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Slayman

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  1. Like
    Slayman got a reaction from NBG in Still webp extension missing in export panel?   
    Upvoting this. In order for our websites to pass Google's performance guidelines, we have to use WEBP images in our websites. I have a WEBP batch converter but it sucks and takes additional steps.
  2. Thanks
    Slayman got a reaction from meg.petrillo in Handling bleed in 1.7.0.58 (split)   
    I'm having bleed issues with export/share the share section doesn't have a BLEED option when exporting a PDF. It was there 1.6
  3. Like
    Slayman got a reaction from Boldlinedesign in Affinity Designer Customer Beta (1.7.0.3)   
    Keep up the great work guys.
    I was hoping to see distortion tools for this beta like envelope distort
    Other features I was expecting to see was Simplify and Image Trace.
  4. Like
    Slayman got a reaction from anon2 in 3D LUT profile manager   
    It would be great if you guys had a way of importing sets of LUTS and managing LUT files just like you do brushes and colors. Right now when I load a LUT I have to search my Hard drive for my LUT folder which can take a fair amount of time.
     
    It would be great if I can scroll through LUTS like I scroll through transparency settings to find the right style LUT I'm looking for.
     
    Keep up the awesome work guys!
  5. Like
    Slayman got a reaction from saharald in BLEED BLEED BLEED AAAAAAGGGGGGHHHHHH!   
    +1. Please fix this. It was a pain in Designer and it still is there in Publisher. Exporting to PDF with bleed and crop doesn't show all the bleed in some cases. It will just stop the bleed at the crop line.
  6. Like
    Slayman reacted to Sandmanr in 3D LUT profile manager   
    This is a great idea. Being that this is an old post I’m not sure what value this comment will add if any. 
     
    Preview thumbnails will also be useful here! A man can hope right?
  7. Like
    Slayman got a reaction from anon2 in 3D LUT profile manager   
    It would be great if you guys had a way of importing sets of LUTS and managing LUT files just like you do brushes and colors. Right now when I load a LUT I have to search my Hard drive for my LUT folder which can take a fair amount of time.
     
    It would be great if I can scroll through LUTS like I scroll through transparency settings to find the right style LUT I'm looking for.
     
    Keep up the awesome work guys!
  8. Like
    Slayman got a reaction from max tsukino in Find and Replace Text   
    Yeah this needs to be bumped up. i just drew about 60 floorplans for a home builder and they decided they wanted to change the phrase "Unfinished room" to "Optional Room". I now have to manually change each one.
  9. Like
    Slayman got a reaction from Leigh in Plug In - Neat Image Noise Reduction   
    How's this coming along? I really need Neat Image to work.
     
    UPDATE: Never mind. I did a reinstall of Neat Image v8 and restated AP. It's working fine now.
  10. Like
    Slayman got a reaction from anon1 in Saturation Adjustment   
    Whoa. Ok. I see What's going on with using curves and blend mode. Nice! Thanks!
  11. Like
    Slayman reacted to Signguy in Find and Replace Text   
    Why don't you create words that get duplicated into symbols.  Change them once and your done.  I can see this working exceptionally well for your floorpans and also for the avery labels.
  12. Like
    Slayman got a reaction from JimW in Aperture Replacement — Affinity   
    Dear God please! Lightroom is a fluster cluck and Photos is so weak. Please build Affinity Aperture or Affinity Album or what ever it will be called. I'm dying here.
  13. Like
    Slayman reacted to anon1 in [Fixed] Vectorscope layout is incorrect   
    Glad to hear a pro say that :) 
    thanks for your engagement! 
  14. Like
    Slayman reacted to MattP in [Fixed] Vectorscope layout is incorrect   
    Thanks for this! We'll see to it that this is updated asap - thanks again! :)
  15. Like
    Slayman reacted to Art Adams in [Fixed] Vectorscope layout is incorrect   
    Hi- I'm a cinematographer and I just bought Affinity based on the fact that it offers video-style waveform and vector scopes. That's huge for me as I often shoot stills as proof-of-concepts for commercial shoots and I need to quickly manipulate them to show to a client and director, and no other stills program (or at least none that I'm aware of) has exposure controls that allow me to evaluate and correct exposure and color so easily and consistently across photos.
     
    But:
     
    The vectorscope layout is whacked. Red should be at the top around 11:30. Blue should be roughly at 3:00. Green should be around 7:00. There should be a line (the "I" line) that falls between red and yellow and makes for a perfect flesh tone target. Default gain should be 2x (or 200%).
     
    I've attached an image showing what a proper vectorscope should look like.
     
    I consult and teach training courses for DSC Labs, who make the Chroma Du Monde HD test charts, so I've done a lot of work with waveform/vectorscopes both as a cinematographer and as a tech guru. Feel free to get in touch if I can help out in correcting this.
     
    Thanks.

  16. Like
    Slayman reacted to captain13chris in video scopes   
    I would like to see the "skin tone" line added to the vectorscope in Affinity Photo! It would be a small, but helpful addition!
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