Old Bruce

Use All Pages instead of Spreads in the PDF Export Area.

Can you select the tools using Keyboard Shortcuts. M for the Shapes tool, T for the Text tools, P for the Pen tool etc? Are you using an Apple Mouse or some other Mouse or trackpad or a Graphics Tablet? Do you have any 3rd party Utilities for running Macros or Keyboard shortcuts? Or any 3rd party Utilities which may be between the Mac OS and the Publisher software.

Pretty much everything is a layer. An image (like an imported/Placed .JPEG file), a Rectangle, Text, Pixel layers that you can paint on, Filter Layers, Adjustment layers, Groups etc. Even a Layer layer is a layer. A Layer is available in Designer and Publisher, kind of like a Group. Publisher Designer

Big difference here on Mac OS 11.7 with the Red Layer being 254 versus 255 and set to Colour Dodge and above the Black Layer. At 255 At 254

Seems to work here, after a fashion. Try this, the font is Arial and the other is an ornamental font which you may not have. Some of the symbols/glyphs which are not Arial won't show in the running header. The Symbols/Glyphs which are Arial show. test.afpub Scheint hier zu funktionieren, nach einer gewissen Zeit. Versuchen Sie dies, die Schriftart ist Arial und die andere ist eine Zierschrift, die Sie vielleicht nicht haben. Einige der Symbole/Glyphen, die nicht Arial sind, werden in der laufenden Kopfzeile nicht angezeigt. Die Symbole/Glyphen, die Arial sind, werden angezeigt.

Es gibt keine "absolut beste Methode", dies zu tun. Für dieses Szenario würde ich mir das Word-Dokument ansehen und entscheiden, was ich als Textstile verwenden möchte. Natürlich würde ich eine Zeichenvorlage mit dem Namen "Fett" und eine mit dem Namen "Kursiv" erstellen. Ich würde meine eigenen Absatz- und Zeichenformate in Publisher erstellen, bevor ich das gesamte Word-Dokument importiere. Wenn ich alle benötigten Formatvorlagen habe und die Seiten die richtige Größe mit den besten Musterseiten haben, würde ich die Word.docx-Datei mit Datei > Platzieren platzieren. Dann würde ich das Bedienfeld Suchen und Ersetzen verwenden, um nach den importierten Absatzformaten zu suchen und sie durch meine eigenen zu ersetzen. Wenn es keine importierten Absatzformate gibt, würde ich nach Schriftfamilie, -stärke, -größe und -ausrichtung suchen und diese durch meine vorbereiteten Absatzformate ersetzen.

There is no "One Absolute Best Way" to do this. For this scenario I would look at the Word document and decide on what I was going to use as Text Styles. Obviously I would make a Character Style named Bold and one named Italic. I would make my own Paragraph and Character Styles in Publisher before I bring in the entire Word document. After I have all the styles I need and the pages are the proper size with the best Master Pages I would use File > Place to place the Word.docx file. Then I would use the Find and Replace panel to search for the imported Paragraph Styles and replace them with my own. If there are no imported Paragraph Styles then I would search and replace for Font family, weight, size and alignment and replace with my prepared Paragraph Styles.

I think the problem may be because the font with the Glyphs is not the same as the Font for the text in the Title or the Font the text for the "Column title" I would insert the Glyph, then do the "Insert" - "Fields" - "Column title", and finally insert the other Glyph. Via DeepL.com ========= Ich denke, das Problem liegt daran, dass die Schriftart für die Glyphen nicht dieselbe ist wie die Schriftart für den Text im Titel oder die Schriftart für den Text im "Spaltentitel". Ich würde die Glyphe einfügen, dann "Einfügen" - "Felder" - "Spaltentitel", und schließlich die andere Glyphe einfügen. Über DeepL.com

If I select a locked layer in the Layers panel I can still change the colour, stroke etc.

