Jump to content
You must now use your email address to sign in [click for more info] ร—

AffinityJules

Members
  • Posts

    668
  • Joined

  • Last visited

Posts posted by AffinityJules

  1. I used the selection brush tool then made several copies. I blacked out the area where the original photo was by using the colour picker.

    There are other ways to do this, but this is simple and quick.

    Steps:

    1. Use selection brush tool on photo.

    2. Edit tab/copy/paste.

    3. Use the move tool to place the photo where you want it to go.

    4. If needed the copied selection can be saved as an independent PNG file.

    805285893_COUNTITALLJOY11x17.jpg.d0ee064784caa2f31625ae68210a5823.jpg

  2. 35 minutes ago, Mrfish said:

    I have the trial version and have been going through lots of youtube videos. When trying to remove the background the refine button does not isolate the subject. The mask layer also does not allow me to remove the background. I just get a transparent image.

    The refine tool - if that's what you're referring to - is to refine a selection once it has been made. I would suggest using the pen tool to isolate your subject then mask out the background. As ever, a screen shot or picture of your project would help others to help you.

  3. My initial startup, at times, can take well over a minute, but I do have several fonts which might be slowing things down a bit. I don't worry about that anymore because the piece of crap computer I have couldn't load it any faster anyway. It loads when it loads - I'm in no rush (nor is my computer), but after shutdown and reloading the time to wait is more than halved. Everybody expects breakneck speeds these days - I used to, but the reality is always different to expectation.

    Good luck with trying solve your speed issue.

  4. The refine tool works well for some pictures, but inflicts unwanted disaster upon others. Try not using the refine tool - if you can help it, but use a mask straight after you have made a selection (that is my way of doing things) and do any cleaning up after that. If more precision is required then use the Pen Tool/Selection/Mask. Using channels is a great alternative when making selections, it allows for greater control and usually gives better results.

    I have spent hour upon hour trying to make the refine tool behave but I did not succeed, so I gave up on that a long time ago and found better methods.

    ย 

  5. 2 minutes ago, NotMyFault said:

    The question is how do you intend to deal with lightness values. The โ€œlight greyโ€ area has different shades of gray

    • do you want to achieve one specific HSL / RGB color no matter of what the old gray value was before?, e.g HSL 120/100/50
    • Do you want to use the old grey value to set the brightness of new color? E.g. HSL 120/100/<old. Grey val>

    depending on you choice, different methods can/must be used.

    I will defer to all those who know way more about it than I do. ๐Ÿ˜‰

  6. Shhh. . .never give away your creative secrets, it takes something away from the mythology. ๐Ÿ˜œ

    But seriously: a very good composited picture. I dread to think how far down one would have to scroll if I were to display all the source material I use. Good luck in tracking down a goat to pose for you.ย 

×
×
  • Create New...

Important Information

Terms of Use | Privacy Policy | Guidelines | We have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue.