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Wosven

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Everything posted by Wosven

  1. Some function or scripting to do it would be welcome... at some point, exporting each categories and sub categories (brushes, styles, assets...), is a shore we do les and less.
  2. Perhaps we need to add this in the Features requests https://creativepro.com/fine-tuning-your-type-setting-fractions/ https://www.fonts.com/content/learning/fyti/using-type-tools/opentype-fractions
  3. That's strange... It looks like a CMYK image converted to RGB by an app not understanding it's CMYK (and only converting the 3 first channels). It happened long ago went sending CMYK images on a web gallery accepting only RGB.
  4. I just had to replace some missing font this morning, and I should add it's not really well implemented in S&R. I had to use regular expressions. And since I wasn't able to select "bold", since the app didn't know the font and its variants, I had to click on each result and decide if I wanted or not to replace the font. Fortunately, I had less than 20 text frames of few words. Being able to definitely replace fonts in the Font manager, with a warning (to distinguish from simple visual substitutions) would be more useful, since the panel already get all the needed lists to choose fonts.
  5. If you open a PDF, the images are embedded. You can test on a duplicate file and try to link the images, they'll be exported in another folder, and you'll be able to modify the logo to a transparent image. (If it doesn't create 200 logo... I didn't test if APub was able to replace different images by a same one.)
  6. When doing layout, usually the text are already read and corrected by copy-editors. In French, it also means deleting a lot of useless capitals, especially in lists (new lines). That's why all automatic modifications are disabled, to not add errors when entering new corrections. We can keep the spellchecking, and report those to the copy-editor, that will validate or not a change if it's needed.
  7. The first colour doesn't seem to be right (lack of cyan, too much yellow). Why didn't you use a palette with the same colours?
  8. HI @ronald618, You can click on this: Is it the Beta or the retail version? (Strangely, I don't have anymore the bottom bar with pages' numbers and "click... infos" in the last Beta on Windows...) but using "tab" to hide and display the UI was the solution.
  9. In this case, with live perpective filters, but they tend to move when modifying the content. And for this, it would be usefull to have and add guides visible outside the canvas. image-bandeau01.afphoto
  10. Be careful with that, if you've got copy as SVG enabled in the preference, or for different reason, your new document using this method can be at a different resolution.
  11. You can keep a vector version and move the nodes. image-bandeau01.afphoto
  12. Hi @Sogaman If you're searching "Photoshop", you won't find it, since it's called "Affinity Photo". Perhaps it's as simple as this.
  13. Nice, but the "L" should follow the wall and bottom angle too (perspective). When I was student, we had an exercise to paint something in an corner (made of 3 rectangles/squares of cardboard glued), and when at the right angle to look at it, it should look correct (lines should be straight, circle should be round, etc.).
  14. Only the "effective PPI" in the document, meaning, once the image is resized in your document, it's at least at 95% or more (with good and fine images, you can accept 280 PPI in a document), more isn't a problem, it's just not logical or effective to use a 6000×4000 image for a thumbnail. Only the pixels matter, the proprieties of a 6000×4000 pixel image can be 72 or 300 or more PPI, in fact, it was usefull before QXD and ID introduce "effective PPI" information in the apps, since before we would have to calculate ourselves. For the current problem, a trick would be to dupplicate, group and rasterize the layers before printing, if export to PDF and print isn't an option. Rasterizing would occur only when needed...
  15. I also miss a lot a simple ctrl+i for inverting masks in AD...
  16. @Max P , No, he just want to be able to get this sort of result in one mask and classical pixel gradients, without using a brush or many layers, like we can do in others apps (this one was done in PS): test_mask_gradients.psd
  17. The file export fine to PNG, no different greys. It's possible it's the same bug we had when printing in QXD or ID, using transparent objects. Sometime, their background looked different when printed directly, but exported as PDF and final printing were correct.
  18. You can see the same in AD, just remind yourself about those little buttons on top:
  19. Did you try exporting as PDF and printing the PDF? (there's only one grey when exporting to PDF). Perhaps it's only occuring when printing directly.
  20. Hi @Bay I would simply draw the middle line with the pen tool, dupplicate and adjust it to get all of them. It shouldn't take long. You can search more mathematical ways, but thinking will take longer
  21. @PixelPest I suppose if we use the Pixel view in AD instead of the default sharp one, we've got the same result.. juste didn't thought of this before now.
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