We don't format "text fields" we format text. Use the Text Caret and place it in the text and look at the Text Styles panel. If you desire to have everything as one text style then select all the text (place the Text Caret somewhere in the text and hit Command + A (or Control + A on Windows) to select all the text) click on the Text Style you want it to be. This can be done before or after you have done the Automatic Text Flow (I have the habit of doing the Paragraph Style application before expanding the number of pages because I may increase or decrease the number of pages by applying the Paragraph Style). via DeepL.com ================== Wir formatieren keine "Textfelder", wir formatieren Text. Verwenden Sie die Textmarkierung, platzieren Sie sie im Text und sehen Sie sich das Bedienfeld "Textstile" an. Wenn Sie alles als einen Textstil haben möchten, markieren Sie den gesamten Text (platzieren Sie die Textmarkierung irgendwo im Text und drücken Sie Befehl + A (oder Strg + A unter Windows), um den gesamten Text auszuwählen) und klicken Sie auf den gewünschten Textstil. Dies kann vor oder nach dem automatischen Textfluss geschehen (ich habe die Angewohnheit, den Absatzstil anzuwenden, bevor ich die Seitenzahl erweitere, weil ich die Seitenzahl durch die Anwendung des Absatzstils erhöhen oder verringern kann). Übersetzt mit www.DeepL.com/Translator (kostenlose Version)

Might be a Windows thing. I have no problem here on Mac OS 11.7 with removing the lines from the table on Page One.

Welcome to the forums @Joyce D, If you know what size you are going to print at then you could make a new Document of that size, let us say 8 x 10 inches. Set its DPI to 300 and you'll get a 2,400 x 3,000 pixel document. You can then place you photo in/on that new document. You may want to open an existing file and Resize it as it is too small or large or the wrong DPI, here you see that I have a 144dpi image. Note that the physical size is the same, just the dpi is changed with the Resample checked. Here the physical size is changed, as well as the dpi.

I just made a version one file and have no problem with Edit Detached when opening it in version 2. The Edit Detached is there with the right click on the Master Page layer, do not bother right clicking on the Table, click on the Master Page in the Layers panel.

If you do not save the Developed raw file as a .afphoto file then all the adjustments made to the raw file are lost, because you didn't save it. There is a way to save the changes as a linked file, the size of the resulting file can be quite small. On the right is the raw file on the left is the Linked, developed file. Here is where you set the Linked, Embedded, or Pixel data.

You may have a space between Paragraphs setting of 12 points (or 10 or 14). Check the Paragraph panel. The Leading Override is something that will best be set to Auto for most if not all of the text in a document.

Not entirely sure of what you mean by "linked". I am guessing you mean you have applied a Master Page to the Actual pages, a Master Page with a Table in it. If, while you are working on the Actual Page, you use the Layers Panel and right click on the Master Page there you'll see a Context Menu item that says "Edit Detached" choose that and you should be able to then select the table and edit it.

No, I think it is the way the fonts are built. If you use the beta you'll see much better results, perfect but for the weird thing I demonstrated with the third letter.

If you go to the Assistant settings you can change where Adjustment Layers are placed, they can be placed as a child layer or as a separate layer above. When above they will adjust everything you have below and this may be a bad thing.

That "end of book" choice for Endnotes does seem to be broken here on Mac OS 11.7 There may be a way to get it to work but I can't seem to figure it out.

Most likely you have pasted a Text Frame with an outline applied to it in Publisher. Designer lacks the Text Frame studio panel. You'll have to open the file in Publisher and remove the outline there or just copy the text and make a new Text Frame in Designer.

I think what you may have done is just copy and paste the entire artwork onto each Artboard. How you made those artboards I don't know for certain but I suspect it was by drawing rectangles of the appropriate size and location (meaning a rectangle sized to just the glass) with a gap that is the frame of the entire glass wall. and then you converted the rectangles one by one into artboards and pasted the entire Artwork into each artboard. here is the C1 artboard showing (with blue outlines) exactly what is not on the art board.

Welcome to the forums Steve F, I am not entirely certain of what you want to achieve. But having said that you will be painting with the "new colour" on the original pixel layer and that new colour will be affected by the Curves Adjustment layer. If you paint on an empty new Pixel layer above the original layer with its Adjustment Layer then this will be the "new colour" unaffected by the Curves Adjustment layer. Try this and turn off and on the Adjustment layer to see the effects. Try with something more radical like a HSL or Recolour Adjustment layer to see what is happening on different layers.

It is a Frame Text Text Frame attribute. So I guess you would set it for the Text Frames on the Master Pages.

Perhaps if you change from Custom to Document-wide things may work better.

Unsure of what you are actually needing from the nesting. Are you wanting the black layer to clip the red and blue layers? I enlarged them here in this screenshot.