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About Fipo

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  • Birthday January 5

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  1. Grazie!!! Non mi ero reso conto che fosse come aprire e chiudere i cambiamenti. . . Ho pensato che una volta scollegato, è rimasto così. Allora è fantastico.
  2. yes. I just want to change the background rectangle. The others must not be editable. But that function only enables itself at the root and therefore makes everything editable. change.afpub
  3. but I realized that it works on all levels of the master and not on the single element. So if I have 10 elements that don't have to move and I change 1 - everyone else comes out of the block.
  4. yes perfect! That's what I was looking for. Thank you!!!
  5. era molto comprensibile. Grazie. You need out for copiare e incollare for Affinity ricorda fortunatamente le posizioni degli elementi e li applica quando si incolla. Penso che sia importante essere in grado di distinguere tra livelli assoluti e relativi per la situazione che ho spiegato in precedenza. era comprensibilissimo. Grazie. Non servono le quide per copiare e incollare perché Affinity per fortuna ricorda le posizioni degli elementi e le applicazioni quando incolli. Penso che sia importante la possibilità di distinguere tra livelli assoluti e livelli relativi per la situazione che ho spiegato prima
  6. situazione: Ho un elemento master che cambia colore di tanto in tanto. Non voglio creare master con modifiche. Supponiamo che un rettangolo nero sul master che a pagina 3, 5 e 7 diventa rosso, verde, blu ... Vado a pagina 3 ... Posso selezionare l'elemento master sul 3 dai livelli, ma non riesco a renderlo rosso. Ti chiedo se conosci la soluzione mantenendo l'elemento nella pagina master. changing.afpub
  7. questo è difficile per me capire perché... un livello è un livello indipendentemente dal fatto che sia nel master. In tal caso potrei avere sulle pagine elementi intermedi e sugli elementi master sopra (ad esempio il numero di pagina) ed elementi sottostanti (sfondi)
  8. yes thank you so much it was just that!!! I was looking in some preference for enlargement or reduction.
  9. I have a master page where a text and a logo. How do I assign the sequence of levels if I want to change the order? How do I say "does the logo go over everyone? The levels seem to correspond to the objects and in the internal pages disappear those of the master pages ... I'm confused.
  10. se ho un logo vettoriale raggruppato e lo riduco non posso ridurre le linee e gli effetti in proporzione. Ci sono modi per farlo o è una richiesta da fare agli sviluppatori?
  11. with smart styles you can format dates automatically by recognizing them. You can define a list of names ... for example all the months and make the month a title, you can make the date numbers be defined differently ... for example for a calendar, you can make that every time a certain name appears, that of a company, it is bold and maybe colored ... in short, the styles conceived in this way save a lot of time. Affinity is prodigious and I really want it to come to that.
  12. A style that is activated with certain recurrences in order to always activate itself when it meets certain requirements. Grep allows for clever ways of recognizing some situations, but other ways could be used. For example an hour if I express it like this: 12:58 I can find this generic recurrence intended as "number number two points number number" and then I could know that the next two words are to be included. In short, if I have a way to find particular particles in a text and can assign styles, then I am able to import a text and have a large part of facilitated formatting. But we could go even further with the imagination ... for example insert defined objects with certain recurrences ... perhaps symbols or images.
  13. i il secondo perché preferisco una struttura più complessa di un disegno sfalsato
  14. i hope to see publisher soon also on ipad
  15. my biggest problem is text styles. I'm used to grep and dynamic styles. If you work with texts you know what difference it makes to have this. If it's not grep, expect such a system, perhaps more intuitive. Another big problem is vectorizing bitmaps. It seems useless to some, but it is great in so many cases. I see Affinity as the future of graphic design, but first of all I absolutely need to be able to manage text styles dynamically.
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