

     

    Thank you for letting me know you appreciate it.

    I always loved to share my work. Never was that kind of guy full of secrets. When someone asked how I made this photography or how I edit it, I always shared my technique. I believe doing so I also learn and most important, growth as a person and as a professional. This is the reason part of my work is teaching.

    I share with you a thought of Ben Sweetland that sums this believe of mine.

    "We cannot hold a torch to light another's path without brightening our own."

     

    P.S. - I can only say if you liked so far, just wait to see the exciting tutorials (and more) I'm preparing to share...

     

    Cheers,

    Pedro

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