My Adobe dependency dates back to the mid-1980s when I was a beta tester for the first Windows version of Photoshop. I have been clean and sober for weeks.
Affinity Photo and a few other best-of-class products are my methadone. Together, they do everything I need as a professional photographer, and do it considerably better than Adobe products (albeit more expensively.)
My workflow:
Photo Mechanic (US$150) for ingesting raw images from the camera, culling, and converting the keepers to DNG (for compatibility with subsequent steps in the workflow)
Photo Ninja (US$129) plus for adjusting DNG files and exporting them as .tif files (I do not save .afphoto files because .afphoto files do not have embedded thumbnails recognized by Photo Mechanic, Photo Ninjua or IMatch). Affinity Photo raw development still has a way to go before it can match Photo Ninja, particularly in non-destructive processing. Before Affinity Photo can compete with dedicated raw editors, it needs to retain the original raw file and adjustments so that users can roll back their post processing without having to start over with the original camera file. This, in my mind, is the biggest gap remaining in Affinity Photo's repertoire of tools and techniques.
Affinity Photo (US$50) for fine finishing, especially with the remarkable Haze Removal filter. I rarely resort to Nik Collection because Affinity Photo's non-destructive filters are usually better.
Finally, IMatch (US$110) for unparalleled keywording and cataloging of DNG and TIF image files.
Basic arithmetic shows that my motive is not frugality: Except for the bargain price of Affinity Photo, the other workflow software components are expensive alternatives to Adobe's monthly tax for Lightroom/Photoshop. My critereon for the production and management of commercial assets.
I have no investor interest in nor receive any privilege or benefit from any of the software makers mentioned. My only relationship with Serif, for example, is that I paid my licence fee like everyone else. I am grateful to the Affinity developers for providing the previously missing element in an Adobe-free workflow.
For the record, I currently shoot mostly with a Sony A7r camera and vintage Canon manual lenses which to my mind are superior in colour rendition and, yes, even sharpness, to the harsh lenses purportedly designed for digital sensors. The attached was done with a 28mm Canon FD scooped online for 30 bucks.