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Everything posted by gabriel_komorov
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In V1 I could simply toggle grid visibility with shortcut - it worked for all images. But in V2 toggling doesn't work for newly opened files - I must first open grid dialog, select preset and then toggling works. Why this extra step? This is stupid, massively counterproductive, annoying and unintuitive. 99% of times I just want deafult preset to be loaded. Can this be done or is it again Serif being Serif?
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Save studio layout.
gabriel_komorov replied to netera's topic in Affinity on Desktop Questions (macOS and Windows)
I'm working on little program that will handle backing up and also syncing workspaces (from standalone apps to Publisher). Will post about it on forums when it's ready -
Exactly. Special snowflakes whine because they are treated equal. Only thing that I totally get is if someone bought V1 in past ~three months now can be a bit bummed. I guess Serif to be totally fair, could offer for those customers refund for V1 if they're willing to upgrade. But even without this... it's still about $200 for full suite of semi-pro apps. Show me a better deal.
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Add a Built-In Font Creator
gabriel_komorov replied to rawii22's topic in Feedback for the Affinity V2 Suite of Products
Sure thing, we should discuss! It wasn't directed at you, just general reaction to recent amounts of bullshit- 19 replies
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- font
- font creator
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(and 5 more)
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Add a Built-In Font Creator
gabriel_komorov replied to rawii22's topic in Feedback for the Affinity V2 Suite of Products
CorelDraw have (had?) export to ttf, but it was so basic and broken that I don't know anyone who would use it. People are ridiculous in their demnads. We had video editing, 3d software, website builder, font editor. What next? Torrent client, media player?- 19 replies
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- font
- font creator
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(and 5 more)
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So... you're complaining about 60% increase in 6+ years time span?
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First three are essential. If we speak strictly about Affinity Photo you can consider Colour Balance and Selective Colour, also Split Toning may come handy. Vibrance likely won't be useful. Remember that depending of your source photos, there may be some areas which require individual adjustment - that's where masks and brushes will be needed. Genarlly speaking - editing a photo is so much more than applying predefined setting with single click. While basics are easy to grasp, mastering the skill can take months if not years.
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Ok, I feel thre's a lot of confusion here. I try to clear things up, and keep it as simple as possible. First of all what you asking for is impossible to answer (what combination of adjustment is needed to make photo look certain way) if we only have "after" photos. Second, there's no magic LUT, adjustment, effect, plugin, whatever, which once applied will give your photos desired feel. That's because each photo needs indivdual treatment - simple as that. Each photo has unique set of values which must be corrected in specified unique way to produce consistent output. And that bring us to third point - your best option is manual editing. Take photo you want to change and play with adjustments - HSL, curves, shadows / contrast. Do it enough times and you'll start to intuitively feel what needs to be done to particular photo for desired effect.
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direct import of scans
gabriel_komorov replied to wolau's topic in Feedback for Affinity Photo V1 on Desktop
No, it isn't justified by anything. Even some basic image viewers can scan directly, 32-bit or 64-bit, doesn't matter -
Duh... yes, I'm aware. Still they choose to create separate app instead put more feauters in Designer - what bring us to my argument about compromises. I get aura of fanboism from you, but we're all here for reason - to discuss features, wishes, improvements and even voice our disappointments(!). It's not "all or nothing", you can aprreciate software and use it exclusively and sitll be disapointed with some decisions.
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This can't be defined obviously, but if you work in graphic design (or make a product targeted for graphic designers) some features are common sense. Beacuse otherwise why not restrict Bold and Italics modifiers just to Publisher? Are they "basic"? Yeah, I get it but read my paragraph above. Let's revert this argument - take paint brush in Photo for example. It makes perfect sense in context of this app, not so much in Publisher. But if you could do all sorts of edits to bitmap in Publisher, excluding paint brush, what would you say? As side note - I think that separating Publisher and Designer, while it has it's benefits, isn't best startegy - due to weird compromises we talk right now.
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Percentage.
gabriel_komorov replied to GrantDixon's topic in Feedback for Affinity Photo V1 on Desktop
When you create / place / paste any object - before making any changes to it - these dimesnions are original. So I don't see a problem in applying this logic to any layer. Corel Draw does exactly this from... 20? years. So it's not hard concept to grasp and implement. As posted above - Publisher has neat button for this (again difference for sake of difference). And there's always settings where anyone can tune behavior for his/her liking. -
Percentage.
gabriel_komorov replied to GrantDixon's topic in Feedback for Affinity Photo V1 on Desktop
Also - current scaling by percent could get some upgarde, specifically Affinity should remember initial dimensions. Let's take bitmap 100x100px, scale width by 200% - we get 200x100px, so far so good. But now Affinity thinks that 200px is 100%, and entering 100% will do nothing. Wrong! In fact it should scale back to initial dimensions - 100x100px Current implementation is destructive and doesn't give an easy way to revert to original dimensions
